| Photos (See all 38 | slideshow) |
| Jean-Claude Van Damme | ... | Chance Boudreaux | |
| Lance Henriksen | ... | Emil Fouchon | |
| Yancy Butler | ... | Natasha 'Nat' Binder | |
| Wilford Brimley | ... | Uncle Douvee | |
| Kasi Lemmons | ... | Det. Marie Mitchell | |
| Arnold Vosloo | ... | Pik van Cleef | |
| Robert Apisa | ... | Mr. Lopacki | |
| Chuck Pfarrer | ... | Douglas Binder | |
| Douglas Forsythe Rye | ... | Frick | |
| Mike Leinert | ... | Frack | |
| Lenore Banks | ... | Marie | |
| Willie C. Carpenter | ... | Elijah Roper | |
| Barbara Tasker | ... | Waitress | |
| Randy Cheramie | ... | Shop Steward | |
| Eliott Keener | ... | Randal Poe | |
| Robert Pavlovich | ... | Detective | |
| Marco St. John | ... | Dr. Morton | |
| Joe Warfield | ... | Ismal Zenan | |
| Jeanette Kontomitras | ... | Madam | |
| Ted Raimi | ... | Man on the Street | |
| Sven-Ole Thorsen | ... | Stephan | |
| Tom Lupo | ... | Jerome | |
| Jules Sylvester | ... | Peterson | |
| David Efron | ... | Billy Bob | |
| rest of cast listed alphabetically: | |||
| Codie Scott | ... | Reporter | |
Directed by | |||
| John Woo | |||
Writing credits(WGA) | ||
| Chuck Pfarrer | (written by) | |
Produced by | |||
| Terence Chang | .... | co-producer | |
| Sean Daniel | .... | producer | |
| Moshe Diamant | .... | executive producer | |
| James Jacks | .... | producer | |
| Daryl Kass | .... | line producer | |
| Chuck Pfarrer | .... | co-producer | |
| Sam Raimi | .... | executive producer | |
| Robert G. Tapert | .... | executive producer | |
| Eugene Van Varenberg | .... | associate producer | |
Original Music by | |||
| Graeme Revell | |||
| Tim Simonec | |||
Cinematography by | |||
| Russell Carpenter | |||
Film Editing by | |||
| Bob Murawski | |||
Production Design by | |||
| Phil Dagort | |||
Art Direction by | |||
| Philip Messina | |||
Set Decoration by | |||
| Michele Poulik | |||
Costume Design by | |||
| Karyn Wagner | |||
Makeup Department | |||
| Anne Hieronymus | .... | makeup artist | |
| Donna Spahn | .... | hair stylist | |
Production Management | |||
| Daryl Kass | .... | unit production manager | |
| Patricia Serafina Madiedo | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Nancy Blewer | .... | second second assistant director (as Nancy Blewer-Mahaffey) | |
| William H. Burton | .... | second unit director (as Billy Burton) | |
| John E. Gallagher | .... | second assistant director | |
| James Lansbury | .... | first assistant director: second unit | |
| Dennis Maguire | .... | first assistant director | |
Art Department | |||
| Stuart Auld | .... | camera scenic artist | |
| Jack Blanchard | .... | set dresser | |
| Randall S. Coe | .... | carpenter | |
| Michael Hendrick | .... | set dresser | |
| Michael A. Johnson | .... | set dresser | |
| Monroe Kelly | .... | assistant art director | |
| Dave Kelsey | .... | scenic artist | |
| P.K. MacCarthy | .... | storyboard artist | |
| Patrick McGuire | .... | leadman | |
| Steven B. Melton | .... | property master | |
| Gordon Peck Jr. | .... | signwriter/scenic | |
| David Schlesinger | .... | key set dresser | |
| Nick Spetsiotis | .... | art department production assistant | |
| Kent State | .... | props | |
| Chuck Stringer | .... | carpenter | |
| Brad Lokey | .... | on-set dresser (uncredited) | |
Special Effects by | |||
| Dale Jones | .... | special effects technician | |
| Gary Jones | .... | special effects technician | |
| Dale L. Martin | .... | special effects coordinator (as Dale Martin) | |
Visual Effects by | |||
| Joseph Armand Fedele | .... | optical effects supervisor | |
| Don Lee | .... | digital compositor | |
| Doyle Smith | .... | wire removal (uncredited) | |
Camera and Electrical Department | |||
| Kirk Bloom | .... | second assistant camera | |
| Billy Bragg | .... | director of photography: second unit | |
| Kirk Douglas | .... | assistant camera | |
| Kirk Douglas | .... | camera operator: Second unit | |
| Edward A. Gutentag | .... | assistant camera | |
| Frank M. Holgate | .... | aerial director of photography (as Frank Holgate) | |
| Jeffrey A. Johnson | .... | grip | |
| Bret Lanius | .... | assistant camera | |
| Philip Lee | .... | camera operator | |
| Michelle Madison | .... | second assistant camera | |
| Jeff Mart | .... | Steadicam operator | |
| Chris Milani | .... | electrician | |
| Lloyd Moriarity | .... | key grip | |
| Melissa Moseley | .... | still photographer | |
| Randy Nolen | .... | Steadicam operator | |
| Andrew Rawson | .... | electrician | |
| Steven Scaffidi | .... | camera operator | |
| Tony Varuola | .... | best boy electric | |
| Randy Walsh | .... | camera operator | |
| Vojislav Mikulic | .... | gaffer (uncredited) | |
| Wells A. Smith | .... | key grip: second unit (uncredited) | |
| Samuel Webb | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Marisa Aboitiz | .... | costume supervisor | |
| Margaret Lancaster | .... | wardrobe assistant | |
| Dena Matranga | .... | costumer | |
Editorial Department | |||
| Sandy Brundage | .... | negative cutter | |
| Kevin Henry | .... | negative cutter | |
| Chris Lechler | .... | apprentice editor | |
| William Pine | .... | color timer (as Bill Pine) | |
Music Department | |||
| Dick Bernstein | .... | music editor | |
| Sandy DeCrescent | .... | orchestra contractor (as Sandy De Crescent) | |
| George Doering | .... | musician | |
| Ken Kugler | .... | orchestrator | |
| Frank Macchia | .... | music preparation | |
| Graeme Revell | .... | conductor | |
| Graeme Revell | .... | orchestrator | |
| Tim Simonec | .... | conductor | |
| Tim Simonec | .... | orchestrator | |
| Philip Tallman | .... | assistant music editor | |
| James Thatcher | .... | musician: french horn | |
| Dan Wallin | .... | score mixer | |
Transportation Department | |||
| Roy A. Grace | .... | driver | |
| Earl R. Hurst Sr. | .... | transportation captain | |
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| The Professional: Golgo 13 | Cobra | Double Impact | Double Team | Live Free or Die Hard |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
John Woo, after striking gold in action cinema in Hong Kong, came to Hollywood in the early 1990s in search of success here. His first film, Hard Target, came out in 1993, to minimal critical and popular success. Many criticized Woo, and it took him over 3 years to put out another movie, Broken Arrow (1996). It wasn't all Woo's fault. For one, during filming, Jean Claude Van Damme wouldn't listen to his directing. Yancy Butler once said: "John would tell him to use the guns, but Jean would just go back to kicking." Woo found interesting ways to counteract this, and invented a awesome combo of martial arts and gunplay. Woo finished principle photography, then the movie was edited and submitted to MPAA for rating. The movie was issued a NC-17. Woo wasn't happy, but agreed to trim down some of the violence, and that he did. The movie was reissued, but still not refused. Universal Studios then took the film, cut it themselves, not trying to fight the MPAA, and released it. Some violence was trimmed (more arrow hits in Binder's death and some people being shot more than shown), and a sex scene was removed as well. The movie is still Jean Claude's best and one of Woo's best. The martial arts scenes are excellent, as is the gunplay. Jean Claude has one of the greatest stunts in history involving a truck, a motorcycle, and a flip. As for the plot, nothing special, just a new version of "The Most Dangerous Game." Good acting from Van Damme (!), Butler, and Lance H. make it easier to swallow as well. All in all, it gets
Seven outta Ten.
P.S. Here's to hoping they release a director's cut DVD!