Action-packed as usual with Donnie Yen kicking his adversaries in the role of "Beggar Su". Basic plot revolves around a young Beggar Su getting addicted to opium and manipulated by a ... See full summary »
Knockabout is Sammo HungÂ's (TVÂ's Martial Law, The Legend Of Zu) brilliant cinematic achievement at merging comedy with kung fu. His meticulous blending of the two ingredients is vividly demonstrated in this film.
A rich man's son (Yuen Biao) believes himself to be the best kung fu fighter in Canton. Unfortunately, his father, anxious for his son's safety, bribes all his opponents to lose. After a ... See full summary »
Fung Hin-Man (Donnie Yen) is a legendary warrior who lives now elderly, along with a friend, their memories and their remorse. When a young man comes to him, Fung tells him the story of ... See full summary »
Sammo Hung plays a cop on the trail of drug dealers. Customs officer Yuen Biao is investigating the same gang. Sammo's new partner is eager-beaver Takeshi Kaneshiro. Despite each having ... See full summary »
Directed by Wu Ma, who had previously directed Yuen Biao in the ghost story classic Portrait of a Nymph in 1988, this film focuses on the students of the Wong Fei Hong legend.
Yuen Biao, who starred in Once Upon a Time in China, then found that most of scenes had been cut out, made this seminal classic in which he teamed up again with Wu Ma to star in his own take of the Wong Fei Hong legend. Although Wu Ma rather wisely focuses on the students of Wong Fei Hong rather than the Wong Fei Hong himself as the Once Upon a Time in China series had done.
Also starring is Wu Ma himself and the fantastic Yuen Wah (this would be the last film where he and Yuen Biao would fight. Although they were in Hero (1997) they didn't fight in that movie) who is great as the opium smuggling chief.
Yuen Biao plays Lau Zhai, a student of Wong Fei Hong (but not inducted formally yet), who has a unfairly bad reputation thorough the community who gets framed for smuggling opium.
Yuen Biao shows some incredible footwork and so does Yuen Wah. Their end fight at the end is a great highlight of the movie.
Although the first part of the movie is pretty slow, as Wu Ma tries to establish the characters and the storyline, it picks up in the second half where the movie is fantastic.
Backed by a great supporting cast, in which virtually all of them would team up again to star with Yuen Biao, a year later to star in the Wu Ma directed Circus Kid. Yuen Biao gives a refreshingly diverse performance which ranges from playfulness, sorrow, anger, love and so much that I could go on for ever.
The choreography of this film is fantastic, letting both Yuen Biao and Yuen Wah shine. Wu Ma, directs with some lovely sweeping camera angles. The production values are very high too. Wu Ma must be given credit for focusing on a number of characters rather than one.
This movie is a fantastic movie. However this movie doesn't have that certain sparkle most Yuen Biao movies have. Despite that this movie should be seen by any fan of the Hong Kong martial arts movie genre.
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