Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
John and Max are elderly men living next door to each other. They're continuously arguing and insulting each other, and have been this way for over 50 years. One day, Ariel, moves into the street. Both men are attracted to her, and their rivalry steps up a gear. Written by
Burgess Meredith, as Grandpa, is shown acting out different versions of one scene (A245/84B or A246/84B). Presumably the nature of the scene meant that the choice of which version to use had to be made later. See more »
This is an instant classic and a very recognizable film of the two, that if you ask someone about them, they will always mention this. A grreat and memorable role of the two, and and very hilarious, you'll want to see it again. They are a bunch of bumbling and feuding neighbors, who are in love with the same woman. Every scene with them in this one is unforgettable and outrageously funny. Especially the scenes with Matthau, with the fishing pole that sinks into the ice, he screams loud. An unforgettable scream and very funny too. He does the same when Ann Margaret drops the big fish before he can get a shot of it, and again when he discovers the dried fish that Jack Lemmon put in his car without him noticing it, and I like his line there, "ya shmuck!" That was funny. Boy those two are really funny, but at the same time they know how to make dramatic scenes that are almost teary, and sometimes serious and heart-warming ones, but they still become funny at the end and seem to keep it like that. Recommended to all fans of the two.
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