A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A weather man is reluctantly sent to cover a story about a weather forecasting "rat" (as he calls it). This is his fourth year on the story, and he makes no effort to hide his frustration. On awaking the 'following' day he discovers that it's Groundhog Day again, and again, and again. First he uses this to his advantage, then comes the realisation that he is doomed to spend the rest of eternity in the same place, seeing the same people do the same thing EVERY day. Written by
In 2003, this movie was the opening night film in the Museum of Modern Art's "The Hidden God: Film and Faith" series. A December 7, 2003, New York Times article called "Groundhog Almighty" discussed both the seeming incongruity of Groundhog Day being curated alongside such "serious" films as Luis Buñuel's Nazarin (1959), Federico Fellini's 8½ (1963), Ingmar Bergman's Nattvardsgästerna (1963), and Andrei Tarkovsky's Andrei Rublev (1966) and the opinions of different clergy-people and religious adherents (including rabbis, Jesuit priests, Buddhists, practitioners of Falun Dafa, and Wiccans) about how the movie is applicable to or actually about their respective religion. See more »
In the scene at the quarry the police car's overhead warning lights alternate between being on or off depending on the shot. See more »
Somebody asked me today, "Phil, if you could be anywhere in the world, where would you like to be?" And I said to him, "Prob'ly right here - Elko, Nevada, our nation's high at 79 today." Out in California, they're gonna have some warm weather tomorrow, gang wars, and some *very* overpriced real estate. Up in the Pacific Northwest, as you can see, they're gonna have some very, very tall trees.
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It's kind of hard to pinpoint what makes 'Groundhog Day' work just right- many movies have great premises, some even a bit more ambitious than this one (though not as heartfelt, maybe) but fail. I think that 'ratedness' may play a bigger role than people imagine. For example, this movie came out a bit before my time, and because of that I missed the trailers and stuff for when the film came out. Even so, people that were around when 'Groundhog' came out in the theatres, might've also thought it was underrated, as the title 'Groundog Day' doesn't necessarily *try* to draw in huge crowds.
OK...all my above rambling means one thing: I loved 'Groundhog Day', but I'm embarrassed I didn't watch it sooner. Having the typical Generation X-er mentality I assumed this film would have outdated humour- but let me assure you (and seeing Rushmore confirmed this for me) -Bill Murray and his humour will NEVER go out of style; he is fabulous. He takes just the right amount of self-deprication (not too much) and combines it with cynicism....well I don't want to try to *define* his humour- the easiest way would be to watch him in action! Also, the writing for this film is absolutely perfect.
Go see for yourselves... and hope that ONE DAY the groundhog will actually NOT see his shadow......lol
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