As each relentless night turns towards day, Ernest Rackman turns towards violence to escape thoughts of loneliness and suicide. Then he poses as a police officer and rescues a young girl ...
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Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
Fed up with being censored in their post-Trailer Park Boys lives, the out of work stars/world-renowned 'swearists', Mike Smith, Robb Wells and John Paul Tremblay decide to start their own uncensored network on the internet.
A mentally unstable Vietnam war veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
As each relentless night turns towards day, Ernest Rackman turns towards violence to escape thoughts of loneliness and suicide. Then he poses as a police officer and rescues a young girl from her parent's apartment, where she was forced into a compromising life. Having discharged his violence, he plans to move forward with this new relationship, but the demons of loneliness and despair still haunt him. Written by
Obviously It is not a commercial production. I mean you assume a movie is successful on a basis of the tickets sold. I address my review to the anonymous Mexican's comment written above. What we should judge in a work is its quality and what you call a 'nonsense story' It's actually the plot. The 'loser' you talk about, the main character, represents the weakness of the man within the society. So depression, despair, loneliness are expressing the difficulty of a man in having a role in the society. A movie is usually successful when there are a winner, empathy, a nice end, some nice girl and a nice environment. But it's just leisure, it's fake. The main character of this movie faces reality and suggest a way to deal with it, even if it's losing. Thanks.
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