Karl Hochman, a technician in a computer shop, is also "The Address-Book Killer", who obtains the names of his victims from stolen address-books. Terry Munroe and her son Josh come into the... See full summary »
In the year 2032, Batô, a cyborg detective for the anti-terrorist unit Public Security Section 9, investigates the case of a female robot--one created solely for sexual pleasure--who slaughtered her owner.
After his parents are killed in a car accident, Cody is left dealing with enormous guilt, caring for his younger brother and the persistent thought of how to bring his parents back to life.... See full summary »
The year is 2030 and an influx of refuges have effortlessly transformed themselves into a terrorist organization known as the Individual Eleven. With a sadistic intent of mass destruction, ... See full summary »
In this prequel set one year after the fourth World War, cyborg and hacker extraordinaire Motoko Kusanagi from the military's 501st Secret Unit finds herself wrapped up in the investigation of a devastating bombing.
Karl Hochman, a technician in a computer shop, is also "The Address-Book Killer", who obtains the names of his victims from stolen address-books. Terry Munroe and her son Josh come into the store to price software, and a salesman uses Terry's address-book to demonstrate a hand-held scanner. Karl obtains the file, and while driving to Terry's house that night in a heavy electrical storm, his car runs off the road and lands upside down in a cemetery. While Karl is undergoing a CAT scan at the hospital, a surge of lightning courses through the building, and Karl's mind is transformed into electrical energy. Karl uses the electrical grid and computer networks to continue his killing-spree. Written by
Dennis Lewis <firstname.lastname@example.org>
In one of the early scenes, we see Karen (mother) traveling along the street in her Volvo sedan from a distance, in which you can clearly see there is no-one visible in the passenger front seat. It is empty. In the next scene we see her son sitting in the seat. See more »
[hands Elliot bad ladder]
Here's your ladder sir.
What the hell is this?
[hits a metal thing on it which sways wildly]
What are trying to do? Kill me? Go get another ladder and make sure you fill out the right form this time. 12-M. That's M as in moron.
[looks at Elliot displeased]
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Serial Killer's Soul Invades Computer Mainframe...
I thought THE NET with Sandra Bullock was pretty over-the-top in the way her identity was so completely stolen, but it made a smashingly interesting thrill flick. However, THE NET was nothing compared to the overripe imagination of the screenwriter for THE GHOST IN THE MACHINE.
Computer tekkies will love all the computer graphics involved here in showing how a serial killer, during an MRI power surge, gets his killer soul inserted into a network of computers so that he becomes the hacker from hell. KAREN ALLEN is his main victim, since he was an employee in a store where she was looking for a computerized address book. He has designs on her the moment he sees her with her young son (WIL HORNEFF).
But she's not the only victim he seeks from her address book. Several others meet their imaginative deaths because of his stalking them through his computer wizardry (in most improbable and highly unlikely ways). But logic is the ingredient missing from the entire concept of this horror story that has fun devising various gruesome deaths for at least four or five people. CHRIS MULKEY is good as a computer wizard who helps her combat and ultimately destroy the virus which takes human form in the shape of graphic bits.
Not really as bad as it sounds but all the graphics become a bit tiresome after awhile. I thought one of the best scenes had the automatic awning on the swimming pool covering almost the entire pool in ominous fashion, until the boy decides to swim underneath it to adjust the controls. That bit of natural horror was scarier than some of the computer graphic nonsense.
Summing up: Not bad as these sort of things go. Holds the attention but demands complete suspension of logic.
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