During the 1864 battle of the Wilderness, three Union soldiers and three Confederate Soldiers get seperated from their units as twilight engulfs the ravaged battlefield. The men wander ... See full summary »
The true love story of the conflict between Capt. Robert Adams' dedication to the south and his love for Eveline McCord, his beloved from the north. Produced, written and directed by the descendants of Robert and Eveline, this American Civil War tale is an explosive, richly detailed saga of fierce combat, honor and the will to risk all that's precious for love or country.
A. Blaine Miller,
34-years after his death, Airman William H. Pitsenbarger, Jr. ("Pits") is awarded the nations highest military honor for his actions on the battlefield. One of the great untold stories of the Vietnam era.
The four and 1/4 hour depiction of the historical and personal events surrounding and including the decisive American civil war battle features thousands of civil war re-enactors marching over the exact ground that the federal army and the army of North Virginia fought on. The defense of the Little Round Top and Pickett's Charge are highlighted in the actual three day battle which is surrounded by the speeches of the commanding officers and the personal reflections of the fighting men. Based upon the novel 'The Killer Angels'. Written by
Keith Loh <email@example.com>
An exterior model of the Lutheran Theological Seminary had to be built by the film's construction crew due to the modern buildings surrounding the real one. This "fake" one is seen in the wide-range shots, and cost about $40,000 to build. The actual Lutheran Theological Seminary is only seen in one, very carefully angled shot, when Buford is writing the message to General Reynolds the night before the battle. See more »
The object in the background of the long shot of the Pickett's Charge scene is actually a flag (the so-called "Second National" or "Stainless Banner" of the Confederacy) being carried by a mounted bearer. Because it is white with a dark canton and being moved at a gallop it looks - from a distance - like the outline of a van moving at automobile speeds. See more »
Not the best, but a great representation of the epic battle of the Civil War
All I hear is people griping about how long this film is. That's not the point. The point is it represents what is considered by historians to be the most important battle of the American Civil War.
I will admit that the length of the film kinda takes away from it, but it is nonetheless good.
Save a few historical gaffes (eg. Chamberlain and the 20th Maine at Picket's Charge - in reality, they were being held in reserve near the Round Tops with the rest of the V Corps), this film is very realistic, using thousands of professional re-enactors to fight the battle scenes, which adds to it.
Many battles and side notes were left out (eg. Vincent was mortally wounded on Little Round Top; or did they mention this, I don't remember), but that is okay, given the film focuses on Joshua L. Chamberlain and the 20th Maine, who saved the day at Little Round Top on July 2.
Skirmishes at the Herr Tavern, McPherson's Hill, Little Round Top, and Picket's Charge were all the fighting I remember. But, again, this doesn't really take anything away.
The sweep and grandeur is helped by the superb cinematography (by Kees Van Oostrum) and great acting on the part of Tom Berenger (Longstreet), Martin Sheen (Lee), Jeff Daniels (Chamberlain), C. Thomas Howell (Tom Chamberlain), Sam Elliot (Buford), and the rest of the superb cast. A standout is the late Richard Jordan as Lewis Armistead, the brigade commander in Picket's division who was killed leading his troops "over the top" against Union artillery.
The battle scenes are excellent; Picket's Charge, in real time, is superb, but the furious battle for Little Round Top is one of the most desperate battle scenes ever filmed. You can feel the fear and tension of the 20th Maine as the 44th Alabama (I believe this is correct) charges up the hill again and again. When Chamberlain and his men finally sweep their opponents off the hill?
I think that it may have been good to portray the charging Confederates as well, since they had many interesting stories among them (e.g., the commander of the 44th, William Oates, had a brother, John, who had been ill with a fever and refused to stay behind, and was mortally wounded in the carnage), and the heroics of such people as Vincent himself, and Patrick O'Rourke (who led his New York regiment in a counterattack that saved Vincent's right flank and was killed in the charge) are neglected, but I'm not complaining.
Despite the length and a few overdramatic speeches, this is a great movie.
Seven out of ten.
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