During the 1864 battle of the Wilderness, three Union soldiers and three Confederate Soldiers get seperated from their units as twilight engulfs the ravaged battlefield. The men wander ... See full summary »
The true love story of the conflict between Capt. Robert Adams' dedication to the south and his love for Eveline McCord, his beloved from the north. Produced, written and directed by the descendants of Robert and Eveline, this American Civil War tale is an explosive, richly detailed saga of fierce combat, honor and the will to risk all that's precious for love or country.
A. Blaine Miller,
34-years after his death, Airman William H. Pitsenbarger, Jr. ("Pits") is awarded the nations highest military honor for his actions on the battlefield. One of the great untold stories of the Vietnam era.
The four and 1/4 hour depiction of the historical and personal events surrounding and including the decisive American civil war battle features thousands of civil war re-enactors marching over the exact ground that the federal army and the army of North Virginia fought on. The defense of the Little Round Top and Pickett's Charge are highlighted in the actual three day battle which is surrounded by the speeches of the commanding officers and the personal reflections of the fighting men. Based upon the novel 'The Killer Angels'. Written by
Keith Loh <email@example.com>
There were actually 3 Chamberlain brothers at Gettysburg although only two are in the film. Brother John Chamberlain was a Doctor who had come down to visit his brothers Joshua and Thomas. When Lee invaded Pennsylvania John stayed with the 20th Maine to help. He treated the wounded of the 20th Maine on Little Round Top as well as helping afterwards at various field hospitals. The line in the film "Split up, another close one like that and it could be a bad day for mother" was actually said by J L Chamberlain to his brothers John and Tom. A shell had exploded in the trees over their heads as they climbed up Little Round Top together giving them a rather close call. See more »
While General Longstreet is talking to Colonel E. Porter Alexander during the bombardment of Cemetery Ridge on July 3rd, we see over Longstreet's shoulder a Rebel gun emplacement hit and a Confederate gunner is thrown over the earthworks from the explosion. The camera turns to Colonel Alexander for a brief second then comes back to Longstreet. The same gun is shown intact, not yet hit, and the wounded Confederate gone from the scene. See more »
Lieutenant General James Longstreet:
Some of the men are waiting for us now up ahead over those ridges. I don't know, I sometimes feel troubled. Those fellows, those boys in blue, they never quite seem like the enemy. I used to command some of those boys, swore an oath too.
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With a few notable exceptions Schindler's List, Braveheart, Saving Private Ryan and Glory, history based movies usually die quick and quiet in the movie theater (The Messenger, Ride with the Devil, Cobb) History flicks cost a bundle to make with the costumes and the challenge of finding a place to shoot that's nowhere near highways, bridges, and cities, and they don't always appeal to mass audiences.
So it's not that often that really good historical film comes around. As a result, it's good not to be too fussy when one does. Both Gettysburg and the Killer Angels, the book it was based on, were stuffed with historical inaccuracies, the grossest of all being the presence of the 20th Maine regiment anywhere near Pickett's charge (this happens in both the movie and the book).
For all the lengthy soliloquies, historical misses, whitewashed violence, and the fact that only about 30% of the battle of Gettysburg is shown on film, Gettysburg remains as the best effort to capture the sprawling battle of July 1863 on film. Where the movie lacks in realism, it makes up for it's dialogue, and in the scope of the battle scenes, which are on a scale so grand, that the bloodless body count and the inaccurate tactics can be forgiven. The sheer numbers of soldiers taking part in Pickett's charge was breathtaking. Kudos to the reenactors.
Martin Sheen and Tom Beringer were they're usual excellent selves as Lee and Longstreet and for me, their ongoing debate of the strategy of Gettysburg helped make the movie. Other highlights include the disenchantment of Union soldiers at this stage of the Civil War, and the personal trauma Richard Jordan's Lewis Armistead felt at having to fight his friend Winfield Hancock not only in the same war, but in the same sector of the same battle of that war.
Much of Gettysburg has to be viewed with a grain of salt, but until a Stephen Speilberg or other directing genius with a knack for war footage comes along, it's one of the best we have. And it's pretty good.
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