During the 1864 battle of the Wilderness, three Union soldiers and three Confederate Soldiers get seperated from their units as twilight engulfs the ravaged battlefield. The men wander ... See full summary »
The true love story of the conflict between Capt. Robert Adams' dedication to the south and his love for Eveline McCord, his beloved from the north. Produced, written and directed by the descendants of Robert and Eveline, this American Civil War tale is an explosive, richly detailed saga of fierce combat, honor and the will to risk all that's precious for love or country.
A. Blaine Miller,
The four and 1/4 hour depiction of the historical and personal events surrounding and including the decisive American civil war battle features thousands of civil war re-enactors marching over the exact ground that the federal army and the army of North Virginia fought on. The defense of the Little Round Top and Pickett's Charge are highlighted in the actual three day battle which is surrounded by the speeches of the commanding officers and the personal reflections of the fighting men. Based upon the novel 'The Killer Angels'. Written by
Keith Loh <email@example.com>
Except for the professional actors, this movie featured over 13,000 volunteer Civil War re-enactors who paid their own way, provided their own props and uniforms and fought the battles presented on screen using the same tactics as were current at the time. The re-enactors were in Gettysburg for the 125th anniversary of the battle during July 1-3, 1988. Most of the battle footage was filmed for the CNN news coverage of the re-enactment. The footage not used in the news story was used for the movie. See more »
In the scene in which Longstreet arrives at Lee's headquarters on the afternoon of the first day, shadows from the stage lights can be seen on the wall of the farmhouse, cast by a light source off camera to the left. The position of the sun is to the right of the scene, however, and natural shadows can be seen, cast right to left. See more »
GETTYSBURG, based on Michael Shaara's bestseller, "The Killer Angels", is a truly remarkable film, in it's clear, if long, presentation of the Civil War's bloodiest, best-known, yet least understood battle, in it's 'humanizing' of the almost legendary characters of the period, and, most amazingly, for being filmed at the actual locations where the actions took place, in Gettysburg, itself. From Little Round Top to Seminary Ridge, you see the events where they actually occurred, 140 years ago. It is a singular achievement, and Ted Turner deserves credit for making it happen.
Two characters dominate the film; Jeff Daniels, in one of his finest performances, is a likable, totally believable Col. Joshua Lawrence Chamberlain, the Maine ex-schoolteacher who would win the Congressional Medal of Honor; and Tom Berenger, sporting a huge, bushy beard, is a sympathetic 'voice of reason' as Confederate Lt. Gen. James Longstreet, successor to "Stonewall" Jackson as Robert E. Lee's field commander. Chamberlain and Longstreet provide the film it's focus, as honorable men attempting to fulfill their duty, while the carnage builds around each of them.
Other memorable performances include Sam Elliott, in a brief but memorable cameo as Brig. Gen. John Buford, the battle-hardened cavalry commander who initiates the battle after guessing the Confederates' objectives at Gettysburg; Richard Jordan, in one of his last appearances before his untimely death, as Brig. Gen. Lewis A. Armistead, facing his best friend in battle; Kevin Conway, as Chamberlain's gruff but likable Irish First Sergeant, Sgt. 'Buster' Kilrain; C. Thomas Howell as Lt. Thomas D. Chamberlain, Joshua's brother, who creates a sense of familial concern for Daniels; and Stephen Lang (who would go on to play Thomas "Stonewall" Jackson in GODS AND GENERALS), as an ever-confident, ebullient Maj. Gen. George E. Pickett.
In the pivotal role of Robert E. Lee, Martin Sheen is less effective, lacking Lee's well-documented charisma, and substituting constant world-weary gazes for characterization. Robert Duvall, who assumed the role in GODS AND GENERALS, would be far more credible as Lee.
The sheer numbers of the battle are staggering; over 150,000 combatants, with 53,000 dead, more in a single three-day engagement than were lost during the entire war in Vietnam. The armies of actors, extras, and recreators could not nearly match those numbers, yet the film effectively conveys the immensity of the conflict. The tactical errors (Lee's decision, on the third day of battle, to order Pickett's suicidal charge into the Union guns; Meade's decision, drawing the fury of President Lincoln, to allow the Southern survivors to return home without further slaughter, while a humane gesture, probably lengthening the war) are presented within the context of of the overall conflict, providing the viewer with justification for their decisions.
Director Ronald F. Maxwell presents a complex, fascinating tapestry in GETTYSBURG, and it is not a film you will soon forget!
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