Two Arkansas firemen, Vince and Don, get hold of a map that leads to a cache of stolen gold in an abandoned factory in East St. Louis. What they don't know is that the factory is in the ... See full summary »
The Apache Indians have reluctantly agreed to settle on a US Government approved reservation. Not all the Apaches are able to adapt to the life of corn farmers. One in particular, Geronimo, is restless. Pushed over the edge by broken promises and necessary actions by the government, Geronimo and thirty or so other warriors form an attack team which humiliates the government by evading capture, while reclaiming what is rightfully theirs. Written by
Walter Hill felt the title of the film should have been The Geronimo War. "The conception was you make the film from the last time he came in and broke off and was sent away," he said. "The last time he broke off the reservations. This had been a recurring pattern. I thought that would be more accurate." See more »
The steam locomotive used to transport the Apache band at the end is an oil burning locomotive. A phony load of wood sits atop the tender's fuel-oil bunker. The engine is making thick black smoke, an indication of an oil fired locomotive. Such thick smoke is an indication of poor fuel burning, something movie directors request, but hardly real-world practice. Properly operated steam locomotives make much less smoke, regardless of whether fuel is wood, coal, or oil. See more »
Deal Gently With Thy Servants, Lord
Performed by The Boston Camerata, Schola Cantorum (as The Schola Cantorum of Boston)
Joel Cohen, Director; Frederick Jodry, Director
Courtesy of Erato Disques S.A.
By Arrangement with Warner Special Products See more »
This film was part of the revival the western genre had in the beginning of the 90's in the wake of Dances With Wolves. Not all of the westerns from this period are worth seeing (Bad Girls is a good example of that) but there are gems among them. This film, Geronimo: An American Legend being one. It makes an intelligent comment regarding the frankly despicable treatment the Apaches, among other American Indian tribes, recieved at the hands of the American government. In this lies the films strength and the presentation of this theme is the focus of the film's plot. It plays like a historical thesis or argument. This being terrific for people who are looking to know exactly what happened to the Apaches.
However, people who search for great dramaturgical nerve in films should avoid this film. Because there is none. The plot faithfully depicts the historical progress of events and refuses to completely demonize the Whites (although they clearly are being portrayed as the expansionist aggressors)in order to build a protagonist-antagonist plot-structure. This makes the movie slow, and for non-buffs a tedious experience.
Finally, the film has a terrific soundtrack by Ry Cooder and a knock-out performance by Wes Studi as Geronimo!
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