An Apache warrior who defies U.S. attempts to bring the Indians under control grapples with an array of U.S. soldiers sent to subdue his revolt. Sympathetic scouts seek to bring Geronimo ... See full summary »
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The Apache Indians have reluctantly agreed to settle on a US Government approved reservation. Not all the Apaches are able to adapt to the life of corn farmers. One in particular, Geronimo, is restless. Pushed over the edge by broken promises and necessary actions by the government, Geronimo and thirty or so other warriors form an attack team which humiliates the government by evading capture, while reclaiming what is rightfully theirs. Written by
Patric showed his considerable horsemanship in the scene where he has a one-on-one showdown with an Apache warrior. Patrick goes from laying across his horse prone on the ground, to ordering the horse back onto its feet while he mounts it as it quickly rolls upright - rifle in one hand, reins in the other. See more »
The steam locomotive used to transport the Apache band at the end is an oil burning locomotive. A phony load of wood sits atop the tender's fuel-oil bunker. The engine is making thick black smoke, an indication of an oil fired locomotive. Such thick smoke is an indication of poor fuel burning, something movie directors request, but hardly real-world practice. Properly operated steam locomotives make much less smoke, regardless of whether fuel is wood, coal, or oil. See more »
Al Sieber, Chief of Scouts:
There's two dead women there... and two little kids. They scalped them all, all four of 'em. Bounty hunters. The government down here pays 200 pesos a head for men, 100 for women and 50 for those kids. They kill any Indian and then claim they are Apache. I don't see how any man can sink so low. Must be Texans... the lowest form of white man there is.
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Deal Gently With Thy Servants, Lord
Performed by The Boston Camerata, Schola Cantorum (as The Schola Cantorum of Boston)
Joel Cohen, Director; Frederick Jodry, Director
Courtesy of Erato Disques S.A.
By Arrangement with Warner Special Products See more »
The valiant, if doomed, Chiricahua Apache tried (as did so many other tribes) to be accommodating after being hounded to the breaking point. Their famous chief, Geronimo, gave himself up voluntarily and tried to lead his people onto the reservation. But, as happened so many times, even after capitulation they were attacked in unwarranted fashion and reacted by leaving the reservation whereupon they were hunted, and hunted, and harried. Some people don't like this film because it tells history more like it was than most movies do about the "conquering" of the American west ... it shows both sides of the story, not just one. With this movie, you can't identify with the hero on one side and the villain or the other. Both are sympathetic, both are reprehensible (isn't that the way a historical drama really ought to be played? In my book, this is a plus). As a native of Arizona, where much of the historical action took place, I find it disturbing that the countryside in which the movie was made is either in some other state or in the wrong part of Arizona, that characters seem to be able to get from Tombstone to San Carlos in one day on horseback (either they had multiple horses, or one dead one), and that there is a bit of overstatement about the honor among the various Apache bands (with reference to the reason that members of some Apache groups served as scouts against other groups). All in all, though, I vote for this one over all the other "Geronimo" movies that have been made.
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