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Directed by | |||
| Claude Berri | |||
Writing credits(in alphabetical order) | ||
| Claude Berri | writer | |
| Arlette Langmann | writer | |
| Émile Zola | novel | |
Produced by | |||
| Claude Berri | .... | producer | |
| Pierre Grunstein | .... | executive producer | |
| Bodo Scriba | .... | associate producer | |
Original Music by | |||
| Jean-Louis Roques | |||
Cinematography by | |||
| Yves Angelo | |||
Film Editing by | |||
| Hervé de Luze | |||
Production Design by | |||
| Christian Marti | |||
| Hoang Thanh At | |||
Art Direction by | |||
| Olivier Radot | |||
Costume Design by | |||
| Moidele Bickel | (as Bernadette Villard) | ||
| Caroline de Vivaise | |||
| Sylvie Gautrelet | |||
Makeup Department | |||
| Joël Lavau | .... | makeup artist | |
| Nathalie Louichon | .... | makeup artist | |
| Isabelle Luzet | .... | hair stylist | |
| Pierre Vadé | .... | hair stylist | |
Production Management | |||
| Francis Barrois | .... | assistant unit manager | |
| Patrick Bordier | .... | production manager | |
| Marc Vadé | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Frédéric Auburtin | .... | first assistant director | |
| Eric Bartonio | .... | assistant director | |
Art Department | |||
| Yann Biquand | .... | second assistant decorator | |
| Frédéric Bénard | .... | assistant art director | |
| Jean-René Coulon | .... | property master | |
| Denis Gautelier | .... | carpenter | |
| Frédéric Jourdan | .... | carpenter | |
| Mathieu Junot | .... | props buyer | |
| Patrick Schmitt | .... | prop buyer | |
Special Effects by | |||
| Jean-Pierre Maricourt | .... | special effects (as Jean-Pierre Moricourt) | |
| Christophe Messaoudi | .... | special effects | |
| Philippe Sylvain | .... | special effects | |
Visual Effects by | |||
| Angus Bickerton | .... | model unit focus puller | |
| David Carrigan | .... | first assistant director: vfx unit | |
| Alan Church | .... | clapper loader: Magic Camera Co | |
| Alan Church | .... | focus puller: Magic Camera Co | |
| José Granell | .... | director of miniature effects | |
| Antony Hunt | .... | executive producer: The Magic Camera Company | |
| Frederic Moreau | .... | optical effects supervisor | |
| Antoine Simkine | .... | visual effects executive producer: Duboi | |
| Andy Stevens | .... | model unit camera assistant: Magic Camera Co | |
Stunts | |||
| Frédéric Vallet | .... | stunts | |
Camera and Electrical Department | |||
| Stéphane Cry | .... | electrician | |
| Patrick de Ranter | .... | Steadicam operator | |
| Laurent Fleutot | .... | assistant camera | |
| Gil Fontbonne | .... | grip | |
| Jean-Yves Freess | .... | best boy grip | |
| Marc Koninckx | .... | Steadicam operator | |
| Marc Koninckx | .... | second camera operator | |
| Patrick Renault | .... | electrician | |
| Nicolas Sommermeyer | .... | grip | |
| Alain Tanguy | .... | electrician | |
| Richard Vidal | .... | electrician | |
Costume and Wardrobe Department | |||
| Nathalie Chesnais | .... | wardrobe | |
| Christophe Giraud | .... | costume painter/dyer | |
Editorial Department | |||
| Laure Mercier | .... | assistant editor | |
Other crew | |||
| Élizabeth Boorn | .... | production secretary | |
| Sylvie Coen | .... | legal counsel | |
| Jean-René Coulon | .... | location manager | |
| Nicolas Davy | .... | production assistant | |
| Nicole Dehayes | .... | choreographer | |
| Claude Fenioux | .... | financial controller | |
| Recent Posts (updated daily) | User |
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| READ THE BOOK! | alison-67 |
| Etienne's role | Holden27 |
| Germinal (Region 2) | alison-smith |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
"Germinal", based on a novel by Emile Zola, is an epic film which studies the anatomy of a strike in a 19th century French coal mine. During it's 2.5+ hour run time, the film shows the wretchedness of coal miners, their deplorable living conditions, their attempts to organize, negotiations, strike, rioting, police suppression, sabotage, etc. The story is woven around a handful of characters who represent the forces at work; management, union, profiteers, scabs, etc.
About Zola's novel, Havelock Ellis wrote: "It was neither amusing enough nor outrageous enough to attract the multitude". So it is with the film which emphasizes realism over romanticism and exists more as a study of a timeless social/political issue than pure commercial entertainment. A must see for cinema buffs but not likely have broad commercial appeal.