7.1/10
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20 user 8 critic

Germinal (1993)

In mid-nineteenth-century northern France, a coal mining town's workers are exploited by the mine's owner. One day, they decide to go on strike, and the authorities repress them.

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2 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Vincent Maheu dit Bonnemort
Judith Henry ...
Jean-Roger Milo ...
...
...
Souvarine
Bernard Fresson ...
Jean-Pierre Bisson ...
Rasseneur
...
Philippe Hennebeau
...
Madame Hennebeau
Gérard Croce ...
Maigrat
...
Paul Négrel
Annick Alane ...
Madame Grégoire
Pierre Lafont ...
Léon Grégoire
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Storyline

It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them. Written by Michel Rudoy <mdrc@hp9000a1.uam.mx>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for intense depiction of suffering and class conflict | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

31 March 1994 (USA)  »

Also Known As:

Germinal  »

Filming Locations:

 »

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Box Office

Budget:

FRF 164,000,000 (estimated)

Gross USA:

$378,854
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Finnish censorship visa # V-02591. See more »

Goofs

Near the end of the film, when Etienne and Catherine are looking for the way out of the mine, we see the shadows of the lamps on the right wall of the tunnel. It's to be supposed that the only light inside the mine came from the lamps. See more »

Quotes

Toussaint Maheu: Take good care of it. For a miner a lamp is his sun.
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User Reviews

 
Good solid classic story-telling
14 June 2004 | by See all my reviews

A straightforward, generally fast-moving, recounting of a gripping social struggle, portrayed without any special effects for special effects' sake (though I think there was plenty of unobtrusive special effects), with the emphasis always on the dramatic line; good acting by all concerned; generally plain, clear photography that served the story-telling and not some "artsy" vision--all these added up, for me, to an enthuasiastic vote of "ten." Cannot praise this film enough. No, it's not some summit of art, but it's a textbook example of how to tell a story, keep the audience's attention, and honor the dramatic basis of the project instead of indulging in "artistic" whims and triviliaties that will appear dated in five or six years.

I'll be watching this one again. (By the way, I found the distant shot of the striking workers marching across the plain especially moving. And I had the feeling throughout the film that this was how things really looked at that terrible period of French, and European, history.)


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