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|Index||258 reviews in total|
What I don't understand: there is a comment toward the end of the movie by Girard that Dr. Nichols borrowed Richard K.'s car and his keys, and "thus there was no forced entry." But WHEN were the keys used? How did Sykes use the keys, and yet get them back to Dr. Nichols just about the same time, so that Nichols could get them back to Richard? Because Sykes had stayed in the apartment - he attacked Kimble after attacking his wife. Did one of those 2 (N, S) make copies? The time frame would not allow the scenario as presented. To me, there is a great inconsistency here, a puzzle that annoys the heck out of me. Anyone notice this? Anyone can explain it all to me? Or am I missing something obvious? I watched the movie twice this weekend and still didn't get that solved.
Revisiting The Fugitive was 131 minutes well spent.
My favorite line. Tomy Lee Jones: "I need a rest". This is a rollercoaster of a film viewing experience. The action never ceases, and the plot and characters are at least 51% of the time believable. I'm wondering how Harrison Ford survives that long waterfall jump, and in soaked clothing manages to avoid dieing of hypothermia wrapped up in nothing but a bed of leaves in the dead of winter. But then he is a doctor. And they can do things like that because they know everything.
Like a lot of Hitchcock films, The Fugitive centers on the premise of a wrongfully accused man who must clear his name. The cat and mouse game between him and his nemesis makes for exhilarating entertainment. The entire exercise seems plausible. Dr. Kimble goes about his task in a logical and efficient manner and U.S. Marshall Gerard chases him with a frenzied zeal. The close calls are exciting. Though the stunts are spectacular, especially the famous plunge from the drain and the leap from the onrushing train, thankfully they do not overshadow the human drama. A top notch thriller, 9/10.
The Fugitive pits Harrison Ford against the U.S. Marshall's as he races to find the man who murdered his wife and got him framed for the murder. What ends up happening is Tommy Lee Jones is hired as one of the U.S. Marshall's to hunt down Ford. As the troubled doctor, Ford conveys his emotions perfectly, showing a soft side yet a grim determination to find out what really happened. As the Marshall, Tommy Lee Jones gives off one of his most serious performances that injects a very well- crafted hard edge. Unfortunately, Tommy Lee Jones was awarded an Academy Award for his performance, and it was a definite must that Schindler's List star Ralph F. should have won. The script is kinetic and perfectly structured by providing fierce energy with some very witty and carefully worded dialogue. The direction is unusually emotional as it dwells quite a bit upon Ford's trauma on the death of his wife. Things connect well enough but there are some flaws too. Some of the chase sequences (Ford jumping into the water) were just downright insane and stood out as being totally unrealistic. Also, the pace was too slow sometimes as it got repeating from chase to chase to chase. A similar problem was encountered in Steven Spielberg's Catch Me if You Can. The Fugitive stands out as one of the few sharp modern thrillers and is a definite must for fans of the genre. 9/10
*** This review may contain spoilers ***
This is a fly by your seat kind of film, as described in the documentaries following my purchased version of the movie. No script, not really. Actors contributing lines as they saw fit. Ford involved in plotting and direction. And so on.
It's no surprize, then, that there are plot holes and discontinuities. The surviving guard gives his 'bs' story on the assumption that the black guard was already recovered. Yet some time later, just after the famous 'doughnut' remark by Jones - another of his own improv lines - they find the black guard. Lentz dies 'last summer'. But Kimble meets Lentz at the benefit/runway show. And that much time just doesn't seem to have elapsed. In fact, it seems as if he's back in Chicago within days, or at least a week, of his escape. He fingers Nichols. But if he knew of the connection between Lentz and Nichols, why did he imagine Nichols was innocent? As others have mentioned, why would he grab the ambulance (as Jones character says where could he be going in an ambulance?)? In fact, why would he approach the black guard, and then shout the advice on the wound, when it would have been self-evident to any doctor, inside? Clearly, they has this chase set up. But they didn't really need an ambulance for that. And why does Jones/Gerard actually try to gun down Kimble as he slips through the bulletproof glass doors? Was it just to show off the 'wax pellet' guns used as props? And so on.
Other than the contrivances, and holes in the 'script', it's a pretty watchable drama, and after repeated viewings. Ford tends to look stunned most of the time. But Jones goes from a look of terror in the tunnel when he realizes the 'fugitive' just picked up his loaded gun, to anger at the dam and the bulletproof door, to humor and so on. It's quite a range and believably acted - which is why he probably got the academy award.
The other actors do a good job. Krabbe is believable and menacing at the last. One-armed man Katsulas is frightening as the 'mob killer', or whatever he is (head of security). I wondered about the black cop in glasses who seems to show up in three different scenes. For a big budget movie, you'd think they'd disguise him to make it look as if they weren't using the same 'extras' over and over again.
The idea of the big corporate scheme to defraud isn't so far-fetched. The idea that it was a hit on Kimble is, since he hadn't connected his participation, and didn't know anything about Lentz. And I don't understand why he was called to a 'provasic-gone-bad' operation in order that his wife would be alone? And it's surprizing he'd have so much trouble with Sykes on the stairs, especially after loosening his arm. Ford/Kimble is a pretty strong and agile guy.
At any rate, for all the difficulties of 'moving the shoot along', it's a decent film, with a good performance by Tommy Lee Jones, even for a couple of hammy lines (the 'big dog' stuff). If it's watchable, it's because of the care put into the stunts, the train wreck, and other things you don't notice at first, that don't fall into strange and inconsistent plotting. So if you try not to say to yourself - now, wait a minute, didn't he just . . . - and keep up with action to move the 'plot', it's a good film. It's one of the better films of the 1990s. And that's due to the acting, to the action, to the care put into the sets, scenes and stunts, and definitely not because they spent an undue amount of time trying to come up with a believable script.
The Fugitive is a classic detective movie. It is stylish in every
aspects: the music , the editing, the direction, the story. There are
many surprising moments as there are in any crime movie. The music is
classy and fits in any modern detective movie. It has many great punch-
lines. I loved the U.S. Marshals too. They were ever-ready and
Harrison Ford was great. He is a smart fugitive who is convicted of killing his own wife and he is innocent. His efforts to prove his innocence was quite smart and that's the most entertaining part. But, in my opinion, Tommy Lee Jones was the best. He acted very well as a bad ass U.S.Marshal who will stop at nothing. His role in this movie is one of my all time favorites.
All in all, Fugitive is surprising and age had no effect on this masterpiece. IMDb really surprises me sometimes by giving quite low ratings to great movies like these.
Still it doesn't change a thing for me. Just go for it!
"THE FUGITIVE" I remember watching the weekly TV series starring David Janssen as a small boy back in the 1960s. Well, I just watched the remake of David Janssen's "The Fugitive," this one starring Harrison Ford, Tommy Lee Jones, and Joe Pantoliano and I must say it's great. I normally don't say this about remakes, but this film really is great. It's emotionally charged from beginning to end, takes you on a roller-coaster ride all the way through keeping you riveted to the edge of your seat with heart-pounding action all the way through. I give it a "Thumbs-Up!" And, that's not something I do with very many remakes. Thanks guys, for a great movie.
You know how you have that "Must See" list of films that you never get
round to watching? I had "The Long Kiss Goodnight" on my list for 10
years but this movie trumps that, a long 16 years after release!
Question is, was it worth the wait? Well, yes and no. Obviously, no
film is worth waiting that long for unless you're the sort of obsessive
fan associated with certain sci-fi franchises. But "The Fugitive" is,
perhaps surprisingly, still a quality action movie that continues to be
a benchmark after all this time. Tense, thrilling and lifted further by
Tommy Lee Jones in blistering form, this is one movie that has not lost
its power over time.
Based on the TV show of the same name, "The Fugitive" opens with the brutal murder of Helen Kimble (Sela Ward), the wife of brilliant Chicago surgeon Dr Richard Kimble (Harrison Ford). Wrongly convicted of her murder and sentenced to death, Dr Kimble escapes and sets out to find the one-armed man who did kill her. Trying to catch him is relentless US Marshall Sam Gerard (Tommy Lee Jones) and his dedicated team who don't really care whether Kimble did it or not. And so begins arguably the best manhunt ever committed to film...
A bold statement but compare this to the half-hearted sequel "US Marshalls" (despite Jones' presence) and you begin to understand why "The Fugitive" is held in high regard. There's no CG stunt work, no pointless explosions or needlessly slow-mo gun fights. This is simply a great film that doesn't patronise or try to be anything other than a gripping battle of wills that never lets go of your attention. In fact, the only fault I can think of is that you are just as likely to cheer for Jones as you are for Ford - he thoroughly deserved his Best Supporting Actor Oscar as the helplessly charismatic Gerard. Actually, there is another fault but only if you're a fan of the TV show "Scrubs" - Neil Flynn's all-too-brief appearance will raise a faint smile which breaks the tension somewhat but it quickly passes, thankfully. But from the moment where Kimble escapes from a wonderfully staged train crash, the film rarely lets the tension relax as both Kimble and Gerard get increasingly desperate to get what they both want.
Chances are, though, that you won't have waited 16 years to catch this fantastic action blockbuster. But if you have then prepare yourself for a movie that not only thrills and entertains with ease but one that still can produce the goods today. It stands head-and-shoulders above any other chase movie you could think of (including director Andrew Davis' other famous chase movie "Chain Reaction") but is also a cracking thriller movie that actually delivers the goods. All you have to do is now go out and catch it...
I saw this first in the theater shortly after its' August 1993 release.
I saw it again on fresh video release about seven months later,and
sometime later on a medium I don't immediately recall. EAch time I am
struck by the fact that,despite my(And anybody's,really)ability to
practically recite,not only the plot but the sequence of events,even
some of the exact lines spoken by each character,this film just plain
simply DOES NOT lose its potency,interest,energy or even suspense.
Credit goes to the actors--not only HArrison Ford and Tommy Lee JOnes
as pursued and pursuer,but also JOnes' posse of fellow feds(Joe
PAntoliano,Tom Wood,Daniel Roebuck among them)and the shady side
characters such as Dr.Kimble's colleague(Jeroen Krabbe)or the one-armed
man himself(hulking,brooding Andreas KAtsulas)--for building the
interest through intelligence and uncanny acting AND reacting. Director
Andrew DAvis,a whiz at action films,is able to camera shoot and plan
practically every element of this film to exquisite perfection! David
Twohy's script is parts construction and ad-lib(if you see the extras
on the DVD,you'll know what I mean),and the ability for Ford and some
minor players,such as Ron DEan and Joe Katsulas as the arresting and
highly suspicious(!)detectives,to be able to create a great sense of
conflict and reaction to add tension.
I just caught this again as a free rental,and to me there's really no price on it. I'd buy it,I'd see it on the tele. Maybe you all know the story of the beleaguered and ultimately innocent Dr.Richard Kimble and his chief,cunning, "Les Miserables"-like law enforcement pursuer Philip/Samuel Gerard,but that still shouldn't hinder one from seeing and--for me,anyway--enjoying this excellent piece of big budget film-making(a somewhat rare commodity it seems anymore)again and again.
Well here's a rarity. A film based on a 1963-67 TV series would've been laughed at in the early 1990's. In 1993, Andrew Davis took a beloved TV series and turned it not only a critically acclaimed movie but a $183 million dollar box office smash that also won the 1994 People's Choice Awards, Golden Globe nominations, The Critic's Choice Awards and not but not least, The Oscar For Tommy Lee Jones as best support actor. Very rare that a movie based on a TV series would earn such praise.Dr. Richard Kimble (Harrison Ford)is a surgeon who after a party, finds his wife, Helen (Sela Ward) murdered and is attacked by a one armed burglar. With his wife dead, fingerprints all over the crime scene and a 911 call by Helen, this would seem to indicate that Kimble is the killer. Kimble proclaims his innocence but the evidence seals his fate. Convicted and sent to die by lethal injection, fate has an unusual hand for Kimble. On a prisoner transport. a riot ensues, causing a train wreck that frees Kimble and begins his quest to clear his name. On his trail is US Marshall Sam Gerard (Jones) an officer that is determined to get Kimble,alive or dead. As the two men play cat and mouse, Kimble will find evidence pointing that the murder of Helen was meant for him and uncovers a web of greed and medical corruption while Gerard also finds the same evidence that shows that Kimble may be innocent. Will Kimble find the answers to clear his name or will Gerard and his team capture him? Sounds like a great premise for a movie and in 1993, it was. With a great script, taut direction and great performances by everyone, The Fugitive destroyed the notion that TV shows can't make great movies. By taking basic ingredients and turning it into there own, the film wound up being the first film to get award nominations and publicly acclaimed too. Buy it or rent it and see why it remains a classic even today.
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