This Oscar nominated film is the story of two men who are opposites, one gay, the other straight, one a fierce communist, the other a fierce individualist, one suspicious, the other accepting, and how they come to love each other.
Sergio (Sergio Corrieri - Soy Cuba), through his life following the departure of his wife, parents and friends in the wake of the Bay of Pigs incident. Alone in a brave new world, Sergio ... See full summary »
Als Fidel Castro in Kuba die Macht übernimmt,zittern die Reichen. Familie Orozco versucht panisch,ihren Besitz zu retten. Kaum ist Hab und Gut zu Geld gemacht,läßt die Regierung neue ... See full summary »
Tomás Gutiérrez Alea
A desperate group of people wait at a rundown Cuban transit station for the next bus to arrive. The problem is, it never shows up. While a number of busses pass by the station, and others ... See full summary »
Juan Carlos Tabío
13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother ... See full summary »
When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures... See full summary »
Tomás Gutiérrez Alea
Family honor, greed, machismo, homophobia, and the dreams of whores collide in a Mexican town. Rich, elderly Don Alejo is poised to sell the town for a profit, needing only to buy a ... See full summary »
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets... See full summary »
Matanzas, Cuba, 1913. Two young people who are in love communicate through letters written by penman. When the young man leaves town, to become a pilot, the girl discovers she is really in ... See full summary »
Tomás Gutiérrez Alea
Ivonne López Arenal,
Two kids take a book from a trash can. They begin to read the story of a poor neighborhood in Mexico City. Carpenter Pepe "El Toro" (Infante) lives with his daughter Chachita (Munoz) and ... See full summary »
Evita Muñoz 'Chachita',
Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
Diego, a cultivated, homosexual and skeptical young man, falls in love with a young heterosexual communist full of prejudices and doctrinary ideas. First come rejection and suspicion, but also fascination. Fresa y chocolate is the story of a great friendship, that is, a great love between two men, which overcomes incomprehension and intolerance. Written by
`Strawberry and Chocolate' (1993)is set in contemporary Havana. The luster of that city has dimmed after nearly four decades of Castro's rule. David (Vladimir Cruz), a student and avid Castro supporter, is on the rebound after losing his girlfriend. He had taken her to a cheap hotel to make love, but the place is so shabby it puts her off. Instead, he promises never to touch her until they marry. In the next scene, she marries someone else while David stands sullenly among the well wishers at the registry office. Then he meets Diego (Jorge Perugorría).
Diego, who is flamboyantly gay, parks himself at David's table in an outdoor café to eat a dish of strawberry ice cream. For David, this is suspicious because chocolate is also available. Diego says some people like chocolate, some like strawberry, an innocuous line that gives the movie its title and also hints at the odd couple relationship to follow.
Diego does not disguise his sexual interest in David, but is also interested in giving David an education the regime denies him. The older man is far more cultured than his new friend. Offers of books banned in Castro's Cuba, such as a novel by Mario Vargas Llosa or the poems of John Donne, lure David to his apartment for tea and talk. When David reports that Diego is involved with a forbidden art exhibit, he is directed to befriend Diego to find out more information. `Strawberry and Chocolate' thus sets their emerging friendship against the backdrop of two bleak themes: anti-gay prejudice in the Castro regime, and the betray-thy-neighbor expectation of a police state.
But almost nobody conforms to type. A woman in Diego's building who is part of the neighborhood Vigilance Committee, on the watch for counter-revolutionary activities, turns out to be a good friend to Diego and then to David. Everyone plays one game with the government, but a different one in their private lives. This is a lesson David has to learn. Encounters with women along the way provide a few subplots, but the heart of the story lies in the hearts of the two men.
`Strawberry and Chocolate' is credited to directors Tomás Gutiérrez Alea and Juan Carlos Tabío. The former was, until his death shortly after completing this film, the best known filmmaker in Cuba, winning an international reputation in the 1960's for titles such as `Memoirs of Underdevelopment,' a look at life in Cuba in the early Castro years that tempers criticism with prudence. `Strawberry' is smaller in scale and less overtly political.
The film was nominated for an Oscar in 1995 and won awards at film festivals around the world (including the Sundance Festival). American viewers may instantly slot it with Hollywood features that show how straight characters learn life lessons from a wiser gay companion (`Boys on the Side,' `As Good As It Gets'). And at times Diego's excesses recall the worst performances of Harvey Fierstein. Yet superb performances by the two male leads eventually move beyond stereotypes they and the audience initially share about each other, transforming their unexpected friendship into a statement that puts the lie to official groupthink in a repressive regime.
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