IMDb > Frauds (1993)

Overview

User Rating:
5.8/10   415 votes
MOVIEmeter: ?
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Director:
Writer:
Stephan Elliott (writer)
Contact:
View company contact information for Frauds on IMDbPro.
Release Date:
17 September 1993 (USA) more
Genre:
Tagline:
He's No Ordinary Insurance Man -- You Can Bet Your Life On It! more
Plot:
Story of the ways in which insurance investigator Roland Copping interferes in and manipulates the lives of others with outrageous games and gimmicks... more | add synopsis
Awards:
1 win & 2 nominations more
NewsDesk:
User Comments:
A refreshing, oddball little film! Phil Collins in a fine film role! more (6 total)

Cast

  (Cast overview, first billed only)

Phil Collins ... Roland Copping

Hugo Weaving ... Jonathan Wheats
Josephine Byrnes ... Beth Wheats
Mitchell McMahon ... Young Roland Copping
Andrew McMahon ... Young Matthew

Rebel Penfold-Russell ... Mother (as Rebel Russell)
Peter Mochrie ... Michael Allen
Helen O'Connor ... Margaret
Colleen Clifford ... Mrs. Waterson
Vincent Ball ... Judge
Gandhi MacIntyre ... Cartel Valuer
Christina Ormani ... Telephone Girl

Nicholas Hammond ... Detective Simms

Kee Chan ... Detective Alan
Ian Cockburn ... Matthew
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Additional Details

Runtime:
90 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:

Fun Stuff

Movie Connections:
Soundtrack:
Tijuana Taxi more

FAQ

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2 out of 2 people found the following comment useful.
A refreshing, oddball little film! Phil Collins in a fine film role!, 13 December 2001
7/10
Author: Tom May (joycean_chap@hotmail.com) from Sunderland, England

Coming across this late at night on ITV1 was quite a find really. I had heard of it, and the idea of Phil Collins as a demented villain did appeal. I really liked the oddball quality of it all, with Collins wonderful as a jovial, buffoonish grinner, treading the line between menace and absurdity in portraying one Roland Copping, who one might call a tad eccentric. The lunacy and non-sequiturs build up very effectively in the middle of the film; perhaps the tone might have been made a little more dark, or perhaps less light, presumably with different, less jaunty music.

Maybe it tails off slightly, but the ending somehow seems to me a gem. The absurdism isn't compromised by a happy ending, it is strengthened by a subtle, fitting conclusion.

I wouldn't say this was a perfect film, but it is damn enjoyable, far from the mainstream and never bland. The sets, by the way, for Copping's house, are fab; just thought I had to add that!

Rating:- *** 1/2/*****

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