Set in early 1900's France, a widow renews a former romantic interest until it is discovered that he has had a past fling with one of her new employees, a nanny. This sets the two women ... See full summary »
Beautiful and naïve Maggy Lunel arrives in Paris completely broke. She becomes an artist's model and the toast of Paris, attracting the attention of Picasso-like painter Julien Mistral, an ... See full summary »
Mike is a struggling artist who draws the 'Brenda Starr' strip for the papers. When Brenda comes to life in the strip and sees how unappreciated she is by Mike, she leaves the strip. To get... See full summary »
New York detective Mike Santini is enjoying a holiday with his family when he spots Eddie Meyers, a fugitive from justice who might be the key witness in a high profile case involving money... See full summary »
Marlo Manners is enjoying her honeymoon with Sir Michael Barrington, husband number 6. As luck would have it, an international conference is taking place in the same hotel and the Russian ... See full summary »
Atlanta, 1873. It's another day (Melanie's funeral, in fact), and Scarlett is determined to win back Rhett (who's spending a lot of time with Belle Watling). First, she goes to Tara and ... See full summary »
Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia falls pregnant, Jose Luis promises her that he will marry her, ... See full summary »
I note with interest that this was Americanised into a new TV version with Rob Lowe and Sam Neill, of all people, but I imagine it was a much watered down version of Lynda La Plante's original story.
In 1992, a version clocking in at over three hours came to British screens (and a limited video release thereafter). The story centres around a con in police protection and the relationship and hold he has over the constable on his case. Casting Timothy Dalton as the con, Eddie Myers, was a masterstroke. He's an unhinged, devious, predatory man with dubious sexual leanings. He plays the role wonderfully, giving the character that raw edge while also making him likeable. David Morrissey, in one of his early roles, plays Sgt. Larry Jackson, who can almost be described as 'the prey'. His nervous energy in dealing both with the intensity of close proximity to Myers and his crumbling marriage to Sue (Annabelle Apsion) is well-portrayed.
Penelope Cruz appeared too, as the mysterious Lola, while Timothy West (as the typical scruffy detective, Mac) and Trevor Cooper (as bumbling and impressionable DI Shrapnel) were memorable. The screenplay was based on a real character, albeit with significant artistic licence. It was clever, engrossing, and - for me - La Plante's best work for television.
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