Mike is a struggling artist who draws the 'Brenda Starr' strip for the papers. When Brenda comes to life in the strip and sees how unappreciated she is by Mike, she leaves the strip. To get... See full summary »
Atlanta, 1873. It's another day (Melanie's funeral, in fact), and Scarlett is determined to win back Rhett (who's spending a lot of time with Belle Watling). First, she goes to Tara and ... See full summary »
An 11 year old boy starts throwing temper tantrums, vomiting on and attacking people, and swearing uncontrollably. Furnature begin to move on its own when he is around, and he doesn't ... See full summary »
Steven E. de Souza
While working for the mob, Bill "The Mouth" Mannuci, stole $12 million dollars from them and turned over information to the FBI about the man he stole the money from, the mysterious "... See full summary »
When the National Gallery in London is flooded the Director, Quentin Lester, decides to transfer the entire collection to the Welsh caves where the collection was stored during World War II... See full summary »
Madrid, 1974. Former women's jail of Yeserias. Lucia, a girl well situated in society, is condemned to spend ten years in jail due to her relation with a politic militant against Franco's ... See full summary »
I note with interest that this was Americanised into a new TV version with Rob Lowe and Sam Neill, of all people, but I imagine it was a much watered down version of Lynda La Plante's original story.
In 1992, a version clocking in at over three hours came to British screens (and a limited video release thereafter). The story centres around a con in police protection and the relationship and hold he has over the constable on his case. Casting Timothy Dalton as the con, Eddie Myers, was a masterstroke. He's an unhinged, devious, predatory man with dubious sexual leanings. He plays the role wonderfully, giving the character that raw edge while also making him likeable. David Morrissey, in one of his early roles, plays Sgt. Larry Jackson, who can almost be described as 'the prey'. His nervous energy in dealing both with the intensity of close proximity to Myers and his crumbling marriage to Sue (Annabelle Apsion) is well-portrayed.
Penelope Cruz appeared too, as the mysterious Lola, while Timothy West (as the typical scruffy detective, Mac) and Trevor Cooper (as bumbling and impressionable DI Shrapnel) were memorable. The screenplay was based on a real character, albeit with significant artistic licence. It was clever, engrossing, and - for me - La Plante's best work for television.
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