A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of ... See full summary »
7 years after the original Fortress movie, Brennick and his family are still on the run from the Men-tel corporation. A group of rebels attempt to gain his support but he refuses, wanting ... See full summary »
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
J. Lee Thompson
Ten years after conquering the Earth, ape leader Caesar wants the ruling apes and enslaved humans to live in peace. But warring factions of apes led by a militant gorilla general as well as various human groups threaten the stability.
J. Lee Thompson
A futuristic prison movie. Protagonist and wife are nabbed at a future US emigration point with an illegal baby during population control. The resulting prison experience is the subject of the movie. The prison is a futuristic one run by a private corporation bent on mind control in various ways. Written by
Mark Allyn <firstname.lastname@example.org>
According to an interview with director Stuart Gordon, Arnold Schwarzenegger was to star as John Brennick, for Arnold was a big fan of "The Re-Animator" which Arnold's stunt-double, Peter Kent was a cast member. Stuart Gordon: "...it was Arnold Schwarzenegger that got me the job and it was because of Re-Animator. We used Arnold's body-double in Re-Animator. The first reanimated corpse is a guy named Peter Kent, Arnold's double. He's got those big muscles. He got Arnold to see Re-Animator and Arnold liked it so much that he had a screening of it in his home, inviting all of these people, including producer John Davis. John had the rights to Fortress and Arnold was going to do it. For some reason, I'm not sure why, Arnold finally decided that he wasn't going to do the movie and dropped out. They had a big budget, probably like 60 million, 70 million dollars, which was a huge budget in those days. Now it sounds small. [laughs] Anyway, he dropped out and the budget went down; they cut the budget to about 15 million dollars." See more »
While passing the supposed US/Mexican border, there are signs in English and Spanish saying that it is a crime to cross the border. However, the English sign has the word "offence" (as it would be spelled in Australia, where the film was made). See more »
If technology ever produces a prison where inmates are held in line by golfball size explosives/electro-shock units imbedded in their intestines, it may look something like this...(how the poo gets around the device is never discussed ; ) )
In my opinion, it is more fun than any other Christophe(r) Lambert film when appreciated with the correct level of expectations. If I had paid $7.50 to see a movie like this at theater, I'd be a bit let down, but having split a two dollar rental fee amongst friends, I was more than happy to watch, in fact I believe I watched it twice that first time I rented it. Then it began to grow on me. I would definitely go see this at a film show now, but this movie is an acquired taste, to be sure. I've had to show this to a lot of people over the years and have recently acquired the latest DVD version, and I am waiting to get the out of print Sony issue in widescreen soon! But of course, I have never spent more than ten bucks in my life towards this film, renting and owning included, if you find it for five bucks, buy it.
Highlander fans, Kurtwood Smith Fans, Battlestar Galactica Fans, all should take a look at this Camp Classic.
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