When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former secretary.
Cuba Gooding Jr.,
As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.
A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new... See full summary »
Mitch McDeere is a young man with a promising future in Law. About to sit his Bar exam, he is approached by 'The Firm' and made an offer he doesn't refuse. Seduced by the money and gifts showered on him, he is totally oblivious to the more sinister side of his company. Then, two Associates are murdered. The FBI contact him, asking him for information and suddenly his life is ruined. He has a choice - work with the FBI, or stay with the Firm. Either way he will lose his life as he knows it. Mitch figures the only way out is to follow his own plan... Written by
Mark Harding <firstname.lastname@example.org>
I wanted to get a copy of the screenplay to compare the movie with the dialog and directions, but initially received the FIRST draft by David Rabe. I finally got the shooting script later. All I can say is that it ended with Mc Deere blowing away all the partners in a restaurant with an AK-47. It really made me appreciate the re-write by David Rayfiel and Robert Towne. I have watched this movie many times and enjoy the suspense, romance, and Grusin's solo piano score, which always blows me away. But the one thing that impressed me most with multiple viewing, is how Gene Hackman really makes the movie work. His portrayal of this corrupt, but incredably likeable character is the one thread that holds the movie together for me and goes down as one of his most memorable acting performances.
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