A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new... See full summary »
Mitch McDeere is a young man with a promising future in Law. About to sit his Bar exam, he is approached by 'The Firm' and made an offer he doesn't refuse. Seduced by the money and gifts showered on him, he is totally oblivious to the more sinister side of his company. Then, two Associates are murdered. The FBI contact him, asking him for information and suddenly his life is ruined. He has a choice - work with the FBI, or stay with the Firm. Either way he will lose his life as he knows it. Mitch figures the only way out is to follow his own plan... Written by
Mark Harding <firstname.lastname@example.org>
Except for the sporadic soundtrack songs, the entire movie score is created solely on a piano, as played by its composer Dave Grusin. As a means of expanding the tonal range of his piano's percussive properties, Grusin simulated harp-like passages by stroking the naked strings of his grand and rapping the wooden frame for effects, as a drummer might beat his drums. See more »
The cars of the Mud Island monorail leave and arrive at opposite ends at the same time. It would be impossible for the man following McDeere to leave his car and begin running for the other side before McDeere left his car. See more »
How about you get down on your knees and kiss my ass for not indicting you as a co-conspirator right now, you chickenshit little Harvard cocksucker?
I haven't done anything, and you know it!
Who gives a fuck? I'm a federal agent! You know what that means, you lowlife motherfucker? It means you've got no rights, your life is mine! I could kick your teeth down your throat and yank 'em out your asshole, and I'm not even violating your civil rights!
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Though not the best of the Grisham adaptations, this is up to the usual high standard in plot and stars that Grisham movies have become associated with. The plot on this one is a little more far-fetched probably on account of the fact that this was one of Grisham's first works, escapism and entertainment seem to be the most prominent here, other Grisham works had begun to develop other traits alongside populism, like being almost topical and seeming to make social comment on issues that Grisham must have had an inside eye on when he was actually involved in the legal business for all those years. The Rainmaker is a great example of this when a young lawyer takes on a pro bono case of a widow's suit against a rogue insurance company that wouldn't pay up on a claim for her son's illness, and who as a result died from it. You will find none of this in the Firm, it is the straightforward story of a young lawyer whose life becomes entangled in the law firm from hell, which has all the usual mafia connections and all the usual FBI hardball characters battling with the caricatures from the Mafia. It does however make great entertainment , you will soon forget how far-fetched and improbable it all is, as you will become instantly fascinated, and stick with 155 minutes of plot twists and turns.
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