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Falling Down (1993)

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A borderline personality disordered defense worker frustrated with the various flaws he sees in society, begins to psychotically and violently lash out against them.

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sandra
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Surplus Store Owner
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D-Fens' Mother
Joey Hope Singer ...
Adele (Beth's Child)
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Guy on Freeway
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Mr. Lee
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Captain Yardley
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Detective Lydecker
Steve Park ...
Detective Brian
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Detective Jones
...
Detective Keene
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Storyline

On the day of his daughter's(Joey Hope Singer) birthday, William "D-Fens" Foster (Michael Douglas) is trying to get home of his estranged ex-wife Beth (Barbara Hershey) to see her daughter (Joey Hope Singer) . He has a breakdown and leaves his car in a traffic jam in Los Angeles and decides to walk. Then he goes to a convenience store and tries to get some changes for a phone call but the Korean owner named Mister Lee (Michael Paul Chan) does not change his money. The unstable William breaks apart the shop with a baseball bat and goes to an isolated place to drink a coke. Two gangsters (Agustin Rodriguez & Eddie Frias) threaten him and he reacts by hitting them with the bat. William continues walking and stops at a phone booth. The gangsters hunt him down with their gang and shoot him but crash their car. William goes nuts and takes their gym bag with weapons proceeding in his journey of rage against injustice. Meanwhile Sergeant Martin Prendergast (Robert Duvall) that is working on ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The adventures of an ordinary man at war with the everyday world. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and strong language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

26 February 1993 (USA)  »

Also Known As:

Un día de furia  »

Box Office

Budget:

$25,000,000 (estimated)

Gross:

$40,903,593 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The location Bill Foster (D-FENS) (Michael Douglas) fires the rocket launcher is only ½ mile from where Robert Craig (Brian Davis) was shot in the beginning of Colors (1988) which also starred Robert Duvall as a cop. See more »

Goofs

Prior to firing the M-72, D-FENS does not pull the safety out, hence he should not have been able to fire the rocket. See more »

Quotes

Motorcycle Cop Bobbit: [Highway Patrolman, Prendergast, and Car Driver are talking in gridlocked traffic] Gentlemen, I'm going to have to ask you to both return to your vehicles.
Car Driver: But what about the car?
Motorcycle Cop Bobbit: I'm going to radio for a tow truck to have it removed.
Sergeant Prendergast: Let's just shove it out of the way, we'll get this lane moving!
Motorcycle Cop Bobbit: Sir, sir, we're in a dangerous environment here. We've got a lot of glass and steel rushing by us at high speeds.
See more »

Crazy Credits

The role of Vondie Curtis-Hall, who plays the man protesting the bank, is credited as "Not Economically Viable Man." See more »

Connections

References Citizen Kane (1941) See more »

Soundtracks

LA SCHMOOVE
Written by Chip Fu (as R. Roachford), Moc Fu (as J. Jones), Poc Fu (as L. Maturine),
Phife Dawg (as M. Taylor) and Ali Shaheed Muhammad (as A. Muhammad)
Performed by Fu-Schnickens
Courtesy of JIVE RECORDS
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

An affirmation of decadence
22 November 2004 | by (Sheffield, Northern England) – See all my reviews

Take the hottest day of the year, a traffic gridlock, cracked pavements, dirty streets, unwarranted hostility and a general feeling of being short changed. Then add the frustrations of having an estranged wife and child, an extremely jaded and unbalanced mindset, and the frustration of being obsolete with no marketable skills. Set them against the decadent back drop of modern day LA where if you are 'Not economically viable,' you are of no use, and the result is Falling Down.

The tag line 'The Adventures of an Ordinary man at War with the Everyday World,' makes Joel Schumacher's masterpiece sound like the benign story of a working stiff with issues. However Falling Down is a dark and engrossing urban fable, a study into the mind of the disenfranchised and reminder to all that the removal of comfort is a lot closer than we care to believe.

Full of clichés, like the cop on his last day before retiring, Falling Down bravely meets all expectations of stereotypes, rather than challenging them, making for a realistic reflection of a failing society. Here, a man in extremis, without the feral cunning or killer instinct required for a life in the street, makes his way on anger and luck alone, somehow surviving to leave a paper chase of violence and destruction behind.

Relying heavily on symbolism, illustrating a flip side of America running parallel to the hunky dory world occupied by the successful, the over all message of 'No Matter, Never Mind,' is clear in this world where children play next to vagrants dying from AIDS and Korean grocers can legally steal from the public with their overpriced goods.

Michael Douglas displays some hitherto unseen talent as the unbalanced D-FENS, as he casually totes gang weapons (complete with rubber bands on the grips) in his formal shirt and tie, does battle with store owners and comes up against fast food restaurants, homeless people, gangsters and Nazis. Robert Duval is equally brilliant as the desk jockey on his final day, determined to stop anyone else from being hurt, including the perp.

There is, of course, a small amount of Hollywood sentimentality thrown in for good measure, however the dynamics of such a strong narrative make this completely forgivable and it's possible to overlook this as a flaw given the film's overall strengths.

Praise surely has to go to Ebbe Roe Smith for writing one of the finest scripts ever to grace celluloid. Known for bit parts and cameos, who the hell knows who Ebbe really is? Look on IMDb to find out (if you're a geek like me) or release him into the ether if you don't care. The truth is, he's out there. The question is: Where's the next script?

On the whole, Falling Down is a powerful and dramatic indictment of American culture, societal decadence, and the failing values of the West. It's not for everyone and will most certainly offend some, but if approached with an open mind, will provide plenty of fuel for thought.


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