A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
On the day of his daughter's (Joey Hope Singer) birthday, William "D-Fens" Foster (Michael Douglas) is trying to get to his estranged ex-wife's (Barbara Hershey) house to see his daughter. He has a breakdown and leaves his car in a traffic jam in Los Angeles and decides to walk. Along the way he stops at a convenience store and tries to get some change for a phone call but the owner, Mister Lee (Michael Paul Chan), does not give him change. This destabilizes William who then breaks apart the shop with a baseball bat and goes to an isolated place to drink a coke. Two gangsters (Agustin Rodriguez & Eddie Frias) threaten him and he reacts by hitting them with the bat. D-FENS continues walking and stops at a phone booth. The gangsters hunt him down with their gang and shoot at him but crash their car. William goes nuts and takes their gym bag with weapons proceeding in his journey of rage against injustice. Meanwhile Sergeant Martin Prendergast (Robert Duvall), who is working on his last ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the burger scene, after Bill shoots, an old man tries to escape. At the beginning of the next scene, you can see the same actor, dressed differently, in another restaurant. Both events are supposedly occurring simultaneously. See more »
Is it just me or is this truly one of the best pictures from the last decade? Michael Douglas delivers an astonishing performance as D-Fens (William Foster) an ordinary guy, who has an obviously perfect job at the department of Defense, until he gets fired and his wife breaks up with him. The following opening credits are, according to my view, some of the best in motion picture history : the whole scene is just so extremely claustrophobic. D - Fens is just ''a victim of the modern age'' just like the writer's wife in A Clockwork Orange (another classic) who cannot stand the normal routine of living anymore, and begins a trial of violence in the asphalt Jungle called Los Angeles.
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