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Frank Sacks (written by) and
Robert Boris (written by)
10 February 1994 (Netherlands) more
They're an elite task force. They target high-profile criminals, learn how they work...and shut them down.
Jeff Powers is the newest member of a very elite and very secret LAPD division. Their mission is to target important criminals and to get them to stop... more | add synopsis
Like a TV cop show with a little more violence; routine script, solid cast. more (5 total)
| Lou Diamond Phillips | ... | Jeff Powers | |
| Scott Glenn | ... | Dan Vaughn | |
| Chelsea Field | ... | Kelly Daniels | |
| Yaphet Kotto | ... | Larson | |
| Andrew Divoff | ... | Angel | |
| Richard Grove | ... | Lloyd | |
| William Lucking | ... | Cusak | |
| L. Scott Caldwell | ... | Devlin | |
| Larry Holt | ... | Reese | |
| Daniel Quinn | ... | Bobby Lewis (Surfer) | |
| Thomas Rosales Jr. | ... | Chavez (as Tom Rosales) | |
| Ed Frias | ... | Herrera | |
| Jay Arlen Jones | ... | Nash | |
| Adam G. | ... | Speer (as G. Adam Gifford) | |
| Jophery C. Brown | ... | Vince | |
| Richard Allen | ... | Councilman Smith | |
| Paul Ben-Victor | ... | Councilman Joe Taylor | |
| Sonia Lopes | ... | Rosa Rodrigues | |
| Amy Moore Davis | ... | Mary Baines | |
| Tim De Zarn | ... | Eddie Payton | |
| David Tress | ... | Dr. Sato | |
| Julie Austin | ... | Cindy | |
| Darren Modder | ... | Paramedic | |
| Anthony Herrera | ... | Bill Keller | |
| Sam Hiona | ... | Liquor Store Clerk | |
| Melvin Jones | ... | Tyrone | |
| Tammy Brady Conrad | ... | Daisy (as Tammy Conrad) | |
| Richard D'Alessandro | ... | Richie the Bartender | |
| Bob Minor | ... | Art Blake | |
| Jill Novick | ... | Attractive Woman | |
| Stephen Root | ... | Max Alvarez | |
| Ed Lauter | ... | Captain Shafer | |
| rest of cast listed alphabetically: | |||
| Ramón Franco | ... | Last rapist (uncredited) | |
| Michael Laurin | ... | Police officer (uncredited) | |
| William McNamara | ... | Mark Franklin (Surfer) (uncredited) | |
Directed by | |||
| Mark L. Lester | |||
Writing credits(WGA) | ||
| Frank Sacks | (written by) and | |
| Robert Boris | (written by) | |
Produced by | |||
| Mark Amin | .... | executive producer | |
| Robert Boris | .... | associate producer | |
| Matthew Hintlian | .... | associate producer | |
| Frank Sacks | .... | producer | |
| Wolf Schmidt | .... | supervising executive producer | |
Original Music by | |||
| David Michael Frank | |||
Cinematography by | |||
| Mark Irwin | |||
Film Editing by | |||
| Donn Aron | |||
Casting by | |||
| Cathy Henderson | |||
| Tom McSweeney | |||
Production Design by | |||
| Richard L. Johnson | |||
Set Decoration by | |||
| Beth DeSort | |||
Costume Design by | |||
| Kathryn Morrison | |||
Production Management | |||
| Matthew Hintlian | .... | unit production manager | |
| Norm Wallerstein | .... | post-production supervisor | |
Art Department | |||
| Darrell Dubovsky | .... | set dresser | |
| Daniel DuPont | .... | assistant property master | |
| J.J. May | .... | property master | |
Sound Department | |||
| Steve Hollenbeck | .... | sound re-recording mixer | |
| Darryl Linkow | .... | production sound mixer | |
| T.A. Moore Jr. | .... | sound re-recording mixer | |
| Peter D. Saphier | .... | foley artist | |
Special Effects by | |||
| Brandon Trost | .... | special effects assistant | |
| Ron Trost | .... | special effects coordinator | |
Visual Effects by | |||
| Anthony Mabin | .... | digital compositor | |
Camera and Electrical Department | |||
| Tony Bendt | .... | company grip | |
| John Ditomaso | .... | electrician | |
| Matt Gulbin | .... | key grip | |
| Dawn Jones | .... | second assistant camera (as Dawn Laurel) | |
| Gary Katsuya Ushino | .... | first assistant camera: "b" camera | |
| Gary Katsuya Ushino | .... | first assistant camera: second unit | |
| Troy White | .... | electrician | |
| Jay W. Yowler | .... | gaffer | |
Casting Department | |||
| Phaedra Harris | .... | casting associate | |
Editorial Department | |||
| Catherine Crockett | .... | second assistant editor | |
| Julie Offer | .... | first assistant editor | |
Transportation Department | |||
| Darrell Dubovsky | .... | driver | |
| Kevin Hudis | .... | picture vehicle coordinator | |
Other crew | |||
| Helen Caldwell | .... | script supervisor | |
| Mark S. Constance | .... | set production assistant | |
| Adam Cook | .... | assistant: Mark L. Lester | |
| Adam Cook | .... | key set production assistant | |
| William Doyle | .... | location manager | |
| Jason Fabbro | .... | production assistant | |
| Diane Friedman | .... | location manager: stunts unit | |
| Jay Gowey | .... | location representative: Lakeview Hospital | |
| Petra Jorgensen | .... | script supervisor: second unit | |
| Rob Klein | .... | location assistant | |
| Tiffany L. Kurtz | .... | production coordinator | |
| Chad Rosen | .... | production assistant | |
| Richard D'Alessandro | .... | stand-in (uncredited) | |
S.I.S. - Extreme Justice
more
96 min
1.85 : 1 more
Singapore:NC-16 | Iceland:16 | Germany:18 (video premiere) (heavily cut) | New Zealand:R18 | USA:R (re-rating on appeal) | Australia:R | Australia:MA (cable rating) | Norway:18 | UK:18 | USA:NC-17 (original rating) | Germany:BPjM Restricted
According to an article of the LA Times in 1992, the producers of EXTREME JUSTICE were the subject of intense surveillance by the Special Investigation Section during the making of the film. more
Continuity: In the beginning, there is a party where the crew of cops target shoot some beer bottles. One cop lines up 5 empty bottles, but the other cops shoot 12 bottles half-filled with beer. more
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
In a plot strikingly similar to that of Eastwood's "Magnum Force", "Extreme Justice" deals with cops that take the law into their own hands and execute criminals in cold blood. The blurring of the line between law and justice, and between vigilantism and paranoia, is done here more efficiently than it was in "Magnum Force", so the movie holds your interest, despite the routine on all other accounts script and Mark Lester's unimaginative direction. The entire male cast is solid, but Chelsea Field is unconvincing as the hotshot reporter. (**)