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12 reviews in total

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17 out of 19 people found the following review useful:
A satisfactorily uncomfortable adaptation of Edith Wharton's novel., 28 January 2003

Author: Michael DeZubiria (miked32@hotmail.com) from Luoyang, China

Ethan Frome is one of those stories that is meant to be uncomfortable and unattractive, so if you were put off by either the novel or the movie, it just shows that they succeeded in what they set out to do. Personally, I am slightly ashamed to admit that the novel bored me nearly to tears, but this film version not only refreshed the story in my memory but also breathed a much needed bit of life into the literary version, which is something that I rarely say about a film version of a novel. Before I go on, however, I would like to point out that I realize how much is lost in the transition from novel to film, in that the film is not able to capture Wharton's writing style and there are scenes that are taken out and artistic liberties taken with the material, but as far as a structured story, this is a worthwhile adaptation.

Liam Neeson brilliantly portrays the fated Ethan Frome, a character who is in an unhappy marriage to a wife who is more interested in the social status achieved by being married than in Ethan as a person. Zeena, his wife (played by Joan Allen), is a woman who has become embittered by her life as the wife of a poor man (as Ethan describes her at one point) and the fact that any scrap of love or passion has leaked completely out of her marriage, which was pretty dry to begin with. When Mattie (Patricia Arquette) comes to live with them, things begin to fall apart much more seriously than the emotional way in which the marriage between Ethan and Zeena has long since crumbled.

There are a lot of religious and social undertones throughout the film, as we struggle with Ethan and Mattie, watching them desperately falling in love with each other but each as helpless to do anything about it as the other. Ethan can't leave Zeena for religious reasons, and social reasons as well, since he will be disrespected by the community if he does that (which is a little strange, since you would think there would be even more disapproval from the fact that Ethan and Zeena are distant cousins). And besides that, Ethan has moral reasons of his own for not wanting to leave Zeena, feeling that he has an obligation to her that prevents him from leaving her alone and helpless. This obligation is, of course, derived mainly from Zeena having put so much effort into caring for Ethan's mother before she passed away, an extended act of charity of which she constantly reminds him.

Patricia Arquette delivers a fine performance in the role as Mattie Silver, although her iconography since making this film has completely changed the way she is seen in movies and makes her role as Mattie slightly less believable. But Liam Neeson is the actor here who deserves the most recognition, I can't even imagine someone portraying Ethan Frome more accurately as far as the way he was described in the book than what Neeson did in this film. If you're studying this book in school, it would probably be a good idea to just go ahead and read the book, because this movie is not going to inform you enough to be able to pass a test on the novel, but it certainly works as far as entertainment or as a way to complement the book.

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5 out of 5 people found the following review useful:
Faithful retelling, 18 November 2000

Author: rodw (rodw@bushinternet.com) from Cardiff

The photography is one of the best aspects of the film. The depressing snow and freezing temperature really come across well. The acting is good. In particular, Joan Allen shines as the sickly wife and Liam Neeson is very sympathetic as Ethan. The essential weaknesses of plot derive more from the novella than the director; the theme is not that relevant for modern audiences and some of the criticism levelled against it is undeserved. The plot is faithful to the original although one character is changed from an engineer to a clergyman. The poverty of the town is very well illustrated and gives an alternative view to some Victorian set films.

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4 out of 4 people found the following review useful:
Watch this for Liam Neeson's performance, 19 November 1999

Author: Angel (ZAG-71) from Des Moines, IA

Liam Neeson is astounding. The rest of the cast is very good as well. Though poor Joan Allen has the misfortune of being required to grate on the nerves. Tate Donovan was a nice find as well, as the new preacher in town, I think I enjoyed him more here than in any other film in which I've seen him.

Back, however, to Neeson. From the opening moments when you see him trudging through the snow to the sexual energy he exudes without showing skin to the final moments of deep pain and confusion, he is is phenomenal. He is THE reason to see this film.

It could have been that I was home ill (ironic when you consider the plot) when I saw the film, but I'm not so sure the pace wasn't a little below the speed necessary for people to get truly wrapped into the story and characters. Yet, I stuck through the whole thing, because I was transfixed by Neeson's performance.

He is one of the greats! I always feel warmed after watching him perform.

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8 out of 12 people found the following review useful:
A movie that's better then the book, 28 April 2001

Author: jolshan from Rochester, New York

When Richard Nelson set out to adapt Edith Wharton's classic novel Ethan Frome to the silver screen, he could have never imaged that he would surpass the novel in quality. Marvelous casting and cinematography, as well as a befitting musical score by Rachel Portman, create the perfect audio/visual setting for an American classic.

Ethan Frome is the story of a man broken by his illicit love for his wife's housekeeper cousin. Starting from the present, the story flashes back to many years earlier before the accident that crippled Ethan. His wife Zeena becomes sick and sends for her cousin Mattie to take care of her. Ethan and Mattie fall deeply in love while Zeena becomes sicker and sicker.

While staying largely true to the novel, Richard Nelson makes changes to the story that perhaps Edith Wharton should have considered when writing her tragedy. The identity of the character investigating into Ethan's past has been altered from an engineer to a preacher, a more sensible profession in the context of the story. The depth of Ethan's relationship with Mattie also goes much deeper then in the novel. While perhaps this change could be criticized, it works better for the modern audience in understanding events to come. One of these events, an attempted suicide by Ethan's lover Mattie, was absent from the book yet again helps the viewing audience to feel the intense emotions of the movie. Well-chosen deletions from the book also help pacing while not infringing on its essence.

Perhaps the greatest attribute of "Ethan Frome" is its high-quality acting. Liam Neeson, staring as Ethan Frome, delivers an astounding performance. Perfecting both his character's physical ailment and emotional turmoil, he communicates the part as though it was written for him. Patricia Arquette equalizes Neeson's performance as Ethan's forbidden love Mattie Silver. There are several scenes in which dialogue is not needed to understand what Arquette's character is feeling. Lastly, Joan Allen does a phenomenal job in portraying Ethan's sickly wife Zeena. Though not as antagonistic as in the novel, she none-the-less conveys a meaningful performance.

What gives the movie version of Ethan Frome the edge over its book counterpart is the visual experience and the haunting soundtrack. The camera truly captures the melancholy of the land. There is not a moment in which the atmosphere of the setting does not match the emotional performance of the actors. Rachel Portman also composes a recurrent theme that portrays the spirit of the novel. The music, along with the camera work, help to set the kind of mood that words cannot in this instance. "Ethan Frome" wonderfully tells the story that Edith Wharton meant to in her novel. Outstanding acting and beautiful camera work make "Ethan Frome" a deeply moving film. Those who read the book will be mystified by the superiority of the movie over the novel. Those just interested in a heartfelt tale of forbidden love will not be disappointed either. Though it runs just over an hour-and-a-half, it is paced well and does not rush. As a whole, "Ethan Frome" is highly recommended.

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7 out of 11 people found the following review useful:
Poorly adapted, brilliantly acted, 10 September 2001

Author: Jordan L. Hyde (piman25@hotmail.com) from Salt Lake City, Utah, United States

*** This review may contain spoilers ***

Although I found the acting excellent, and the cinematography beautiful, I was extremely disappointed with the adaptation.

One of the significant portions of the novella is the fact that Ethan and Mattie decide to kill themselves, rather than go on. This is never presented in the movie, they show it as if it were a sledding accident.

The character changes in Mattie and Zenna are almost non-existent. While in the novella they almost change places, at the end of this adaptation it appears as if they are both invalids.

Lastly that Mattie and Ethan consummate their relationship fully nearly destroys the power and poignancy of the finale.

The change of the narrator being a preacher was one effective change.

Neeson and Arquette are superb in their portrayals. Joan Allen was also wonderful, however her character was much watered down from Whartons novella.

I do not expect films to faithfully portray novels, but this one went to far and in the process nearly destroyed the story.

Overall, I would not recommend watching this film unless you have read the book as you will come away confused and disappointed.

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4 out of 6 people found the following review useful:
Subtle and powerful adaptation of Edith Wharton's novella., 27 May 1999

Author: thefan-2 from Detroit

These are New England country folks, as quiet and as repressed as they are in Edith Wharton's novel. Not so much repressed, actually, as they are clumsy and inexperienced. When something extraordinary happens to their emotions, they scarcely know what to do. This conflict has been played for laughs by many writers over the years, because it does lend itself to comedy. Wharton chose to write a tragedy, and this movie captures the essence of Wharton's vision far better than The Age of Innocence, thanks largely to the direction and the superb cast. Highly recommended.

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3 out of 5 people found the following review useful:
Almost., 9 October 2002

Author: (mikeeoo)

I must say outright that this book is one of the best Edith Wharton books you could possibly read, so I was a little dubious going into this film.

I was pleasantly surprised though by the detail and care that the director and actors put into it, although I would quibble with one point- I found that rather than the Whartonian 'repression', the performers seemed to be awkwardly stumbling with their emotions- it's a fine line to be sure.

Liam Neeson does a wonderful job in this film, beautifully nuanced performance, and Joan Allen (as always) just about walks away with the film.

Absolutely worth a viewing, but try the book first, it's superb.

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The book should be better, 3 March 2013

Author: jwills-5 from Colombia

Based on the book by Edith Wharton, XIX century renowned American writer, is a drama that reflects in a painful way the sufferings of a poor peasant family in rural New England. Blend in the community that makes up this social group as well as in the family are elements of discrimination, abuse, confusion of values, insecurities, of indifference, lack of solidarity and passion that give the viewer a grim and sad picture about human dignity. An unknown narrator takes care to present the story to the viewer in flashback after the arrival of a new pastor who decide to visit his parishioners one by one until it meets with the main characters. The feeling that is transmitted, despite the excellent photography and beautiful winter scenery is depression and pain. Good performance by Liam Neeson. The book should be better.

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New England love triangle gone bad, 14 January 2012

Author: wgranger from United States

I always thought that Edith Wharton was an interesting author and I had been meaning to read the book since high school but never got around to doing so. When I saw the DVD, I couldn't resist. I thought the acting, scenery, costumes were all superb. I really felt as if I were in latter part of 19th century New England. That said, though, I can't say this is a very happy movie by any means. The only real warmth was the fire from the new minister. In fact, if I had to describe this movie in three words, it would be dreary, dreary, dreary. The interiors are dreary, the characters dreary, and the story dreary. But this is what I think the producer was trying to portray so he did an excellent job - just a little too dreary for me. On closer reflection, the author showed how we are often bound by fate and the choices we make. Ethan left college to take care of his sickly mother, stayed when she died and then married the cousin who took care of her. Now he is stuck in a joyless situation.

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6 out of 13 people found the following review useful:
Extremely well acted but slow moving!, 19 March 2001
Author: sniegowski from Arizona

I felt that Ethan Frome was EXTREMELY well acted by all; however, this bleak, depressing drama was very slow moving and lacked intensity which I think would have added to the romantic plot. More development between the characters in the love triangle would have been effective. Costumes, scenery and characters were all very authentic. Just wish it could have been more of an emotional picture.

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