A writer with a room for rent acquires a strange new roommate with a psychotic alter-ego that follows her wherever she goes.




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Cast overview, first billed only:
Holly Gooding
Patrick Highsmith
Doctor Heller
Sister Jan
Mike Wallace
Larry Spaulding
Stanley White
Mrs. Gooding
Richard Wolf
Gas Man
Thomas Bosack ...
Holly's Father
Sarina C. Grant ...
Detective Pouget (as Sarina Grant)
John Cardone ...
Handcuffed Man


A woman moves from NYC to LA after a murder, in which she is implicated. She is followed by what is apparently her evil alter- ego. She moves into a room for rent by a writer, and he begins having an affair with her, but after some strange things happen, he's not so sure if the affair is with her or her doppelganger. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis


What if your deepest, darkest desire came to life? See more »

Motion Picture Rating (MPAA)

Rated R for strong violence, and for sexuality and language | See all certifications »

Parents Guide:






Release Date:

23 October 1993 (South Korea)  »

Also Known As:

Doppelganger: The Evil Within  »

Box Office


$3,000,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Shot in thirty days. See more »


Holly is wearing a white dress when her transformation begins. She splits into two naked creatures. After the creatures "reassemble," the reconstituted Holly is magically wearing her white dress again. See more »


[Elisabeth comments on how fast Patrick had begun sleeping with Holly when a guy comes out of her bedroom]
Patrick Highsmith: What was that you were saying about 6 months of suffering?
Elisabeth: OK, so I'm a slut, you're a slut, who wants coffee?
See more »

Crazy Credits

Karen Leigh Hopkins and Sara Hickman are listed in the end credits as "Psycho-slut #1" and "Psycho-slut #2," respectively. See more »


Spoofs Breakfast at Tiffany's (1961) See more »


Waste Waste
Written by Alexei Zoubov
Produced by Jim Suhy
Piano: Steve Donovan
Bass: John Hatton
Drums: Sinclair Lott
Sax: Alexei Zoubov
See more »

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User Reviews

Drew Barrymore at the lowest point in her career...

Drew Barrymore is an actress that has gone through bad periods, not only in her career, but in her personal life too. After being a prodigy child actress she descended into obscurity with mediocre films of low quality. While she has recovered from that dark past, this movie stays as a reminder of Drew Barrymore's worst days.

The movie starts with an interesting premise, very reminiscent to Brian De Palma's "Raising Cain"; with a plot dealing with multiple personality disorder that sets the story for a horror/thriller. Barrymore stars as Holly Gooding, a young woman who is trying to make a new life in California after a traumatic event of her past in which apparently her other personality killed her mother.

Suddenly, her past returns to haunt her as her evil personality is back in her life willing to ruin her new found peace and her new found love. In the middle of the chaos his new boyfriend, Patrick Highsmith (George Newbern), will try to help Holly to face the demons of her past.

Unlike De Palma's underrated thriller, "Doppelganger" is for the most part a mediocre film that not only never fulfills it's purpose, it also concludes in one of the worst endings of movie history. While Barrymore is definitely not at her best, she manages to keep her dignity with an above average performance. The rest of the cast however range from mediocre to painfully bad over-the-top performances, although Leslie Hope manages to be among the best of them.

The script is full of clichés and De Palma's influence is quite obvious. While the movie tries to be original by making literary references in almost every line, the dialogs are dull and the wooden acting certainly doesn't do any good. It has a fair share of nudity and for strange reasons, and excessive use of special effects.

The make-up effects are done by the outstanding KNB and are really among the few good things in the movie. However, the bizarre over-use of the effects in the totally out of context ending decreases the impact of KNB's work and makes cheesy what in a different movie would be amazing.

The fact that this is a B-Movie is no excuse for it's low quality, as with a better and more coherent script this could had been an interesting movie. Sadly, all we have here is a mediocre film that gets worse every second. Worthy for Barrymore's beauty. 3/10

8 of 14 people found this review helpful.  Was this review helpful to you?

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