Shortly after she moves into her own flat in Brighton, Bella finds she is being spied on and generally harassed by a man living across from her. Finally driven to solving the problem with a...
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A man new to a smallish British town joins an amateur theatre company. Once there, he discovers that the drama on stage is quite often nothing compared to what's happening behind the scenes... See full summary »
Roger Moore and Sir Michael Caine play dual roles in this off-beat and highly silly caper - a pair of small time con-men and a partnership of nuclear physicists. As con-men, they use their ... See full summary »
A man and his mistress have just taken off for a weekend romp when they're kidnapped by a trio of bank robbers. They wind up becoming media "stars" as police and reporters follow them. They... See full summary »
A prisoner of war working at a zoo gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for. Together they head for the Swiss border and freedom.
Michael J. Pollard
Four marathon runners (one from England, one from the U.S., a Czech and an Australian Aborigine) prepare to run in the Olympic games. The film follows each one and shows what their motivations are for running in the games.
Shortly after she moves into her own flat in Brighton, Bella finds she is being spied on and generally harassed by a man living across from her. Finally driven to solving the problem with a hammer, she realises she is then ready for a crusade against other such problem males. Written by
Jeremy Perkins <email@example.com>
The gun shop used in the film was a real shop based in Park Street, St. Albans in Hertfordshire and is still going strong today. See more »
When Bella and her friends leave the restaurant, the telephone number on the canopy starts with 01, showing that this clip was filmed in London, not Brighton where this part of the film is set. See more »
Controversial? What's the big deal? Sure it comes across as tasteless, perverse and unsavoury, but really the underlining black humour in the smarting script and a revenge fantasy layout does mildly soften the savage intentions. When released; the British (sort-of) feminine vigilante 'Dirty Weekend' caused a real uproar. I seen it labelled as pornographic, but it doesn't really come close. It can get dark, daring and nasty, but never arouses. The raving screenplay by Michael Winner and Helen Zahavi (which it's based upon her novel) is lyrically intrusive, can be offbeat, grotesque (you'll know when) and wears its feminist liberation proudly. Surprisingly I thought it was well thought out even with some patchy inclusions and silly developments. However the absurdity it succumbs to makes for an uneven balance between the humour and serious matter. The waxing between the characters was always amusing, especially when the tables are finally turned. Watching the vulnerable nature of our single female protagonist slowly transform and breathe growing confidence (going from a shivering victim to a sardonic murderer) is done in a wonderfully hardy portrayal by Lia Williams. Some might finde her superficially bland, but I found her suitably incisive. The majority of the men come off as filth, unpleasant and sleazy. David McCallum is substantially good as the fractious dentist and Rufus Sewell is fairly unnerving as the grubby pervert. Sean Pertwee also gets a taste of his own medicine. Director Michael Winner's frank handling is gusty and his sledgehammer approach productively works along side the no-holds barred material. Sometimes the way it was shot it felt like a cheap TV movie. Mainly due to the editing. While the crude violence has a malicious streak, it isn't overly explicit or even convincing, but it can evoke severity. David Fanshawe's eclectically uncanny and soulful music score is an odd one to behold. At times it has a majestic air, but other cues are a complete mess. Interesting low-brow and misogynistic exploitation nonetheless.
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