Shortly after she moves into her own flat in Brighton, Bella finds she is being spied on and generally harassed by a man living across from her. Finally driven to solving the problem with a... See full summary »
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Shortly after she moves into her own flat in Brighton, Bella finds she is being spied on and generally harassed by a man living across from her. Finally driven to solving the problem with a hammer, she realises she is then ready for a crusade against other such problem males. Written by
Jeremy Perkins <jwp@aber.ac.uk>
The white BMW, registration number G716 SKX, that can be seen parked outside David's house, is the same BMW driven by Mr Brown later in the film. See more »
Goofs
At the country pub: the litter bin in which the gun is hidden has a lot of foliage behind it but when Bella picks up the gun and holds it the foliage has disappeared. See more »
Quotes
Bella:
Percy's dribbling...
Norman:
Well at least he tried.
Bella:
Better to have tried and failed than not to have tried at all, I suppose.
Norman:
Actually...
Bella:
Yes Norman?
Norman:
Merely to achieve erection isn't that important, as it happens.
Bella:
Says who?
Norman:
My analyst.
Bella:
Well he would though, wouldn't he?
[Bella turns to Norman and laughs sarcastically]
See more »
A reverse gender "Death Wish" has doe-eyed Lia Williams as Bella, who encounters several oversexed, repulsive men, who are all interested in one thing (and it ain't football!). Hard to believe that director Winner actually made a handful of decent films in the early seventies, because this film is offensively stupid and violent with giant lapses in logic and character motivation. Every male character (=caricature) is presented as a horny git, who eventually suffers Bella's revenge, but so what? After the Death Wish sequels, Bullseye, Parting Shots and now this, Winner should definitely NOT quit his day job as a restaurant critic.
0 (of ****)
5 of 13 people found this review helpful.
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A reverse gender "Death Wish" has doe-eyed Lia Williams as Bella, who encounters several oversexed, repulsive men, who are all interested in one thing (and it ain't football!). Hard to believe that director Winner actually made a handful of decent films in the early seventies, because this film is offensively stupid and violent with giant lapses in logic and character motivation. Every male character (=caricature) is presented as a horny git, who eventually suffers Bella's revenge, but so what? After the Death Wish sequels, Bullseye, Parting Shots and now this, Winner should definitely NOT quit his day job as a restaurant critic.
0 (of ****)