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While The Rosie Project recently found its headlining star in Jennifer Lawrence, Sony has been in search of someone to fill the director's chair following the departure of directorial duo Phil Lord and Chris Miller (The Lego Movie). According to Deadline, Richard Linklater might be Sony's guy, or at least he is the studio's prime target. amz asin="1476729093" size="small"Adapted from Graeme Simsion's book of the same name, The Rosie Project tells the story of socially-awkward genetic professor Don Tillman, who comes up with a scientifically sound survey to find his perfect mate. Things get more complicated, however, when he meets Rosie Jarman (Lawrence), a woman who doesn't possess any of the qualities he's looking for yet becomes irresistible to him. For anyone who listens to Ted talks as much as I do, the Tillman character sounds an awful lot like a male version of Amy Webb, who »
- Jordan Benesh
Fans of Richard Linklater (Boyhood) may have heard about his spiritual successor to Dazed And Confused and Boyhood, which was dubbed That's What I'm Talking About. The film follows a group of college freshmen as they work their way through the first year of college life and try to make the baseball team. As of now, the film still has no title, although IMDb currently has it listed as... Read More »
- Sean Wist
The movie, based on the Graeme Simsion novel, centers on a socially awkward genetics professor who devises a science-based survey to find the perfect mate — only to see those theories splintered when he meets the spontaneous Rosie Jarman (played by Lawrence), who possesses the opposite qualities.
Scott Neustadter and Michael Weber, who teamed on “(500) Days of Summer,” have revised Simsion’s adaptation of the novel. “The Lego Movie” co-directors Phil Lord and Christopher Miller were initially interested, but have opted to take on Disney’s Han Solo “Star Wars” standalone movie.
Paramount announced Monday that it will release Linklater’s baseball comedy — formerly titled “That’s What I’m Talking About »
- Dave McNary
Paramount has set Richard Linklater’s baseball comedy — formerly titled “That’s What I’m Talking About” — for an April 15 release.
The studio also moved its untitled comedy, which had been starring Leslie Mann, out of that release slot with no new date set.
Megan Ellison is producing the baseball movie along with Sean Daniel, Linklater, Sandra Adair, John Sloss and Ginger Sledge. Daniel and the late Jim Jacks partnered with Linklater on his breakout 1993 teen comedy “Dazed and Confused.”
The pic is the first film for Linklater following his Oscar-nominated family drama “Boyhood.”
Blake Jenner stars as a new pitcher on a highly ranked college baseball team that also parties extensively. Tyler Hoechlin, Wyatt Russell, Ryan Guzman, Zoey Deutch, Will Brittain and Glen Powell also star.
The movie — set in the 198os in Texas — has also been informally titled “Everybody Wants Some.” It’s Linklater’s second baseball comedy »
- Dave McNary
Richard Linklater's Boyhood follow-up, a film being referred to as Everybody Wants Some has a release date and it's not coming in 2015. Previously known as That's What I'm Talking About, but most affectionately known as the "spiritual sequel" to Linklater's classic (yes, classic) Dazed and Confused, Paramount has now set an April 15, 2016 release date for the flick, perhaps just long enough to give them time to settle on a name, because I don't think Everybody Wants Some is going to fly with the marketing department. Hell, the trailer for the upcoming We Are Your Friends trailer got laughs when the title popped up at a recent screening of mine. As for the film, it largely features lesser-knowns in its cast and takes place in the 1980s, following an incoming college freshman who experiences his first weekend in college as a pitcher on the school's baseball team, as he and »
- Brad Brevet
That's right. Richard Linklater's sort-of sequel to "Dazed and Confused" won't hit theaters until April 15, 2016. Rumors abound that the film's title, formerly "That's What I'm Talking About," is now "Everybody Wants Some" — like the Van Halen track. But Paramount Pictures lists the movie on Rentrak as untitled. That means a Winter 2016 festival berth—where "Boyhood" and "Before Midnight" were slotted in the past, at Sundance and Berlin—could be in the cards, but the film will not be a Fall festival contender as we had hoped. Linklater, whose "Boyhood" won an Oscar for Patricia Arquette as Supporting Actress win, is also in talks to direct Jennifer Lawrence in Sony's "Rosie Project," reports Deadline. Read More: Fall Fests: What's Coming Up and What's Not? From producer Annapurna and distributor Paramount, Linklater's untitled film is about college baseball players in the 1980s and stars Blake Jenner, »
- Ryan Lattanzio
Music supervisor Season Kent is responsible for two of summer’s hottest soundtracks: the sensual stripper anthems of “Magic Mike Xxl” and the indie teen grooves in “Paper Towns.” She established herself as a pop influencer after assembling the soundtrack for “The Fault in Our Stars” last summer, which launched Charli Xcx’s “Boom Clap” into the stratosphere. Kent now has two beloved John Green novel adaptations under her belt, with “Paper Towns” in theaters this weekend. Ahead of the premiere, Kent told Variety about her favorite teen movie soundtracks, Green’s obsession with the Mountain Goats and the disaster that would unfold if the soundtracks for “Magic Mike Xxl” and “Paper Towns” got mixed up.
When did you know you wanted to go into music supervision?
I was in college and kind of trying to figure out what I wanted to do. I’ve always been a big fan »
- Marianne Zumberge
Chicago – It was a Chicago moment for the legendary filmmaker Woody Allen, as he walked the Red Carpet on behalf of his latest film, “Irrational Man.” He was joined by a co-star in the film, Parker Posey, and HollywoodChicago.com was there to capture these Exclusive Portraits.
Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com
“Irrational Man” is Woody Allen’s 47th film as director, an amazing output for an American filmmaker, and unlikely to be duplicated for mainstream releases in the future. He began with “What’s Up, Tiger Lily?” in 1966, won an Oscar for directing Annie Hall (1977) and has written or co-written every screenplay he has ever filmed. “Irrational Man” is another Woody Allen contemplative film, set on a college campus, regarding a philosophy professor (Joaquin Phoenix) who shakes himself out of a case of »
- firstname.lastname@example.org (Adam Fendelman)
Irrational Man is the 45th feature that Woody Allen has directed, but what’s perhaps more shocking is that it’s his first film with actress Parker Posey. Triumphantly wearing the crown of “Queen of the Indies” during her prolific 1990s, it’s a shock and wonder Posey hasn’t already worked with Allen, who could easily be labeled the Godfather of the genre.
While Irrational Man may be the start of a fruitful collaboration between the two, Posey has a long history of working with other notable American independent filmmakers. Whether as the star or as a cameo she has the ability to bring a jolt of energy that feels strong enough alone to power a complete film. When utilizing Posey, it’s the director who finds their own way to harness her energy and shape it into the memorable moments that often bear multiple viewings. Looking back on »
- Rodney Uhler
By Alex Simon
2015 will most likely go down as the year that the once-taboo became respectable, with both gay marriage and marijuana finding legal and public acceptance nationwide. While the Supreme Court made same-sex marriage legal in all fifty states, the marijuana initiative is having an appropriately slower, but steady climb into legality. That said, we thought we’d take a look at some of cinema’s greatest proponents of the stoner lifestyle, before it all becomes downright conventional.
10. Jeff Spicoli—Fast Times at Ridgemont High (1982)
Sean Penn not only became a star with his turn as surfer/stoner Jeff Spicoli in the 1980s’ most iconic teen movie, he established how the stoners of the ‘80s differed from their predecessors: while the rebels of the ‘60s and ‘70s viewed their use of cannabis as a symbol of rebellion, and preferred it to alcohol and the other symbols of their parents’ generation and its decadence, »
- The Hollywood Interview.com
Read More: Here's How 'Kids' Happened 20 Years Ago 1. It completely changed the "teen movie" genre. Larry Clark is said to have set out to "make the Great American Teenage Movie, like the Great American Novel." Before "Kids," teen movies were relegated to the soft high school comedy ("Ferris Bueller's Day Off," "The Breakfast Club," "Sixteen Candles," "Fast Times at Ridgemont High" and "Dazed and Confused"). "Kids" put a much darker, grittier spin on the high school story, opting for the depraved underbelly of teenage counterculture rather than the meet-cute suburban sex comedy that largely comprised the genre. 2. It helped normalize non-actors. Along with "Slacker," Richard Linklater's 1991 portrait of Austin youth, "Kids" was among the first films to showcase the merits of using so-called "street kids" and other non-actors to enhance authenticity. »
“King of the Hill” star will be in “The Magnificent Seven”; Richard Linklater is left dazed and confused by a lawsuit; and Corpus Christi announces its 7-Day Film Challenge. It’s this week’s Texas News Roundup. San Antonio Actor to Be One of the Magnificent SevenSan Antonio native Jonathan Joss—best known as the voice of John Redcorn in Fox’s animated “King of the Hill”—just landed a role in the remake of “The Magnificent Seven.” His character is a Native American named Denali, described as the right-hand man of the main villain, Bartholomew Bogue, played by Peter Sarsgaard. The film will be directed by Antoine Fuqua and will star Chris Pratt, Ethan Hawke, Vincent D’Onofrio, and Denzel Washington. “Boyhood” Director Richard Linklater Loses Insurance Lawsuit Richard Linklater has come out on the losing end of a lawsuit against his insurance company over what he says was »
The Conversation is a feature at Sound on Sight bringing together Drew Morton and Landon Palmer in a passionate debate about cinema new and old. For their sixth piece, they discuss Bob Fosse’s film Star 80 (1983).
To say that Bob Fosse’s Star 80 (1983) has a bad reputation is a bit of an understatement. Even after the critical and commercial success of his previous hit All That Jazz (1979), 20th Century Fox executives turned their backs on Fosse. Less than three years after the rape and murder of Playboy Playmate Dorothy Stratten (to say nothing of the necrophilia), a film dramatization seemed to be in poor taste. To magnify the discomfort, Fosse not only left the filming of the grim finale for last – keeping his two lead actors in the dark – but decided to film in the actual house and bedroom the crimes occurred in. The grim »
- Landon Palmer
Double, double, toil, and trouble! Lena Dunham led an extended interview with Lorde for the latest issue of Dazed and Confused magazine, and compared the singer and their friend group to witches in the chat. The Girls creator, 29, caught up with her 18-year-old pal for Dazed's Girls Rule the World issue, where the two discussed everything from music to feminism to their parents, and even bonded over Bff and posse queen Taylor Swift. The New Zealand native spoke to Dunham about her quick rise to fame, [...] »
Last we knew, Richard Linklater's next film, described as a spiritual sequel to Dazed and Confused, was going to be called That's What I'm Talking About and would take place in the world of college life in the 1980s. But that information is now only partly true, as the film has received a new title that sounds a bit more in line with what I expect the film to explore. "You show up at college and you're listening to Van Halen, but you go to discos to chase women, but then you end up at a punk club or a country bar because Urban Cowboy was big at that time," Linklater told Marc Maron earlier this year on the Wtf Podcast (via The Film Stage). The Van Halen note is where emphasis should be placed, as Linklater's film has recently been retitled Everybody Wants Some, according to The Film Stage. »
- Jordan Benesh
Hou Hsiao-hsien and his writing partner, Chu Tien-wen, have been talking about their followup to The Assassin in which Shu Qi would play a river goddess. Meantime, Richard Linklater's been test screening his "spiritual sequel to Dazed and Confused," a comedy about college life in 1980. Tilda Swinton "is in negotiations to join Benedict Cumberbatch in Marvel Studios’ Doctor Strange, being directed by Scott Derrickson," according to the Hollywood Reporter. Craig Johnson's adaptation of Daniel Clowes's Wilson may feature Woody Harrelson and Laura Dern. And Chuck Palahniuk says that he and David Fincher are still aiming to produce a rock opera based on Fight Club—and that Trent Reznor is working on a score. » - David Hudson »
One of our favorite directors, Olivier Assayas ("Summer Hours," "Clouds of Sils Maria") has a predictably eclectic Top Ten List, detailed at Criterion, which is actually a much longer list than ten. He offers American entries from Steven Soderbergh, Richard Linklater, Michael Mann, Robert Altman, Wes Anderson and Noah Baumbach! Have you seen them all? I've never seen the director's cut of Michael Cimino's "Heaven's Gate," the TV cut of Ingmar Bergman's "Fanny and Alexander," Sacha Guitry's "Désiré" or "Judex" by Georges Franju. I will have to remedy that. 1. "The Leopard" (Luchino Visconti) 2. "Pickpocket" (Robert Bresson) (tie) "Andrei Rublev (Andrei Tarkovsky) (tie) "White Material" (Claire Denis) (tie) "A Christmas Tale" (Arnaud Desplechin) (tie) "Chungking Express" (Wong Kar-wai) (tie) "Dazed and Confused" »
- Anne Thompson
It was only a few years ago that Focus Features was the “art house” division of Universal Pictures. The studio was responsible for films like Brokeback Mountain, Beginners, and Greenberg. While Focus still churns out a fair amount of drama-focused material, a shift occurred in 2013 when Universal decided to fold its genre arm FilmDistrict into Focus and replace the head of Focus with the former FilmDistrict head Peter Schlessel. This move has resulted in a more genre-leaning bent at Focus over the past two years, but it appears that things are changing once more at the studio. It was announced today that Focus Features has revived the Gramercy Pictures label “as branding for boldly imagined action, horror, and sci-fi genre movies.” Gramercy was initially formed in 1992 as an art-house labeled and put out a string of cult classics, including Dazed and Confused and The Big Lebwoski. The new iteration of »
- Adam Chitwood
Matthew McConaughey hit the stage at the University of Houston on Friday to deliver an advice-filled commencement speech to this year's graduates. The actor spoke in the school's new football stadium, where his dad once played for the team, and he shared some life lessons reminiscent of those he's dropped into his award show acceptance speeches over the past few years. "Do not fall into the entitlement trap of feeling like a victim," he said at one point. "You are not. Get over it and get on with it. Yes, most things are rewarding when you break a sweat to get them." Matthew also told the graduates to remove the word "unbelievable" from their vocabulary, and he talked about the difference between happiness and joy. For his appearance, he was paid $120,000, all of which he's donating to his charity, the Just Keep Livin Foundation, which helps high school students lead healthy, »
Houston looks back fondly on “Urban Cowboy,” Matthew McConaghey gives life lessons to college grads, and the Dallas Film Society has announced screenwriting contest is announced with $10,000 up for grabs. It's this week’s Texas News Roundup. Back in 1980, John Travolta went looking for love in all the wrong places at Gilley’s, the honky-tonk bar that sported Debra Winger and a mechanical bull in “Urban Cowboy.” Now, 35 years later, Gilley’s is long-shuttered and Houston a little less country. The Houston Press looks back at Gilley's and “Urban Cowboy” as a time capsule of a bygone Texas. Looking more like he was giving a Ted talk than a commencement speech, Matthew McConaghey nevertheless drew cheers as he sat on a barstool and spoke for 45 minutes to University of Houston grads about such things as the importance of taking responsibility for your actions. Actually, not a bad lesson. At the end, »
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