| Meredith Baxter | ... | Mary Ann Guard | |
| Stephen Lang | ... | Guy Grand | |
| Gwynyth Walsh | ... | Sandra Guard | |
| L. Scott Caldwell | |||
| Chelsea Hertford | ... | Jennifer | |
| Bill Applebaum | |||
| Michael Bryan French | ... | Jack | |
| Lee Tergesen | |||
| Natalie West | ... | Mrs. Guard | |
| Robert Desiderio | ... | Al Van Petten | |
| Richard Grove | ... | Father | |
| Alana Austin | ... | Mary Ann Guard (age 9) | |
| Kirsten Dunst | ... | Sandra Guard (age 8) | |
| Tim Farrell | ... | John L. | |
| Matthew Linville | ... | Daryl | |
| Mary Anne McGarry | ... | Mrs. Grand | |
| James Dean | ... | Mr. Conklin | |
| Rusty Schwimmer | ... | Evelyn | |
| Lora Staley | ... | Obstetrician | |
| George Solomon | ... | Nick | |
| David Thompson | ... | Byron | |
| Maura Soden | ... | Linda | |
| Art Chudabala | ... | Kid | |
| Lindsey Ginter | ... | Detective Bayer | |
| Frank Novak | ... | Security Guard | |
| Kriss Turner | ... | Cop | |
| Earl Boen | ... | Justice of the Peace | |
| Julie Ariola | ... | Nurse | |
| Eva Bush | ... | Receptionist | |
| rest of cast listed alphabetically: | |||
| Gerald Berns | ... | Businessman (uncredited) | |
Directed by | |||
| John Patterson | |||
Writing credits(WGA) | ||
| Karen Hall | (written by) | |
Produced by | |||
| Meredith Baxter | .... | co-executive producer | |
| Judith A. Polone | .... | executive producer | |
| Diana Kerew | .... | supervising producer (uncredited) | |
Original Music by | |||
| Peter Manning Robinson | |||
Cinematography by | |||
| Kenneth Zunder | |||
Film Editing by | |||
| Michael D. Ornstein | |||
Casting by | |||
| Wendy Kurtzman | |||
Production Design by | |||
| Dena Roth | |||
Set Decoration by | |||
| Alfred Sole | |||
Costume Design by | |||
| Kathleen Gore-Misko | (as Kathleen Misko) | ||
Makeup Department | |||
| Marja Webster | .... | makeup artist | |
Production Management | |||
| Mel A. Bishop | .... | production manager | |
| Andrew Stone | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jeff Rafner | .... | second assistant director | |
Art Department | |||
| Cheri Paul | .... | property master | |
| Stanford Gilbert | .... | assistant property master (uncredited) | |
Sound Department | |||
| John Asman | .... | sound re-recording engineer (as John B. Asman) | |
| Reginald Dunn | .... | sound | |
| David E. Fluhr | .... | sound re-recording engineer | |
| George R. Groves Jr. | .... | sound re-recording engineer (as George Groves Jr.) | |
| Stephen Grubbs | .... | supervising sound editor | |
| Russell Nordstedt | .... | boom operator | |
| David Yaffe | .... | sound mixer (as David Barr Yaffe) | |
Camera and Electrical Department | |||
| Walt Andrus | .... | camera operator | |
Casting Department | |||
| Laura Adler | .... | casting associate | |
Costume and Wardrobe Department | |||
| Stacey Phelps | .... | wardrober | |
Editorial Department | |||
| Paul D. Goldman | .... | post-production director | |
| Mary Prange | .... | assistant editor | |
Music Department | |||
| Dan Raziel | .... | music editor | |
Transportation Department | |||
| Jay Kennedy | .... | transportation coordinator | |
Other crew | |||
| Robert L. Dohan | .... | location manager | |
| Barbara Doyle | .... | production coordinator (as Barbara Freedman) | |
| Lou Ann Quast | .... | script supervisor | |
| Margaret Scarpello | .... | production accountant | |
| RaeAnn Emery | .... | stand-in: Meredith Baxter (uncredited) | |
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| Permanent Midnight | Opiated: Life Beneath the Eyelids | Requiem for a Dream | Renounced | Things We Lost in the Fire |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
This is one of the most accurate films about drug addiction I have seen dealing with not only one, but both people, in a relationship who are addicted to heroin.. The glossy mumsy feel soon fades away revealing the harrowing life of drug addicts in the middle class suburbia of America.. The acting is first class and the film hooks you in like its subject matter. An enthralling an realistic account of middle class, middle age domestic drug abuse.. Where concealment, deceit and theft gradually take over the lives of the main characters.. until the inevitable reconcilliation with life. I may never have a spliff again ! A real gem !!!