Dandelion Dead (1994)

TV Mini-Series  -   -  Crime | Drama | Mystery
7.6
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Ratings: 7.6/10 from 144 users  
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This is a dramatisation of the true story of Major Herbert Rowse Armstrong, a solicitor and magistrate's clerk who lived in the small Welsh town of Hay-on-Wye. In 1921 he was arrested and ... See full summary »

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Title: Dandelion Dead (1994– )

Dandelion Dead (1994– ) on IMDb 7.6/10

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Cast

Cast overview, first billed only:
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 Catherine Armstrong
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 Constance 'Connie' Martin, née Davies
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 Dr. Hinks
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 Marion Glassford-Gale
Bernard Hepton ...
 Mr. Davies
Don Henderson ...
 Chief Inspector Crutchett
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 Henry Vaughan
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 Eleanor Armstrong
Alexandra Milman ...
 Margaret Armstrong
Joseph Steel ...
 Pearson Armstrong
Lucy Jenkins ...
 Inez
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 Phillips (as Roger Lloyd-Pack)
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 Griffiths
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Storyline

This is a dramatisation of the true story of Major Herbert Rowse Armstrong, a solicitor and magistrate's clerk who lived in the small Welsh town of Hay-on-Wye. In 1921 he was arrested and charged with poisoning his domineering wife, Catherine, and later attempting to poison a business rival, Oswald Martin, by administering arsenic to them. At his trial, Armstrong claimed that he had bought the arsenic simply to kill the dandelions on his lawn. However he was convicted of murder and executed in 1922. Written by Martin Underwood <imdb@martinunderwood.f9.co.uk>

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Plot Keywords:

arsenic | rival | murder | poison | poisoning | See more »

Genres:

Crime | Drama | Mystery

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Details

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Release Date:

30 October 1994 (USA)  »

Company Credits

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Technical Specs

Runtime:

(4 episodes)

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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User Reviews

 
The Englishness of the production needs to be recognised
18 January 2009 | by (United Kingdom) – See all my reviews

I notice that the two comments with an American address have found difficulty appreciating the "Englishness" of the portrayals and general directorial approach. One complains of the missed opportunity to delve into the psychological thriller possibilities of the plot. Surely the point is that it is not meant to be a thriller at all and that this is all the better for it. As for Sarah Miles' acting, few play neurotic and repressed better than her. This is mainly why the death so strongly elicits sympathy in the watcher however morally unacceptable. I felt the production was perfectly pitched, the acting uniformly on target and Michael Kitchen, outstanding, doing what he does best, stiff upper lip, repressed emotion, English social manners etc.


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