| Elias Koteas | ... | Colson 'Colt' Ricks | |
| Angelina Jolie | ... | Casella 'Cash' Reese | |
| Jack Palance | ... | Mercy | |
| Billy Drago | ... | Danny Bench | |
| Karen Sheperd | ... | Chen | |
| Allen Garfield | ... | Martin Dunn | |
| Ric Young | ... | Bobby Lin | |
| Renee Allman | ... | Dreena (as Renee Griffin) | |
| Sven-Ole Thorsen | ... | Doorman (as Sven Thorsen) | |
| Tracey Walter | ... | Wild Card | |
| Jim Youngs | ... | Pinwheel Exec #1 | |
| Robert Dryer | ... | Pinwheel Exec #2 | |
| John Durbin | ... | Tech #1 - Observation Room | |
| Patrick O'Connell | ... | Tech #2 - Observation Room | |
| Sheryl Mary Lewis | ... | Tech #3 - Corridor | |
| Lori Michelle | ... | Tech #4 - Corridor | |
| Elizabeth Sung | ... | Palmist | |
| Matt Demeritt | ... | Manhole Man (as Matthew DeMeritt) | |
| Alain Silver | ... | Surgeon (as Alain Joel Silver) | |
| Galen Yuen | ... | Server | |
| William Colon | ... | Exec #3 | |
| Irving Bonios | ... | Exec #4 | |
| David Schroeder | ... | Exec #5 | |
| Rick Hill | ... | Team Leader | |
| Linus Huffman | ... | Captain Choy Fook |
Directed by | |||
| Michael Schroeder | |||
Writing credits | ||
| Ron Yanover | (story) & | |
| Mark Geldman | (story) | |
| Ron Yanover | (screenplay) & | |
| Mark Geldman | (screenplay) and | |
| Michael Schroeder | (screenplay) | |
Produced by | |||
| Barry Barnholtz | .... | co-executive producer | |
| Jeffrey Konvitz | .... | executive producer | |
| Robert S. Lecky | .... | co-producer | |
| Stuart Levens | .... | associate producer | |
| Raju Patel | .... | producer | |
| Sharad Patel | .... | executive producer | |
| Uru Patel | .... | associate producer | |
| Viju Patel | .... | co-producer | |
| Alain Silver | .... | producer | |
| Jon Turtle | .... | co-producer | |
Original Music by | |||
| Peter Allen | |||
Cinematography by | |||
| Jamie Thompson | |||
Film Editing by | |||
| David M. Richardson | |||
Casting by | |||
| Michelle Guillermin | |||
Production Design by | |||
| Elisabeth A. Scott | |||
Art Direction by | |||
| Michelle Milosh | |||
Costume Design by | |||
| Kristen Anacker | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Camille Henderson | .... | key hair stylist | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Moni Mansano | .... | special makeup effects | |
| Gregory Nicotero | .... | special makeup effects supervisor (as Greg Nicotero) | |
Production Management | |||
| Alain Silver | .... | unit production manager | |
| David Tripet | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Mark Hansson | .... | second assistant director | |
| Kelly Schroeder | .... | first assistant director | |
Art Department | |||
| David Cunningham | .... | construction coordinator | |
| Ron Durant | .... | props | |
| Chris Santini | .... | construction foreman | |
| Rob Shepps | .... | set dresser | |
Sound Department | |||
| Frank Faugno | .... | supervising sound editor | |
| Bill Mellow | .... | assistant dialogue editor | |
| Daniel D. Monahan | .... | sound mixer | |
| Bill Sheppard | .... | sound re-recording mixer | |
| Brian Slack | .... | ultra stereo consultant | |
Special Effects by | |||
| Kevin Brueckner | .... | special effects technician | |
| Greg Hendrickson | .... | special effects coordinator | |
| Greg Landerer | .... | special effects | |
Visual Effects by | |||
| Dan Schmit | .... | visual effects supervisor | |
| Bill Hay | .... | model maker (uncredited) | |
Camera and Electrical Department | |||
| Paul Cuffee | .... | electrical best boy | |
| Shawn Ensign | .... | grip | |
| Harry K. Garvin | .... | camera operator | |
| Gene Hara | .... | electrician | |
| Steve Hurson | .... | second assistant camera | |
| John Joleaud | .... | gaffer | |
| Dan Kneece | .... | Steadicam operator | |
| Daryl 'Dazz' Reynolds | .... | electrician | |
| John Sekula | .... | assistant camera | |
| Kevin St. John | .... | key grip | |
| R. Michael Stringer | .... | electrician | |
| Tom Jensen | .... | additional first assistant camera: second unit (uncredited) | |
Casting Department | |||
| Jacque Allen | .... | casting coordinator | |
| Mindy Molinary | .... | casting associate | |
Editorial Department | |||
| Frank Faugno | .... | first assistant editor | |
| Karen Hathaway | .... | assistant editor | |
Music Department | |||
| Ron Friesen | .... | lyricist: end title | |
Other crew | |||
| Bundy Chanock | .... | set medic | |
| Brigitte Mueller | .... | assistant production coordinator | |
|
|
|
|
|
| Cyborg 3: The Recycler | To the Death | Future Kick | Army of One | The Substitute |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Earth, 2074. The field of cybernetics is dominated by two corporations Kobayashi Electronics & Pinwheel Robotics. The execs over at Pinwheel plan to destroy Kobayashi by sending in Casella 'Cash' Reese, a female cyborg containing 'Glass Shadow' (a powerful plastic explosive), to a conference & detonating her. With the help of Mercy, a mysterious cyborg who projects himself onto TV screens, Cash & her human combat trainer Colton Ricks escape the compound & flee across the city. With Pinwheel troopers & a psychotic bounty hunter after them, they attempt to make it to freedom.
CYBORG was a low-budget, mindless post-apocalyptic martial-arts flick that featured Jean-Claude Van Damme taking on numerous thugs & trying to rescue a female cyborg. It became a cult film & inspired two sequels.
While the first film was nothing more than a series of watered-down heroics that had almost no plot, "Cyborg 2: Glass Shadow" is the complete opposite, a futuristic sci-fi film with an intelligent storyline & a Cyberpunk atmosphere. It is also the rare occasion where a sequel proves to be better than the original.
"Glass Shadow" is set sometime after the events of the first film, although the continuity is somewhat screwed up (society had collapsed in the original & a nasty plague had swept through the world). The society here is akin to a corporate-run city, nothing like the original (there are a few clips taken from the original shown on TV screens). The storyline is quite simple female cyborg is created as a walking bomb, said cyborg tries to flee her fate, her creators send in bounty hunters to catch her but done in an intelligent manner.
The acting is superb, with due credit given to Jack Palance, who gives one of his best performances, as the cyborg warrior / poet who appears on TV screens like a ghost; Elias Koteas, who plays his role in deadpan fashion & Tracy Walter shines in a cameo as a doctor. Angelina Jolie, in the days before she became a superstar, gives a robotic performance as the cyborg Cash, although this fits in with the rest of the film. The visual effects in this film are excellent, most notably the opening scene with a cyborg being built, some prosthetics work & an exquisite model city.