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Cop and ½ (1993)
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Overview
User Rating:
Your Rating:
Director:
Writer (WGA):
Arne Olsen (written by)
Release Date:
2 April 1993 (USA)
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Tagline:
One kid's fantasy. One cop's nightmare.
Plot:
Devon Butler is an eight-year old who dreams of being a cop. He watches police TV shows, knows police procedures...
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Awards:
1 win
&
2 nominations
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User Reviews:
Burt Reynolds in decadence...
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Cast
(in credits order) (verified as complete)
Directed by | |||
| Henry Winkler | |||
Writing credits(WGA) | ||
| Arne Olsen | (written by) | |
Produced by | |||
| Elaine Hall | .... | associate producer | |
| Tova Laiter | .... | executive producer | |
| Paul Maslansky | .... | producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Bill Butler | |||
Film Editing by | |||
| Daniel P. Hanley | (as Daniel Hanley) | ||
| Carroll Timothy O'Meara | (as C. Timothy O' Meara) | ||
| Roger Tweten | |||
Production Design by | |||
| Maria Rebman Caso | |||
Art Direction by | |||
| Allen Terry | |||
Set Decoration by | |||
| Cindy Coburn | |||
Costume Design by | |||
| Lillian Pan | |||
Makeup Department | |||
| Jay Cannistraci | .... | assistant makeup artist | |
| Marie Del Russo | .... | makeup artist | |
| Brian McManus | .... | makeup artist | |
Production Management | |||
| Robert Hackl | .... | post-production supervisor | |
| Tova Laiter | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Dean Garvin | .... | assistant director | |
| Bruce Moriarty | .... | first assistant director | |
| Glen Trotiner | .... | assistant director | |
| Glenn R. Wilder | .... | second unit director (as Gelen Wilder) | |
Art Department | |||
| Stephen I. Erdberg | .... | propmaker | |
| Frank Hendrick | .... | set dresser | |
| Damon Medlen | .... | set designer | |
| Genessa Goldsmith Proctor | .... | scenic artist (as Genessa Goldsmith) | |
| Jeffrey Scott Taylor | .... | leadman | |
| Gregory R. Wolf | .... | property master | |
| Jerry Blohm | .... | lead man (uncredited) | |
Sound Department | |||
| Michael Barnitt | .... | sound recordist: second unit | |
| Paul B. Clay | .... | supervising sound editor | |
| Joe Foglia | .... | sound mixer | |
| Susan Kurtz | .... | sound effects editor | |
| Richard LeGrand Jr. | .... | foley artist | |
| Diane Marshall | .... | foley artist | |
| Vince Nuccio | .... | boom operator | |
| K.H. Santy | .... | utility cable | |
| Joe Schwartz | .... | sound assistant | |
| Dean St. John | .... | adr recordist | |
| Mike Szakmeister | .... | dialogue editor | |
Camera and Electrical Department | |||
| Ben Bardin | .... | grip | |
| Jerry Bertolami | .... | dolly grip | |
| Robert Beverlin | .... | additional camera assistant | |
| David S. Campbell | .... | camera assistant | |
| David S. Campbell | .... | steadicam assistant | |
| Alan Degen | .... | camera operator: second unit | |
| C.W. Fallin | .... | cinematographer: marine sequences | |
| Walt Fraser | .... | camera operator | |
| Peter Iovino | .... | still photographer | |
| Neal Norton | .... | Steadicam operator | |
| Nik Petrik | .... | camera operator | |
| Bob Scott | .... | second assistant camera | |
Casting Department | |||
| Kimberly Mullen | .... | casting associate | |
Costume and Wardrobe Department | |||
| Carolyn Dessert | .... | costumer | |
| Barnaby Smith | .... | costumer: second unit | |
Editorial Department | |||
| Erin Michelle Hopkins | .... | assistant editor | |
| Thomas Needell | .... | assistant movie editor | |
| David Orr | .... | color timer | |
| Lee Michael Searles | .... | assistant editor | |
Music Department | |||
| Don Davis | .... | orchestrator | |
| Kenneth Karman | .... | supervising music editor | |
| William Ross | .... | orchestrator | |
| Andrew Silver | .... | music editor | |
| Steven L. Smith | .... | music preparation | |
| Jacqueline Tager | .... | assistant music editor | |
Transportation Department | |||
| Ron Bledsoe | .... | transportation | |
| James Reynolds | .... | driver | |
Other crew | |||
| Tom Bahr | .... | marine coordinator | |
| Lisa J. Bloch | .... | production assistant | |
| Richard Borrego | .... | government liaison | |
| Marjorie Chodorov | .... | assistant accountant | |
| Andrea Larsen | .... | location coordinator | |
| Kenneth Mancebo | .... | production accountant | |
| Clay Reiche | .... | stand-in | |
| Kami Turrou | .... | production secretary | |
| Victor Iemolo | .... | stand-in: Frank Sivero (uncredited) | |
Production CompaniesDistributors
- CIC Vídeo (Brazil) (VHS)
- CIC-Taft Home Video
- National Broadcasting Company (NBC) (1996) (USA) (TV)
- United International Pictures (UIP) (Spain)
- Universal Pictures
- Lightnin' Production Rentals transportation equipment
Additional Details
Also Known As:
"Cop & a 1/2" - International (English title) (informal title)
"Cop and a Half" - International (English title) (DVD box title)
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"Cop and a Half" - International (English title) (DVD box title)
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MPAA:
Rated PG for mild language, violence and drug references
Parents Guide:
Runtime:
97 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Filming Locations:
Company:
Did You Know?
Trivia:
Cameo: [Andrew Reynolds]The professional skater nephew of star uncle Burt Reynolds plays a skateboard kid boy who has his skate-board stolen from him by Devon Butler (Norman D. Golden II). Burt Reynolds got him the part on this picture.See more »
Goofs:
Crew or equipment visible: During the scene with Burt Reynolds (in a car) chasing a henchman (on foot) Burt drives through multiple fences and backyards. Just as Burt's hitting the last fence, he shouts "End of the line!" Immediately after that, in a side shot of the car, you can see a crew member bracing himself with his arm on the back of the driver's seat.See more »
Quotes:
Movie Connections:
Referenced in "Siskel & Ebert: Remembering Gene Siskel" (1999)See more »
Soundtrack:
Nothin' My Love Can't FixSee more »
FAQ
This FAQ is empty. Add the first question.See more (48 total) »
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| IMDb Family section | IMDb USA section |
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Burt Reynolds has shown a subtle comic flair in films like "Sharky's Machine" and "Shamus" (or even in "Stick"), but his work here, in a broader kind of comedy, is joyless. The kid does show some spirit, but as a "buddy" team these two rarely click. The film was probably supposed, among other things, to satirize the most familiar cop-movie cliches, but it's one big cliche itself, and has a rather erratic tone. (*1/2)