Mark Cahill is a good family man with a loving wife and two wonderful children. Mark also happens to be a hit man who is haunted by his last victim, a blonde, who keeps appearing in his ... See full summary »

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Cast

Complete credited cast:
...
Mark Cahill
...
Mitch
...
Beth Moore
...
Larry
...
Sean Mathieson
...
Joanne
...
Ghost
...
Louise
Marc Strange ...
Dr. Kellar
Jordan Hughes ...
Mike
Gino Giacomini ...
Neil
Richard Kovsky ...
Conrad Nash
Colin D. Simpson ...
Security Guard
Rest of cast listed alphabetically:
...
David Cook
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Storyline

Mark Cahill is a good family man with a loving wife and two wonderful children. Mark also happens to be a hit man who is haunted by his last victim, a blonde, who keeps appearing in his bedroom at the worst of times. His life becomes even more complicated when he becomes caught up in the schemes of two business partners, one of the partner's spouse and her boyfriend(s). Written by Greg Mintz <gmaugust@groupz.net>

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for strong sexuality, and for violence and language | See all certifications »

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Release Date:

27 August 1993 (Canada)  »

Also Known As:

Der eisige Atem des Todes  »

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Crazy Credits

On the Paramount VHS, during the closing credits, a voiceover of Shannon Tweed herself is heard, telling the viewers to stay tuned after the movie for details on a contest loosely based on the film. See more »

Soundtracks

Too Much Pride
Written and Performed by Chris Rea
Used with Permission Warner/Chappel Music Canada
Courtesy of Warner Music International
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User Reviews

 
Of All the Shannon Tweed Movies, "Cold Sweat" is One of Them
27 October 2013 | by (United States) – See all my reviews

Though she gets third billing, "Cold Sweat" is unmistakably a Shannon Tweed movie—so much so that the generic title could just as well be changed to "Yet Another Shannon Tweed Erotic Thriller." At first, though, it appears to be the story of a hit man (Ben Cross) wrestling with his career choice. Sure, killing people for cash enables him to provide all the comforts of suburbia his family enjoys, but he's lately become haunted by one of his victims (spunky Lenore Zann), who seems to appear whenever he wants to put some lovin' on his wife. Though he wants to take a break, he agrees to one last hit, arranged by a rollerblading drug dealer (Adam Baldwin) for one of his clients, a floundering businessman (Dave Thomas). Tweed is the businessman's wife, and she's not only banging Baldwin, but also Thomas's business partner (Henry Czerny). It should be noted that in this movie, the impotent hit man is the good guy.

"Cold Sweat"'s story offers enough potential that in more ambitious hands it could be a pretty effective thriller—possibly even a good one—but since it's a Shannon Tweed movie screenwriter Richard Beattie and director Gail Harvey are only interested in fulfilling the bare requirements of such an endeavor. Viewers get an appetizer of those bare requirements in the form of Zann as Cross watches her and her boss go at it, the amorous couple seemingly oblivious to the fact that the office in which they're rutting is essentially a big glass cube. But it's Tweed's body that's "Cold Sweat"'s raison d'être, and the movie soon gets down to the business of displaying it when Tweed takes on Czerny (who's got a better body than one might expect) and then Baldwin within the same day--though not at the same time--in some lively, hard-R sex scenes. While these scenes are titillating, they're probably only going to get people in the mood to surf the Web for some of the hardcore stuff. In short, the sex scenes aren't hot enough to make viewers forgive the movie's mediocrity. However, if fans of Baldwin, who went on to become a member of the Whedonverse in "Firefly" and "Angel," and Czerny, currently in the prime time soap "Revenge," are curious to see *more* of the actors, as it were, this is the movie to watch.

For what it's worth, the acting is OK. Tweed isn't a great actress but she's better than she's given credit for, a fact no doubt attributable to her starring in cheap direct-to-video erotic thrillers like this one. Baldwin, Czerny and Cross—whom I suspect spent his days on the set of this movie staring forlornly into the distance, mumbling: "A decade ago I was the star of 'Chariots of Fire'…"—are all adequate in their roles, no more. Standing out like a sore thumb is Thomas, who is not only unable to make us forget his "SCTV" past, but unwilling to try, turning his role as the heavy into a cartoon. But I guess Thomas' hammy performance doesn't really matter. After all, it's only a Shannon Tweed movie.


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