A Puerto Rican ex-con pledges to stay away from his former drug dealing ways but finds himself being dragged back by his past connections and the naive machinations of his lawyer and best friend. Hoping to raise enough money to get away from New York, Carlito Brigante takes on the job of running a nightclub, renews an affair with a dancer but old associates and old instincts suck him back into a world of violence and mistrust. Written by
Keith Loh <firstname.lastname@example.org>
In the final scenes of the movie, which take place in Manhattan's Grand Central Station, Carlito is attempting to take a train an Amtrak train to Miami. However, in 1975, the only trains that left from Grand Central beside commuter and subway trains were Amtrak trains going north to Albany and continuing west to Buffalo and Chicago. If Carlito wanted to take a train to the south, he would have needed to be at New York's Penn Station instead. See more »
Somebody's pulling me close to the ground... I can sense, but I can't see. I ain't panicked. I've been here before. Same as I got popped on 104th street. Don't take me to no hospital, please. Fuckin' emergency rooms don't save nobody. Sons of bitches pop you at midnight, when all they got is a Chinese intern, with a dull spoon. Oh look at these suckers. Scrambling around... What for? My Puerto Rican ass ain't supposed to have made it this far. Most of my crew got washed a long time...
See more »
Pacino and DePalma team up once again and the result is once again triumphant. "Carlito's Way" is an emotional and captivating story, depicting the life of former trug kingpin Carlito Brigante (Pacino). Brigante's intention is to go straight, clean up his act, and make money managing a sleazy nightclub. David Koepp's screenplay has the depth it needs in examining the intense struggle an ex-druglord must endure when trying to escape his violent past. Stephen Burum's nearly flawless camerawork and DePalma's flamboyant and operatic direction are a visual splendor that complements the emotional story. This film is a highly underrated work of art that needs to be appreciated. Great supporting performances from Sean Penn and Penelope Ann Miller should not go unmentioned.
144 of 168 people found this review helpful.
Was this review helpful to you?