A Puerto Rican ex-con pledges to stay away from his former drug dealing ways but finds himself being dragged back by his past connections and the naive machinations of his lawyer and best friend. Hoping to raise enough money to get away from New York, Carlito Brigante takes on the job of running a nightclub, renews an affair with a dancer but old associates and old instincts suck him back into a world of violence and mistrust. Written by
Keith Loh <firstname.lastname@example.org>
Al Pacino had difficulty with his scenes with Jorge Porcel, who played Saso, the club owner. The actor, who was primarily a television comedian, spoke no English and learned his lines phonetically. See more »
Carlito is shown riding in a subway car that was refurbished in the late 1980s. It has a dark red exterior and a tan interior. In 1975 these cars were painted gray with a blue stripe on the exterior and light blue on the interior. See more »
Somebody's pulling me close to the ground... I can sense, but I can't see. I ain't panicked. I've been here before. Same as I got popped on 104th street. Don't take me to no hospital, please. Fuckin' emergency rooms don't save nobody. Sons of bitches pop you at midnight, when all they got is a Chinese intern, with a dull spoon. Oh look at these suckers. Scrambling around... What for? My Puerto Rican ass ain't supposed to have made it this far. Most of my crew got washed a long time...
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Pacino and DePalma team up once again and the result is once again triumphant. "Carlito's Way" is an emotional and captivating story, depicting the life of former trug kingpin Carlito Brigante (Pacino). Brigante's intention is to go straight, clean up his act, and make money managing a sleazy nightclub. David Koepp's screenplay has the depth it needs in examining the intense struggle an ex-druglord must endure when trying to escape his violent past. Stephen Burum's nearly flawless camerawork and DePalma's flamboyant and operatic direction are a visual splendor that complements the emotional story. This film is a highly underrated work of art that needs to be appreciated. Great supporting performances from Sean Penn and Penelope Ann Miller should not go unmentioned.
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