| Arsinée Khanjian | ... | Translator | |
| Ashot Adamyan | ... | Driver (as Ashot Adamian) | |
| Atom Egoyan | ... | Photographer | |
| Michelle Bellerose | ... | Guest | |
| Natalia Jasen | ... | Guest | |
| Susan Hamann | ... | Guest | |
| Sveta Kohli | ... | Guest | |
| Viva Tsvetnova | ... | Guest | |
| Roula Said | ... | Guest (as Rula Said) | |
| Annie Szamosi | ... | Guest | |
| Anna Pappas | ... | Guest | |
| Amanda Martínez | ... | Guest (as Amanda Martinez) | |
| Diane Kofri | ... | Guest |
Directed by | |||
| Atom Egoyan | |||
Writing credits | ||
| Atom Egoyan | (written by) | |
Produced by | |||
| Atom Egoyan | .... | producer | |
| Arsinée Khanjian | .... | co-producer: Armenia | |
| Robert Lantos | .... | executive producer | |
Cinematography by | |||
| Norayr Kasper | (director of photography) | ||
Film Editing by | |||
| Atom Egoyan | |||
Production Management | |||
| Garegin Zakoian | .... | production manager: Armenia | |
Sound Department | |||
| Tyler Allen | .... | trainee assistant editor | |
| Yuri Hakobian | .... | sound recordist: Armenia | |
| Steve Munro | .... | foley artist | |
| Steve Munro | .... | sound designer | |
| Steve Munro | .... | sound effects | |
| Daniel Pellerin | .... | sound re-recording mixer | |
| Ross Redfern | .... | sound recordist: Toronto | |
| Paul Shikata | .... | assistant sound editor | |
Visual Effects by | |||
| Chris Wallace | .... | hi-def colourist (uncredited) | |
Camera and Electrical Department | |||
| Atom Egoyan | .... | camera operator: 8mm video images, Armenia | |
| David Owen | .... | gaffer | |
Editorial Department | |||
| Doris Hepp | .... | commissioning editor | |
| Chris Hinton | .... | film timer (as Christopher Hinton) | |
| Paul Shikata | .... | assistant editor | |
Music Department | |||
| Eve Egoyan | .... | musician: piano | |
| Jivan Gasparyan | .... | musician: duduk | |
| Hovhanness Tarpinian | .... | musician: tar | |
| Garo Tchaliguian | .... | vocalist | |
Other crew | |||
| Norair Aslanian | .... | title designer: Armenian titles | |
| Alek Bayandoor | .... | production assistant: Armenia | |
| Daniel Bekerman | .... | production assistant: Toronto | |
| Kaspar Derderian | .... | production assistant: Armenia | |
| Norayr Kasper | .... | production coordinator: Armenia | |
| Zaven Sarkissian | .... | location director: Armenia | |
| Grigor Troyan | .... | co-production coordinator: Armenia | |
| Simone Urdl | .... | production coordinator: Toronto | |
| Gurgen Zakoian | .... | production assistant: Armenia | |
| Laurence Petit | .... | press attache: France (uncredited) | |
Thanks | |||
| Wouter Barendrecht | .... | thanks | |
| Silva Basmajian | .... | thanks | |
| Mychael Danna | .... | thanks | |
| Sheila de la Varende | .... | thanks (as Sheila de La Varende) | |
| Niv Fichman | .... | massive thanks | |
| Gabrielle Rose | .... | massive thanks | |
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| 8½ | Paris, je t'aime | Hard Core Logo | New York, I Love You | Children of the Revolution |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Armenia section |
A small project wedged between his first two more mainstream products, The Adjuster and Exotica, Calendar stars the director and his wife, Arsinée Khanjian as a photographer and his wife. They are traveling to different Armenian churches in order to photograph them for a calendar. Both of them are Armenian by heritage, but he is disconnected from it, while she speaks the language (and acts as translator). During the trip, their Armenian guide begins to grow closer to the wife. The film actually takes place much later, as Egoyan, now no longer with his wife, is trying to duplicate her by holding "auditions" with women, presumably re-enacting the first meeting with his ex. It's all rather confusing. I never quite figured it all out. I'm not sure the film works. I liked all the stuff about the Armenian churches (some beautiful images here, and the film's style in these scenes is great), but the whole narrative about the dates never seemed to come to fruition. However, it is an extremely interesting film, and it's rather haunting at the end. Calendar itself may feel somewhat incomplete, but Egoyan is definitely a fully-fledged artist here. The only earlier film of his I've seen, Speaking Parts, did not communicate his talent. This is definitely worth seeing, especially as it only runs at 75 minutes.