Edit
Storyline
A top surgeon is besotted with a beautiful woman who once ditched him. Unable to come to terms with life without her, he tries to convince her that they need each other. She has other ideas, but an horrific accident leaves her at his mercy. The plot is bizarre and perhaps sick at times, ending abruptly and with a twist. Written by
Rob Hartill
Plot Summary
|
Add Synopsis
Taglines:
A deep, dark obsession that bares a woman's body and a man's soul.
See more »
Edit
Did You Know?
Trivia
Madonna was originally going to play the lead. At that time, the project was titled "Boxing Hanna."
See more »
Goofs
When Nick Cavanaugh is on the phone in a telephone box, the camera spins around the box. The reflection on all four sides of the phone box is identical indicating that the phone box is surrounded on all four sides by the same building with the same neon light.
See more »
Quotes
Ray O'Malley:
Hasta whatever!
See more »
Connections
Referenced in
Selfie: Perestroika (2014)
See more »
Soundtracks
MOZART'S PIANO CONCERTO #25
Written by
Wolfgang Amadeus Mozart
Courtesy of LaserLight Digital
By Arrangement with Sounds of Film
See more »
Like all Lynch films (and daughter follows father's technique totally) this one requires multiples viewings (at least two). Surprisingly, none of the commentators seem to have gotten the gist of it, although this is not too difficult to grasp, given that the symbolism, while occasionally complex, is not that obscure. A couple of brief tips should help. Venus= Marion (for the obtuse this is only apparent at the very end), and Helena= Venus. The three scenes in which Marion appears (two of them nude or semi-nude) are a give away, as is Helena's reference to Nick as a "little boy" (confirmed by his behavior). The only "mystery" in this absorbing study of incestuous obsession is whether Nick and Marion actually did the deed. And the answer comes in the latter part of the "dream" (when "Helena" teaches Nick, on whom she have finally taken pity, how a woman ought to be properly loved). Nick's real life love interests are a disarticulation of Marion, with Anne representing her loving side (and very similar in physical appearance) while Helena (wonderfully played by Sherilyn Fenn) is the bitchy slutty yet ultimately redeeming side. The storyline recounts how Nick "copes" with the loss of Marion after her death (not very well), but there is no resolution of the problem. Once you've gotten the basics though, it's fascinating to see how elegantly and delicately this psycho-deviation is treated. Nothing is superfluous, and everything fits. Even the "dream", which is part fantasy, part reality, part prophecy. The film is not a masterpiece, but it is very well done. See it again with the correct perspective.