Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members...
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This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face... See full summary »
Edward James Olmos
Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named ... See full summary »
Kid brother Chuco (Danny De La Paz) is a sullen low-rider still caught up in the life. Despite their differences, their family bond is strong. But that bond is violently tested when rivals ... See full summary »
Danny De La Paz,
Chicano gangster Micky Solis finds that his family has been slaughtered by the Chinese mob. His whole life force turns to finding the killers. A slick lawyer (Angus MacFadyen) leads Micky ... See full summary »
Paz de la Huerta,
Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo. Written by
Danny Trejo, the actor who plays Geronimo of the La Onda council, once actually did time in San Quentin. During the final gathering of the council, Miklo stated that he was headed back to Texas via interstate compact - Trejo's cousin (film director Robert Rodriguez) is from San Antonio. See more »
The sound microphone is visible in the prison scene when Miklo and guy are talking to Ryder. See more »
That's the punk from the Alley.
[Talking to Spider referring to Miklo]
[Spills his drink off his mouth]
Vato Loco must be a medication to come here.
¡You cut my carnal, i'm here to jack you off, puto!
[Starts to hit the fence with a hockey stick]
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During the end credits we see helicopter shots of Los Angeles. The movie ends with shots of the big tree (pina). See more »
I've seen this movie a couple of times and its got its good points and its bad. It's an interesting story, though generally, it perpetuates the "East L.A. gang member" stereotype. However, it also addresses something I haven't seen before in a movie of this type, and something that was perfectly illustrated (unintentionally) by some of the unfavorable reviews posted here. I'm referring to the character of Miklos, and how stereotypes within his own community about "what is Latin" contribute to the person he becomes. There have been a few reviewers here who feel that the character of Miklos was not believable as Latino, as he was "too" white looking. As I understand, that was exactly the point. He was always having to prove himself as 'more latin than thou' because of his fair skin. Somehow being 'more latin than thou' became akin to being a hardest of the hard gang member. I think that was the most compelling idea out of the movie because that sort of thing happens quite often. Many Latinos subscribe to the stereotype that "all latinos are a sort of medium brown". Forgetting that "Latino" is not a race. It refers to ethnicity. You can be of any race and still be Latino. Those who don't fit into the stereotype of appearance sometimes try to find another way to 'be more Latin', and become susceptible to other, more insidious stereotypes. I've known my fair share of blue eyed blond "Miklos" who felt compelled to prove their "Latin-ness" by being a thug. So despite what has to be a record usage of the word "ese", I found this movie a worthy viewing due to the addressing of this topic.
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