Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members... See full summary »
Giulietta Di Messina a rich sensual European aristocrat (Romina Di Lella) has an unquenchable desire to be a lounge singer against her powerful banker husband's William Windsor's (Oliver ... See full summary »
Romina Di Lella,
In the streets of East Los Angeles, Manny is a formidable drug dealer. Impressed by his extravagant lifestyle and prowess, his young son, Kilo, yearns to follow in his footsteps. Kilo ... See full summary »
A former gang member is pulled back into his former violent world after a Russian gang vying for control of the local drug trade kills his wife. Taking a solemn pledge to seek vengeance for... See full summary »
Mousie and Sad Girl are childhood best friends in a contemporary Los Angeles poor Hispanic neighborhood. But when Sad Girl becomes pregnant by Mousie's boyfriend, a drug dealer named ... See full summary »
This epic film traces over three generations an immigrant family's trials, tribulations, tragedies and triumphs. Jose and Maria, the first generation, come to Los Angeles, meet, marry, face... See full summary »
Edward James Olmos
Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo. Written by
Teddy Wilson died shortly after filming the prison interrogation and Delano city jail scenes. See more »
In one scene a 1985 Camaro can be seen, but the year is 1981. See more »
Hey homes you can't come here any more, unless you're gonna bust me.
¿And who the FUCK gave you permission to use my little brother in your paintings?
¡I don't need permission from you, he's my carnalito too!
Don't you use Juanito as an excuse to wreck your life. ¡YOU DON' HAVE THAT RIGHT!
Si culero, ¡¿I don't have that right, huh? Fuckin' right I don't
[while cutting Juanito's picture in his paintings]
¡I don't have that fuckin' right! ¿You want him out of my painting joto? ¡All right, all ...
[...] See more »
During the end credits we see helicopter shots of Los Angeles. The movie ends with shots of the big tree (pina). See more »
great story, nice and long so one can enjoy it more than the average flick
i believe that is one of the better movies ever to come out. a truly amazing story of what life can entail between brothers and how the choices you make defines your direction in life. OK, one might argue that it is rather cheap in the budgetary sense and consequently not a respectable director nor actors are in it makes the flick only more interesting. The acting is however quite good and the prisoners are more than realistic. In other words it gives a nice insight in US (prison-gang)life. On top of that i personally am a great fan of true stories as this is. it is a shame that bad distribution has not given this the place in movie history that it deserves.
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