IMDb RATING
5.0/10
6.9K
YOUR RATING
A pair of sociopath killers take on the police and the mob in order to make one last big score.A pair of sociopath killers take on the police and the mob in order to make one last big score.A pair of sociopath killers take on the police and the mob in order to make one last big score.
- Director
- Writers
- Stars
Stephanie Williams
- Sally
- (as Stephanie E. Williams)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I'm slightly puzzled as to some of the harsher comments featuring BOILING POINT . I will confess that it's not a thriller classic but I will defend it against the accusation that it's a terrible movie Red ( Dennis Hopper ) is released from prison and owes some mafia types money and so is given a seven day ultimatum . Jimmy ( Wesley Snipes - And no early 90s urban thriller is complete without Wesley Snipes )loses a friend in the course of duty and the audience instantly know that these two unconnected characters will tie in with the plot somehow - And they do in a script that while not being the most tightly plotted screenplay you will ever see since there's a few too many characters involved is at least undemanding and easy to follow .
On the style front it's not exactly in the same league as HEAT but probably contains more substance than an episode of MAIMI VICE while we also get to see an early supporting role from Viggo Mortenson . I rate BOILING POINT six out of ten
On the style front it's not exactly in the same league as HEAT but probably contains more substance than an episode of MAIMI VICE while we also get to see an early supporting role from Viggo Mortenson . I rate BOILING POINT six out of ten
My review was written in April 1993 after a screening in Manhattan's Chelsea neighborhood.
Promoted as a hard-action film for Wesley Snipes fans, "Boiling Point" turns out to be an old-fashioned police procedural. Low-key and bland in the extreme, it's strictly for film buffs, though Snipes should ensure a strong first-week sampling among action enthusiasts.
Disappointingly, writer-director James B. Harris ("Cop"), in his zeal to re-create the mood and character acting of 1940s film noir, seems to have forgotten about excitement and visual flair.
Snipes toplines as a U. S. Treasury agent partnered with Dan Hedaya. The third T-man on their stakeout is killed by ruthless thug Viggo Mortensen, who gets away with his partner Dennis Hopper before the feds can close in.
Because of the fatal snafu, Snipes is reassigned from Los Angeles to Newark. He holds out for one week's time to catch the killers; coincidentally Hopper is given a week to find the $50,000 he owes gangster Tony LoBianco.
Loaded with false irony, Harris' mechanical script emphasizes the parallel lives of the two main characters to an almost laughable extent. Throughout the picture, Snipes keeps running into Hopper, neither knowing one is methodically hunting for the other.
Because of terrific acting down to the smallest role, one's interest is maintained despite the minimalist direction and lack of story twists. Particularly through Mortensen's careful underplaying, the film builds suspense and a sense of dread, but it never pays off.
Hopper's Red Diamond is a memorable small-time rogue who's a romantic at heart. Snipes is stuck in a one-dimensional role. Valerie Perrine is touching as the woman Hopper once put out on the street to pay his debts. Lolita Davidovich, as Snipes' ex-flame turned hooker, has little to work with in a patently unbelievable part. Seymour Cassel and Jonathan Banks are on the money as criminal types.
Pic looks nondescript. The soundtrack makes repeated use of Johnny Mercer's lovely standard "Dream".
Promoted as a hard-action film for Wesley Snipes fans, "Boiling Point" turns out to be an old-fashioned police procedural. Low-key and bland in the extreme, it's strictly for film buffs, though Snipes should ensure a strong first-week sampling among action enthusiasts.
Disappointingly, writer-director James B. Harris ("Cop"), in his zeal to re-create the mood and character acting of 1940s film noir, seems to have forgotten about excitement and visual flair.
Snipes toplines as a U. S. Treasury agent partnered with Dan Hedaya. The third T-man on their stakeout is killed by ruthless thug Viggo Mortensen, who gets away with his partner Dennis Hopper before the feds can close in.
Because of the fatal snafu, Snipes is reassigned from Los Angeles to Newark. He holds out for one week's time to catch the killers; coincidentally Hopper is given a week to find the $50,000 he owes gangster Tony LoBianco.
Loaded with false irony, Harris' mechanical script emphasizes the parallel lives of the two main characters to an almost laughable extent. Throughout the picture, Snipes keeps running into Hopper, neither knowing one is methodically hunting for the other.
Because of terrific acting down to the smallest role, one's interest is maintained despite the minimalist direction and lack of story twists. Particularly through Mortensen's careful underplaying, the film builds suspense and a sense of dread, but it never pays off.
Hopper's Red Diamond is a memorable small-time rogue who's a romantic at heart. Snipes is stuck in a one-dimensional role. Valerie Perrine is touching as the woman Hopper once put out on the street to pay his debts. Lolita Davidovich, as Snipes' ex-flame turned hooker, has little to work with in a patently unbelievable part. Seymour Cassel and Jonathan Banks are on the money as criminal types.
Pic looks nondescript. The soundtrack makes repeated use of Johnny Mercer's lovely standard "Dream".
I am going to make this review short for now, with the intention to expand it upon a second viewing if one ever occurs.
My understanding of this film is that it was a complete failure during production. They redesigned the film to give Wesley Snipes more screen time, as he was a rising action star. And they changed the name from "Money Men" to "Boiling Point"to imply that it's an action film. Well, quite simply, it's not. There's some twists in the plot, but no real action.
Wesley Snipes is a good lead, but more interesting is Dennis Hopper as Red Diamond, a prostitute lover and crook. Hopper has said he considers this his best role, which may be true, but it's embedded in a bad film. And most interesting? Viggo Mortensen in an early role as Hopper's crook friend. Had the film's creators had the foresight, they would have cut down on Snipes and expanding Mortensen. And, you know, with no fan following, we'll never see a director's cut.
Not a must-see.
My understanding of this film is that it was a complete failure during production. They redesigned the film to give Wesley Snipes more screen time, as he was a rising action star. And they changed the name from "Money Men" to "Boiling Point"to imply that it's an action film. Well, quite simply, it's not. There's some twists in the plot, but no real action.
Wesley Snipes is a good lead, but more interesting is Dennis Hopper as Red Diamond, a prostitute lover and crook. Hopper has said he considers this his best role, which may be true, but it's embedded in a bad film. And most interesting? Viggo Mortensen in an early role as Hopper's crook friend. Had the film's creators had the foresight, they would have cut down on Snipes and expanding Mortensen. And, you know, with no fan following, we'll never see a director's cut.
Not a must-see.
Wesley snipes as a detective out to find his partners murderer and Dennis hopper as a man on the run from the mob.. the two stories interweaving until they both cross paths and one meets a violent end.. an ok suspense action flick with good acting by snipes and hopper in an understated role Davidovich plays her part well as an ill fated lover but there is just not enough for all the talent to work with ...overall a disappointment.. on a scale of one to ten ..a 4
Not one for the awards shows, but still an interesting thriller as Wesley Snipes is a good guy this time and he is after the one who killed an undercover cop.
Need a sleaseball? Just whistle and here comes Dennis Hopper. Hopper as a con man is the most believable character he can play. For a partner, he has the young Viggo Mortensen.
There was a lot of support from some beautiful women like Lolita Davidovich and Valerie Perrine and Christine Elise. Just a little eye candy when the film dragged a bit.
Fair Snipes vehicle.
Need a sleaseball? Just whistle and here comes Dennis Hopper. Hopper as a con man is the most believable character he can play. For a partner, he has the young Viggo Mortensen.
There was a lot of support from some beautiful women like Lolita Davidovich and Valerie Perrine and Christine Elise. Just a little eye candy when the film dragged a bit.
Fair Snipes vehicle.
Storyline
Did you know
- TriviaThe finished film was primarily centered on Dennis Hopper's character, but due to Wesley Snipes's popularity at the time, Warner Bros., which bought the film in the US, decided to shorten most of his scenes, to strengthen Snipes's role. Other cuts were made to beef up the pacing. The cuts included the loss of several scenes between Mortensen and his girlfriend. In an interview, director James B. Harris stated that he did not have the final cut and that Warner Bros. removed ten minutes from the pic in an attempt to make it more commercial. He noted that they also changed the title from Money Men to Boiling Point, in a bid to sell it as an action picture, similar to Passenger 57. Dennis Hopper, who felt he delivered his best performance, did not like the version that was ultimately released.
- GoofsWhen the junkie girl blows up the house with built up gas from the stove, there is a flame showing lit in blue on one of the stove burners before she strikes the lighter; there would be no gas built up in the house... There would be no explosion.
- SoundtracksMoney Men Blues
Written and Produced by Mitchell Marcoulier
Performed by Sweat Pea Atkinson
- How long is Boiling Point?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Money Men
- Filming locations
- Hollywood Roosevelt Hotel - 7000 Hollywood Blvd., Hollywood, Los Angeles, California, USA(Tony Dio's hotel/penthouse)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $9,000,000 (estimated)
- Gross US & Canada
- $10,058,318
- Opening weekend US & Canada
- $4,006,019
- Apr 18, 1993
- Gross worldwide
- $10,058,318
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content
