| Photos (See all 22 | slideshow) |
| Madonna | ... | Rebecca Carlson | |
| Michael Forest | ... | Andrew Marsh | |
| Joe Mantegna | ... | Robert Garrett | |
| Charles Hallahan | ... | Dr. McCurdy | |
| Mark Rolston | ... | Detective Reese | |
| Richard Riehle | ... | Detective Griffin | |
| D. Scot Douglas | ... | Printman | |
| Mario DePriest | ... | Technician | |
| John DeLay | ... | 2nd Technician | |
| Ross Huffman-Kerr | ... | Photographer | |
| Anne Archer | ... | Joanne Braslow | |
| Willem Dafoe | ... | Frank Dulaney | |
| Mark C. Vincent | ... | Male Reporter | |
| Frank Roberts | ... | Minister | |
| Julianne Moore | ... | Sharon Dulaney | |
| Aaron Corcoran | ... | Michael Dulaney | |
| Timi Prulhiere | ... | Waitress | |
| Corey Brunish | ... | Jamie | |
| Stan Shaw | ... | Charles Biggs | |
| Jeff Perry | ... | Gabe | |
| John Davis Chandler | ... | Dr. Novaro (as John Chandler) | |
| Lillian Lehman | ... | Judge Burnham | |
| Peter Paul Eastman | ... | Jury Foreman | |
| Jürgen Prochnow | ... | Doctor Alan Paley (as Jurgen Prochnow) | |
| Bryan Clark | ... | Clerk | |
| Frank Langella | ... | Jeffrey Roston | |
| rest of cast listed alphabetically: | |||
| John Busse | ... | Detective Sikes (uncredited) | |
| Jacque Drew | ... | Receptionist (uncredited) | |
| Ryal Haakenson | ... | Juror (uncredited) | |
| Steven Jaquith | ... | Officer Parker (uncredited) | |
| William Rossman | ... | Juror (uncredited) | |
Directed by | |||
| Uli Edel | |||
Writing credits(WGA) | ||
| Brad Mirman | (written by) | |
Original Music by | |||
| Graeme Revell | |||
Cinematography by | |||
| Douglas Milsome | (as Doug Milsome) | ||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Mary Jo Slater | |||
Production Design by | |||
| Victoria Paul | |||
Art Direction by | |||
| Michael Rizzo | |||
Set Decoration by | |||
| Jerie Kelter | |||
Costume Design by | |||
| Susan Becker | |||
Makeup Department | |||
| Joseph A. Campayno | .... | makeup artist: Madonna (as Joe Campayno) | |
| Anthony Cortino | .... | hair stylist: Madonna | |
| Pat Gerhardt | .... | additional makeup artist (as Patricia Gerhardt) | |
| Deborah K. Larsen | .... | key makeup artist (as Deborah Larsen) | |
| Anne Morgan | .... | additional hair stylist | |
| Christopher Shihar | .... | key hair stylist | |
Production Management | |||
| Gary Chandler | .... | post-production supervisor | |
| Mel Dellar | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| David R. Ellis | .... | second unit director | |
| Dennis Maguire | .... | first assistant director | |
| John Wildermuth | .... | second assistant director | |
Art Department | |||
| David Brace | .... | lead man | |
| Dirk Clark | .... | carpenter | |
| Peter C. Clarke | .... | set dresser (as Peter Clarke) | |
| Thaddeus Donoho | .... | set painter | |
| Horst Grandt | .... | property master | |
| James V. Kent | .... | lead man (as Jim Kent) | |
| Sherman Labby | .... | production illustrator | |
| Don Lundell | .... | construction coordinator: Portland | |
| Jim Meyer | .... | set dresser | |
| Pat Morache | .... | scenic artist | |
| Dave Newhouse | .... | greensman | |
| Nicholas H. Parker | .... | set dresser (as Nicholas Parker) | |
| Larry Phillips | .... | assistant property master | |
| Patrick Michael Ryan | .... | props | |
| Erich W. Schultz | .... | general foreman (as Erich Schultz) | |
| Brad Shoemaker | .... | propmaker | |
| Wendy Smith | .... | art department coordinator | |
| Frank Viviano | .... | construction coordinator | |
| James T. Woods | .... | scenic artist: Portland (as James Woods) | |
| Taylor Yingling | .... | carpenter | |
| Kyle T. Bryant | .... | carpenter (uncredited) | |
| Ken Erck | .... | set painter (uncredited) | |
| Jose Solis | .... | scenic paint foreman (uncredited) | |
| Kevin Taylor | .... | scenic painter (uncredited) | |
Sound Department | |||
| Noah Blough | .... | sound editor | |
| Tom Caton | .... | boom operator: Portland | |
| Clayton Collins | .... | sound editor | |
| Zack Davis | .... | sound editor | |
| John P. Fasal | .... | sound effects processing | |
| Sandy Gendler | .... | supervising sound editor | |
| Harry Harris | .... | sound editor | |
| Dennis Hill | .... | sound re-recordist | |
| Jon Johnson | .... | sound editor | |
| Val Kuklowsky | .... | supervising sound editor | |
| Richard Marx | .... | sound editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Steve Pederson | .... | sound re-recording mixer | |
| Timothy P. Salmon | .... | boom operator | |
| Mikael Sandgren | .... | sound editor (as Michael Sandgren) | |
| Kurt St. Amant | .... | sound mixer: Portland | |
| Bill Van Daalen | .... | sound editor (as Bill Van Dallen) | |
| Dan Wallin | .... | sound re-recording mixer | |
| Jeff Ward | .... | sound re-recordist | |
| Keith A. Wester | .... | production sound mixer | |
| Marilyn Graf | .... | foley mixer (uncredited) | |
| Mark C. Grech | .... | utility sound technician (uncredited) | |
| Ben Wilkins | .... | sound editor (uncredited) | |
Special Effects by | |||
| Dale L. Martin | .... | special effects coordinator (as Dale Martin) | |
| Joe Quinlivan | .... | special effects technician | |
| Robert E. Worthington | .... | special effects technician (as Robert Worthington) | |
| Matt Kutcher | .... | special effects (uncredited) | |
Stunts | |||
| Tim A. Davison | .... | stunts (as Tim Davison) | |
| Annie Ellis | .... | stunts | |
| David R. Ellis | .... | stunt coordinator (as David Ellis) | |
| Erik Rondell | .... | stunts | |
| Ric Roman Waugh | .... | stunts (as Ric Waugh) | |
Casting Department | |||
| Jan Glaser | .... | casting associate | |
| David Sherry | .... | casting assistant | |
| Megann Ratzow | .... | casting: Portland (uncredited) | |
Costume and Wardrobe Department | |||
| Violet N. Cane | .... | costume supervisor (as Violet Cane) | |
| Mary Hobin | .... | costumer (as Mary Tan Hobin) | |
| Christopher Lawrence | .... | costumer | |
| Pamela Withers | .... | costumer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Dale Caldwell | .... | color timer | |
| Luis Colina | .... | first assistant editor | |
| Kristen Helsing | .... | second assistant editor | |
| Chris Peppe | .... | assistant editor (uncredited) | |
Music Department | |||
| Dick Bernstein | .... | music editor | |
| Stuart Boros | .... | music supervisor | |
| Graeme Revell | .... | orchestrator | |
| Tim Simonec | .... | orchestrator | |
| Philip Tallman | .... | assistant music editor | |
| Dan Wallin | .... | music scoring mixer | |
| Eberhard Weber | .... | musician: electric bass | |
| Daniel Brock | .... | music production supervisor (uncredited) | |
| Jamie Luker | .... | assistant scoring mixer (uncredited) | |
Transportation Department | |||
| Bobbie Collis | .... | transportation office | |
| Terry Collis | .... | transportation coordinator | |
| Jerry Sidwell | .... | transportation captain | |
| Paul Till | .... | driver: Portland | |
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| Basic Instinct | Damage | Body Heat | The Last Seduction | Eyes Wide Shut |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Germany section |
(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon.)
Not that there is a TV version.
We could also call this 'Madonna on top' or 'Madonna in charge' or maybe 'She can show you the power you can have from the prone position.' The one thing about Madonna, other than having no shame (and I admire her for that) is that she can crawl and not feel the slightest bit reduced.
She's not especially bad in this mediocre thriller, nor especially good. The script is ridiculous and the treatment without a hint of nuance or subtlety. William Dafoe and Joe Mantegna seemed to be acting on rote and Anne Archer was a wash. The problem is the movie is so obviously fake that it's like watching bad TV. There's no point other than kinky sex. I'm not sure why Madonna agreed to do this. I can't believe she needed the money, nor can I believe she didn't care about her reputation as a performing artist. I think her appearance here exposes her weakness: simply put, she has bad taste because this could not in any way further her career.
On the plus side I saw the unrated version and she was very sexy.