A single mother gives her son a beloved doll for his birthday, later they find out that the doll is possessed with the soul of a serial killer, who try to put his soul into the boy's body in order to become human.
Family moves to military base for the summer, but the soldiers are behaving even more strangely than usual. Is it a toxic spill as suggested or is it something more sinister? Written by
Andrew Welsh <email@example.com>
This was the first film shot with Arriscope anamorphic lenses, which were created for Arri by the German manufacturer Isco-Optic. See more »
In the opening sequences, Marti is sitting on the right side of the car looking out the window. When it cuts to show her viewpoint of the moon and passing trees, the perspective is as if she were on the left side of the car. See more »
Where you gonna go, where you gonna run, where you gonna hide? Nowhere... 'cause there's no one like you left.
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"YOU DIDN'T NEED"
Written by Sim Cain, Chris Haskett, Henry Rollins and Andrew Weiss - The Rollins Band
Performed by Rollins Band (as The Rollins Band)
Courtesy of The Imago Recording Company See more »
Okay, the 1956 original paved the way and has to get the credit for that, but from an objective point-of-view, both the 1978 and this 1993 remake are better, scarier, more developed. In comparison to the second version, this one has a nowhere nearly as brilliant, rather disappointing ending, but the pacing is must faster. Abel Ferrara keeps the movie running for only a tight 85 minutes, and pushes all the right buttons along the way; the horror ranges from the gory (the melting heads) to the supremely subtle (the scene in the classroom, where all the kids draw the exact same picture, except for one, who naturally realizes that something is wrong - the teacher seems to want to punish him for being different). This is a spine-chilling, absolutely terrific little picture - but even if it wasn't, it would still be worth seeing just for Meg Tilly's exceptional performance - her "where are you gonna go?" monologue is as scary as anything in say, "Psycho" or "Rosemary's Baby". (***1/2)
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