New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
Strippers in Manhattan are being stalked and maimed by a psycho-killer. A conflicted ex-boxer-turned-talent-manager and his business partner and friend, who represent some of the girls, set out to find him before he strikes again.
Billy Dee Williams,
Family moves to military base for the summer, but the soldiers are behaving even more strangely than usual. Is it a toxic spill as suggested or is it something more sinister? Written by
Andrew Welsh <firstname.lastname@example.org>
This was the first film shot with Arriscope anamorphic lenses, which were created for Arri by the German manufacturer Isco-Optic. See more »
In the opening sequences, Marti is sitting on the right side of the car looking out the window. When it cuts to show her viewpoint of the moon and passing trees, the perspective is as if she were on the left side of the car. See more »
Where you gonna go, where you gonna run, where you gonna hide? Nowhere... 'cause there's no one like you left.
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The teenager Marti Malone (Gabrielle Anwar) is traveling along her summer vacations with her father, the EPA inspector Steve Malone (Terry Kinney), her stepmother Carol Malone (Meg Tilly) and her young stepbrother Andy (Reilly Murphy) to a military base where her father will inspect some toxic products. In a gas station bathroom on the road, she is scared by a soldier that advises her to not sleep, because they get you when you sleep. Once in the base, she becomes friend of Jean Platt (Christine Elise), the daughter of the general in charge of the base, and the helicopter pilot Tim Young (Billy Wirth). Marti and her father see that people are acting strange, and sooner they find that aliens are cloning the human beings in the base and invading Earth.
Abel Ferrara's remake of Don Siegel's 1956 "Invasion of the Body Snatchers" is more violent than the original movie, but is also very good. There are three particular moments that I like very much: the first one is certainly when Marti throws Andy from the helicopter. I believe very few directors would have the courage to make such scene. The second one is the scary screams of Carol and Jean later. Last but not the least is the scene in the hospital when Gabrielle Anwar is naked and partially shows her breast. Although the end of this version is happier than the original one, it is open with the helicopter landing and Carol's voice saying "Where you gonna go? Where you gonna run? Where you gonna hide? Nowhere, cause there's no one like you left." And then, "THE END" is highlighted with uppercases, probably meaning that Marti and Tim would be the last human beings on Earth. My vote is seven.
Title (Brazil): "Invasores de Corpos A Invasão Continua" ("Bodies' Invaders The Invasion Continues")
Note: On 05 July 2015, I saw this movie again.
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