A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
Maas and Hosaka are two large Corporations in the future world. They are fighting to get control over the best minds of the world. The best is Hiroshi and at the moment he is working for ... See full summary »
An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
Strippers in Manhattan are being stalked and murdered by a psycho. A hard-nosed police detective and a conflicted ex-boxer-turned-private-eye, hired by the strip club owners, set out to find him before he strikes again.
Billy Dee Williams,
Family moves to military base for the summer, but the soldiers are behaving even more strangely than usual. Is it a toxic spill as suggested or is it something more sinister? Written by
Andrew Welsh <email@example.com>
This was the first film shot with Arriscope anamorphic lenses, which were created for Arri by the German manufacturer Isco-Optic. See more »
In the opening sequences, Marti is sitting on the right side of the car looking out the window. When it cuts to show her viewpoint of the moon and passing trees, the perspective is as if she were on the left side of the car. See more »
Everyone knows the plot of THE INVASION OF THE BODY SNATCHERS because they`d already been two adaptations before the 1993 remake . The same basic plot had also been done in the 1955 television serial QUATERMASS 2 which was also remade by Hammer films in the late 1950s and we`ve seen DOCTOR WHO stories like Spearhead From Space that uses a very similar premise . In short the idea had been done to death by the 1990s
On its own BODY SNATCHERS isn`t a terrible film , it is moody and dark as it should be , but it does have a rather mechanical script with a scene featuring some teen angst followed by a mysterious scene followed by a scene featuring teen angst followed by a mysterious scene followed by a scene featuring teen angst . Everyone knows that the plot revolves around alien infiltration so do the audience get to find out why the aliens come to Earth ? Not really , unlike the 50s original there`s no real ambiguity as to the aliens motive or subtext either . I should also point out that aliens taking over military bases makes perfect logical sense if they want to nullify humanity but unfortunately setting the story on a military base where through necessity human individuality is disallowed and where the newly introduced protagonists don`t know the other characters means we have a story that lacks compelling and terrifying drama . We find it somewhat difficult to care about the people involved because they lack individuality to begin with .
As I said it`s by no means terrible but BODY SNATCHERS fails alongside the 1978 version which I rate as the greatest paranoid thriller ever made
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