| Photos (See all 13 | slideshow) |
| John Carpenter | ... | The Coroner (segment "The Morgue") | |
| Tom Arnold | ... | Morgue Worker #1 (segment "The Morgue") | |
| Tobe Hooper | ... | Morgue Worker #2 (segment "The Morgue") | |
| Robert Carradine | ... | Bill (segment "The Gas Station") | |
| Alex Datcher | ... | Anne (segment "The Gas Station") | |
| Peter Jason | ... | Gent (segment "The Gas Station") | |
| Molly Cheek | ... | Divorcee (segment "The Gas Station") | |
| Wes Craven | ... | Pasty Faced Man | |
| Sam Raimi | ... | Dead Bill (segment "The Gas Station") | |
| David Naughton | ... | Pete (segment "The Gas Station") | |
| George 'Buck' Flower | ... | Stranger (segment "The Gas Station") (as Buck Flower) | |
| Lucy Boryer | ... | Peggy (segment "The Gas Station") | |
| Roger Rooks | ... | TV Anchorman (segment "The Gas Station") | |
| Stacy Keach | ... | Richard Coberts (segment "Hair") | |
| David Warner | ... | Dr. Lock (segment "Hair") | |
| Sheena Easton | ... | Megan (segment "Hair") | |
| Dan Blom | ... | Dennis (segment "Hair") | |
| Attila | ... | Man with Beautiful Hair (segment "Hair") | |
| Kim Alexis | ... | Woman with Beautiful Hair (segment "Hair") | |
| Gregory Nicotero | ... | Man with Dog (segment "Hair") (as Greg Nicotero) | |
| Deborah Harry | ... | The Nurse (segment "Hair") | |
| Mark Hamill | ... | Brent Matthews (segment "Eye") | |
| Twiggy | ... | Cathy Matthews (segment "Eye") | |
| John Agar | ... | Dr. Lang (segment "Eye") | |
| Roger Corman | ... | Dr. Bregman (segment "Eye") | |
| Charles Napier | ... | Baseball Team Manager (segment "Eye") | |
| Eddie Velez | ... | Baseball Player (segment "Eye") | |
| Betty Muramoto | ... | Librarian (segment "Eye") | |
| Bebe Drake | ... | Nurse (segment "Eye") (as Bebe Drake-Massey) | |
| Sean McClory | ... | Minister (segment "Eye") | |
| Robert Lewis Bush | ... | Man (segment "Eye") (as Robert L. Bush) | |
| Gregory Alpert | ... | Technician (segment "Eye") (as Gregory H. Alpert) | |
| rest of cast listed alphabetically: | |||
| Martine LeBlanc | ... | Zombie Cathy (segment "Eye") (uncredited) | |
Directed by | |||
| John Carpenter | (segments "Gas Station, The" and "Hair") | ||
| Tobe Hooper | (segment "Eye") | ||
| Larry Sulkis | (uncredited) | ||
Writing credits(WGA) | ||
| Billy Brown | (written by) & | |
| Dan Angel | (written by) | |
Produced by | |||
| Dan Angel | .... | co-producer | |
| Dan Angel | .... | executive producer | |
| John Carpenter | .... | executive producer | |
| Sandy King | .... | executive producer | |
| Sandy King | .... | producer | |
Original Music by | |||
| John Carpenter | |||
| Jim Lang | |||
Cinematography by | |||
| Gary B. Kibbe | (as Gary Kibbe) | ||
Film Editing by | |||
| Edward A. Warschilka | |||
Production Design by | |||
| Daniel A. Lomino | |||
Set Decoration by | |||
| Cloudia Rebar | (as Cloudia) | ||
Makeup Department | |||
| Rick Baker | .... | coroner's makeup | |
| Carolyn Elias | .... | hair stylist | |
| Greg LaCava | .... | makeup artist | |
Production Management | |||
| Peter L. Bergquist | .... | unit production manager | |
| Steven Hewitt | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Christian P. Della Penna | .... | second assistant director | |
| Artist W. Robinson | .... | first assistant director (as Artist Robinson) | |
Art Department | |||
| Scott M. Anderson | .... | swing gang | |
| Jason Bedig | .... | lead man | |
| Gary A. Brewer | .... | swing gang (as Gary Brewer) | |
| Todd Jensen | .... | property maker (as Todd K. Jensen) | |
| Curt Jones | .... | propmaker (as Curtis B. Jones) | |
| William W. King | .... | property master | |
| Frank Leasure | .... | construction foreman | |
| Todd R. Livingston | .... | labor foreman | |
| Steve Morey | .... | propmaker | |
| Craig Nycz | .... | paint foreman | |
| Norman 'Pepie' Tuers | .... | assistant props | |
| Michael Wright | .... | construction coordinator (as Michael S. Wright) | |
Sound Department | |||
| Bruce Bell | .... | foley mixer | |
| Gary Blufer | .... | sound effects recordist | |
| Mark Bovos | .... | sound mixer | |
| Rickley W. Dumm | .... | assistant sound editor (as Rickley Dumm) | |
| John Michael Fanaris | .... | sound effects coordinator | |
| Hector C. Gika | .... | sound editor (as Hector Gika) | |
| Larry Hoki | .... | sound recordist | |
| Joseph Holsen | .... | sound editor | |
| Jeffrey A. Humphreys | .... | cable person | |
| Kurt Kassulke | .... | sound re-recording mixer | |
| John Kwiatkowski | .... | sound editor (as John Kwaitkowski) | |
| James LaRue | .... | sound mixer (as James S. LaRue) | |
| Lee Lemont | .... | adr editor | |
| Blake Marion | .... | sound effects coordinator | |
| Anthony Milch | .... | sound editing supervisor (as Anthony R. Milch) | |
| Jay Nierenberg | .... | sound editor | |
| Jeffrey Perkins | .... | supervising re-recording mixer | |
| Scott Sherline | .... | boom operator | |
| Becky Sullivan | .... | supervising adr editor (as Becky Coblentz) | |
| Shawn Sykora | .... | sound editor | |
| Robert Wald | .... | sound mixer (as Robert Allen Wald) | |
| Donald L. Warner Jr. | .... | sound editor | |
| J.R. Westen | .... | adr mixer | |
| Michael Miller | .... | re-recording projectionist (uncredited) | |
Special Effects by | |||
| Howard Berger | .... | special makeup effects | |
| Howard Jensen | .... | special effects | |
| Todd Jensen | .... | propmaker (as Todd K. Jensen) | |
| Robert Kurtzman | .... | special makeup effects | |
| Gregory Nicotero | .... | special makeup effects (as Greg Nicotero) | |
Visual Effects by | |||
| Michael F. Hoover | .... | digital artist | |
Stunts | |||
| Tony Brubaker | .... | stunt coordinator | |
| Jeff Imada | .... | stunt coordinator | |
| Henry Kingi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jack Bauer | .... | company grip | |
| Mark Bolin | .... | dolly grip (as Mark A. Bolin) | |
| Jon Timothy Evans | .... | gaffer | |
| Joe Garcia | .... | electrician | |
| Lisa Guerriero | .... | camera loader (as Lisa A. Guerriero) | |
| Albert Hood | .... | electrician (as Al Hood) | |
| Brian Kibbie | .... | second assistant camera (as Brian Kibbe) | |
| Elliott Marks | .... | still photographer | |
| Jeffrey Norvet | .... | first assistant camera (as Jeff Norvet) | |
| John Owens | .... | electrician | |
| Gordon Paschal | .... | camera operator | |
| Craig Peiffer | .... | second grip | |
| Harry Rez | .... | key grip | |
| Jason Rez | .... | best boy grip | |
| J.B. Richner | .... | best boy electric | |
| Joseph A. Unsinn | .... | video operator (as Joe A. Unsinn III) | |
| Brian Bibbe | .... | second assistant camera (uncredited) | |
Animation Department | |||
| Jim Danforth | .... | animator (uncredited) | |
Costume and Wardrobe Department | |||
| Robert Lewis Bush | .... | costume supervisor: men (as Robert Bush) | |
| Robert Iannaccone | .... | set wardrobe | |
Editorial Department | |||
| Angie Luckey | .... | apprentice editor | |
| Sharon McGeeney | .... | negative cutter | |
| Paul C. Warschilka | .... | first assistant editor: film | |
Transportation Department | |||
| Tim Abbatoye | .... | driver (as Timothy B. Abbatoye) | |
| Mike Berdrow | .... | driver | |
| Peter R. Chittell | .... | driver | |
| Harold R. Davis | .... | transportation captain | |
| Kenneth L. Hardman | .... | driver | |
| Ron Hardman | .... | transportation coordinator | |
| Bob Hendrix | .... | driver (as Bob L. Hendrix) | |
| Maxwell R. Johnson | .... | driver (as Maxwell Johnson) | |
| Gary Kincaid | .... | driver (as Gary E. Kincaid) | |
| Harold G. Muehlig | .... | driver | |
| William Prevatte | .... | driver | |
| Sherman Raney | .... | driver | |
| Lenny Scaletta | .... | driver | |
| Raymond Van Holtan | .... | driver | |
Other crew | |||
| Gregory Alpert | .... | assistant location manager | |
| Elizabeth Broeker | .... | assistant accountant | |
| Cary Conway | .... | production assistant | |
| Karin Costa | .... | assistant to producers | |
| Steve Dellerson | .... | production assistant | |
| Joy Ewing | .... | production accountant | |
| Ken Lavet | .... | location manager (as Kenneth Lavet) | |
| Matt Merritt | .... | assistant production coordinator (as J. Matt Merritt) | |
| Cheryl Miller | .... | production coordinator | |
| Jesse W. Quiroz | .... | craft service | |
| Steven Jay Rubin | .... | unit publicist | |
| Michael Salven | .... | production assistant | |
| B.J. Smith | .... | first aid | |
| Paul Sterling | .... | production assistant | |
| Hope Williams | .... | script supervisor | |
| Michael Burnett | .... | special properties (uncredited) | |
| Michael Burnett | .... | stop motion puppets (uncredited) | |
| Jim Danforth | .... | logo designer: 187 Corporation (uncredited) | |
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| Disturbia | So Sweet, So Dead | Single White Female | Frequency | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Sci-Fi section | IMDb USA section |
John Carpenter presents "Body Bags", in which it reads true as he plays very-well looking coroner (well he might not be as what he seems) late at night fooling around in a morgue, while spitting out macabre jokes (visual and verbal) and then introducing us to three buoyant little stories. They range from horrific, humorous and simply bizarre with a "Tales from the Crypt" spin to them. In this low-budget TV production Carpenter would direct the first two; "The Gas Station" and "Hair", but the third story "The Eye" would be fronted by director Tobe Hopper. Carpenter and Hooper wouldn't be the only recognizable names, as the cast line-up is rather mouth-watering. You got Stacy Keach, David Warner, Mark Hamill, David Naughton, Robert Carradine, Deborah Harry, Twiggy, George Buck Flower, Charles Napier, John Agar, Roger Corman and a minor cameo from Tom Arnold. Also some horror participants have tiny parts; Sam Ramini, Wes Craven, Tobe Hooper and make-up/special effects maestro Gregory Nicotero.
The first story; "The Gas Station" starring Alex Datcher, Robert Carrdine and David Naughton is probably my favourite of the lot. It's the most straight-forward, but effectively atmospheric (very well photographed with its encroaching angles) and suspenseful, which sees a lady on her first day of the job looking over an isolated gas station late one-night night, where she becomes a target of a satanic serial killer. Quite high-tempo with its grounded cat-and-mouse layout. You really do feel the growing unease displayed by Datcher's character and the tension that unfolds from its eerily forlorn backdrop, but this exercise into familiarity just works. Some fruity characters also helps, and it's not without its parodying humour either to balance it out.
"Hair" the second story, starts off with a natural fear before becoming quite an offbeat and quirky entry which sees Stacy Keach being plagued by the fear of losing his hair. After trying everything to combat it, he seeks treatment from a specialist doctor. It works --- lovely long hair, but at what cost. Keach is a blast in the lead and he shares terrific on-screen chemistry with the likes of Sheena Easton, David Warner and a colourful Debbie Harry. Witty dialogues and a nice sense of wicked cruelty in a revelation that's just plain crazy.
Finally we end off with Hooper's "The Eye". A brooding supernatural tale that has Mark Hamill an up-and coming baseball player in a terrible car accident, where he loses his right eye. However a doctor offers him the chance to get that sight back in an eye transplant but there's no guarantee it will work. However it does, but soon he's plagued by headaches and visions --- dark and disturbing ones. This one takes on a more serious approach compared with the previous outings with an excellently confident Mark Hamill with good support by Twiggy. The story might be predictable, but it's well-paced where the inflicted transformation of our edgy central character is suitably pitched. Some ghastly shocks moments show up too.
Joining it up is the enjoyably warped wrap-around segment with Carpenter (where Rick Baker did the make-up for) and this sees the cameo turns of Hooper and Arnold at the end. The dialogues might be what you most remember, but some of the decors on show in this segment are amusingly executed.
As a whole it's a complete package with the stories perfectly complementing each other. They might not be spectacular, but I liked the three.
Good, fun comic horror anthology opus by Carpenter and co.