5.6/10
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Bodies, Rest & Motion (1993)

R | | Drama | 9 April 1993 (USA)
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Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read ... See full summary »

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(play), (screenplay)
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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Sid
...
Elizabeth
...
Yard Sale Lady (as Sandra Lafferty)
Sidney Dawson ...
TV Customer
Jon Proudstar ...
Station Attendant
Scott Johnson ...
Chip
Kezbah Weidner ...
Dine Woman
...
Motorcycle Rider
...
Waitress
Rich Wheeler ...
Elizabeth's Grandfather
Scott Frederick ...
TV Store Kid
Warren Burton ...
Radio Preacher (voice)
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Storyline

Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read that a while ago, so the future should be there by now," he enthuses. He waits until the last moment to tell Carol, his ex and Beth's best friend, about the move. While Nick is working his last day, Sid comes to the couple's house to paint it for the next tenants. He quickly develops an interest in Beth. He, Beth, and Carol get stoned and hang out. When Sid hears about the move, he tells Beth that he's never left Enfield, and has no interest in traveling. Meanwhile, Nick decides to take off on his own. When Beth gets word of this from Carol, she finds solace in Sid's arms. Sid proclaims his love the next morning, and implores Beth to stay. Meanwhile, Nick visits his childhood home, looking for his parents, has an epiphany, and decides to return to Carol. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A romantic comedy about four people caught between loving and leaving. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language and sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 April 1993 (USA)  »

Also Known As:

Arba Nishimot, Arba Tnuoat  »

Filming Locations:

 »

Box Office

Budget:

$2,500,000 (estimated)

Gross:

$764,083 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the end credits there is a special thanks to Harvey Keitel. He was not involved in the movie as such, but he made a very important phone call to Tim Roth. Roth had been offered a big and well paid part in a big budget film immediately before this low budget independent film was to begin shooting. Harvey Keitel made a phone call to Roth, giving him the following advice "Don't take the money. Take the film you really want to make". So Roth stayed with this project. See more »

Quotes

Sid: You've got a *subtle* tan.
Carol: Why thank you.
Sid: Do you wanna get stoned?
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Soundtracks

Juanita
Performed by The Flying Burrito Brothers
Written by Chris Hillman / Gram Parsons
Courtesy of A&M Records, Inc.
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User Reviews

Contemplating the meaning of the illusive 'it'...

A film which manages to perfectly sum up the dilemma encompassed by the so-called Generation X: a generation that has never had it better, and has it all for the taking - if only they could figure out just what 'it' is.

Nick (Tim Roth) carries the momentum of this notion, claiming that what he wants "isn't in here, and it isn't out there...", yet he regardless embarks on a voyage to Butte, Montana which is rumoured to be the City of the Future: "I read that a while ago, so the future's probably already there".

Much of the film is concentrated on the aftermath of his departure, and in particular his decision to leave his girlfriend Beth (Bridget Fonda)behind in Arizona. Beth now must reach a similar decision in Nick's absence, finally deciding what 'she' wants as opposed to the wants of those around her (namely Nick). Also involved in this tangle of relationships are Nick's ex-lover and Beth's best friend (Phoebe Cates), and a painter (Eric Stoltz) whose introduction to the situation further complicates Beth's thinking.

The film, like Glengarry Glenn Ross, is based on a stage play and this is evident in the minimum of locations employed and heavy emphasis on dialogue. However, this is really quite satisfying as characters are allowed to express and develop far much more than is customary in other such, so-called 'soul-searching' films.

Stand-out performances from Fonda and Roth, and an intelligent script.


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