Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read ... See full summary »
Bristol, England, early 19th century. A beautiful young stranger who speaks a weird language is tried for the crime of begging. But when a man claims that he can translate her dialect, it ... See full summary »
Christine (Phoebe Cates), a student at an exclusive all-girls private school, is in love with Jim, who attends an academy for boys nearby. Christine's arch rival Jordan also has her eye on ... See full summary »
In the Victorian period, two teenagers, David and Sarah, travel with a caravan from Baghdad to Damascus. At an oasis, the white slave agent known as the Jackal raids them, mainly to add the... See full summary »
Jim is soon to be married to Patty, but when he wakes up after a bachelor party thrown by his friends, he finds an injured angel in his pool. When Patty sees her, she thinks he's seeing ... See full summary »
Michael E. Knight
In a small European country, the king is scheduled to visit a small, quiet and "safe" village. It turns out that while the village may indeed be small, it's neither as quiet nor as safe as it's expected to be.
Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read that a while ago, so the future should be there by now," he enthuses. He waits until the last moment to tell Carol, his ex and Beth's best friend, about the move. While Nick is working his last day, Sid comes to the couple's house to paint it for the next tenants. He quickly develops an interest in Beth. He, Beth, and Carol get stoned and hang out. When Sid hears about the move, he tells Beth that he's never left Enfield, and has no interest in traveling. Meanwhile, Nick decides to take off on his own. When Beth gets word of this from Carol, she finds solace in Sid's arms. Sid proclaims his love the next morning, and implores Beth to stay. Meanwhile, Nick visits his childhood home, looking for his parents, has an epiphany, and decides to return to Carol. Written by
In the end credits there is a special thanks to Harvey Keitel. He was not involved in the movie as such, but he made a very important phone call to Tim Roth. Roth had been offered a big and well paid part in a big budget film immediately before this low budget independent film was to begin shooting. Harvey Keitel made a phone call to Roth, giving him the following advice "Don't take the money. Take the film you really want to make". So Roth stayed with this project. See more »
Driving toward home after his last day at work in Enfield, Nick passes the same American flag twice. See more »
You get all the stuff that you want to sell, and I'll make some yard sale signs.
No one's gonna buy my shit. It's all junk.
That's what people buy at yard sales.
See more »
A film which manages to perfectly sum up the dilemma encompassed by the so-called Generation X: a generation that has never had it better, and has it all for the taking - if only they could figure out just what 'it' is.
Nick (Tim Roth) carries the momentum of this notion, claiming that what he wants "isn't in here, and it isn't out there...", yet he regardless embarks on a voyage to Butte, Montana which is rumoured to be the City of the Future: "I read that a while ago, so the future's probably already there".
Much of the film is concentrated on the aftermath of his departure, and in particular his decision to leave his girlfriend Beth (Bridget Fonda)behind in Arizona. Beth now must reach a similar decision in Nick's absence, finally deciding what 'she' wants as opposed to the wants of those around her (namely Nick). Also involved in this tangle of relationships are Nick's ex-lover and Beth's best friend (Phoebe Cates), and a painter (Eric Stoltz) whose introduction to the situation further complicates Beth's thinking.
The film, like Glengarry Glenn Ross, is based on a stage play and this is evident in the minimum of locations employed and heavy emphasis on dialogue. However, this is really quite satisfying as characters are allowed to express and develop far much more than is customary in other such, so-called 'soul-searching' films.
Stand-out performances from Fonda and Roth, and an intelligent script.
15 of 18 people found this review helpful.
Was this review helpful to you?