5.6/10
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23 user 13 critic

Bodies, Rest & Motion (1993)

R | | Drama | 9 April 1993 (USA)
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1:53 | Trailer
Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read ... See full summary »

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(play), (screenplay)
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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Sid
...
Elizabeth
...
Yard Sale Lady (as Sandra Lafferty)
Sidney Dawson ...
TV Customer
Jon Proudstar ...
Station Attendant
Scott Johnson ...
Chip
Kezbah Weidner ...
Dine Woman
...
Motorcycle Rider
...
Waitress
Rich Wheeler ...
Elizabeth's Grandfather
Scott Frederick ...
TV Store Kid
Warren Burton ...
Radio Preacher (voice)
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Storyline

Nick is a feckless television salesman who gets fired and impulsively decides that he and his girlfriend, Beth, will move to Butte, MT, which he's read is "the city of the future." "I read that a while ago, so the future should be there by now," he enthuses. He waits until the last moment to tell Carol, his ex and Beth's best friend, about the move. While Nick is working his last day, Sid comes to the couple's house to paint it for the next tenants. He quickly develops an interest in Beth. He, Beth, and Carol get stoned and hang out. When Sid hears about the move, he tells Beth that he's never left Enfield, and has no interest in traveling. Meanwhile, Nick decides to take off on his own. When Beth gets word of this from Carol, she finds solace in Sid's arms. Sid proclaims his love the next morning, and implores Beth to stay. Meanwhile, Nick visits his childhood home, looking for his parents, has an epiphany, and decides to return to Carol. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A romantic comedy about four people caught between loving and leaving. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language and sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

9 April 1993 (USA)  »

Also Known As:

Arba Nishimot, Arba Tnuoat  »

Filming Locations:

 »

Box Office

Budget:

$2,500,000 (estimated)

Gross:

$764,083 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the scene when Peter Fonda arrives on his motorcycle and asks Tim Roth if the phone works, Bridget Fonda is actually hiding in the back seat of the car Roth is in. If you look very closely, for a second you see a small blue patch behind the seat for a second as Roth is sitting up. The same color of the t-shirt Bridget wore in the Arizona scenes. In the audio commentary on the DVD, director Michael Steinberg explains, "Bridget wanted to be in a shot with her father. Of course you can't see her at all. She's ducked down behind in the back seat, but I guess it was not since Easy Rider that they'd been in a film together." See more »

Quotes

Beth: I have to find happiness in myself.
Sid: No, that's wrong. People tell you that, but it's wrong. I've lived with people who have that 'happiness from within', that happiness... it's just them being pleased with themselves. It's not enough. It's a lonely thing.
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Soundtracks

Pushin' Too Hard
Performed by The Seeds
Written by Sky Saxon
Courtesy of GNP Crescendo Records
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User Reviews

 
thoughtful, if you're in the mood for thought
2 August 2003 | by (Chicago, IL) – See all my reviews

If you have an attention span of sit-com-length, this is not your movie. True, it's 90 minutes or so, but those moments are stretched- as they should be. Sid's character (the sage, of sorts) wants to stretch a moment, and that is what this movie seeks to do. For the most part, these characters are ordinary people- and the actors play them as such. The dialogue isn't expository, but it's real- the characters interact as any person would. There are no huge turning points, explosions, love-struck stares, and all the rest of the hollywood spin supposed to be "real." These are people who could live down the street.

The best part, though, was the cinematography- the camera work is beautiful. There are just enough jump cuts to get your attention, but for the most part, the camera frames these ordinary lives without intruding on them, all while capturing the oranges, reds, and warm whites of the Arizona landscape.

While the character of the painter is supposed to be a sage- offering wise comments about identity and humanity, I was relieved when his mistakes/flaws were finally revealed at the end. All-in-all, the symbols and stress points made for a thoughtful movie.


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