| Charley Hayward | ... | Turner | |
| Jad Mager | ... | Fire | |
| Kerri Green | ... | Rain | |
| Brian Wimmer | ... | Flemming | |
| Joel Brooks | ... | Morgan | |
| Cecilia Peck | ... | Jessie | |
| David Carrera | ... | Surgeon | |
| Joe Fiacho | ... | Corpse | |
| BJ Davis | ... | Bum | |
| Elizabeth Hayden | ... | Spikey Hair | |
| Ian Buchanan | ... | Wax | |
| Michael Karp | ... | Bouncer | |
| Melissa Behr | ... | Jack | |
| Lynette Howe | ... | Stripper | |
| Neil Kinsella | ... | Barkeep | |
| Lauren Taylor | ... | Hooker #1 | |
| Amanda De Cadenet | ... | Hooker #2 | |
| Bari K. Willerford | ... | Alice | |
| Ed Bates | ... | Shootist | |
| Stephan Bataillard | ... | Delinquent #1 | |
| Tony Kienitz | ... | Delinquent #2 (as Anthony Kienitz) | |
| Kyle Buckley | ... | Samantha | |
| Miles Levy | ... | Nun |
Directed by | |||
| Cassian Elwes | |||
Writing credits(in alphabetical order) | ||
| Cassian Elwes | writer | |
Produced by | |||
| Stephan Bataillard | .... | producer | |
| Edward Bates | .... | co-producer | |
| David Niven Jr. | .... | executive producer | |
Original Music by | |||
| George Andrian | |||
| Tyler Bates | |||
Cinematography by | |||
| Daniele Massaccesi | |||
Film Editing by | |||
| John Lafferty | |||
Casting by | |||
| Jeffery Passero | (as Jeffrey Passero) | ||
Production Design by | |||
| Amy B. Ancona | (as Amy Ancona) | ||
Art Direction by | |||
| Ivan Knight | |||
Set Decoration by | |||
| Michele Munoz | |||
Costume Design by | |||
| Carol Anne Harris | (as Carol Ann Harris) | ||
Makeup Department | |||
| Ron McPherson | .... | hair stylist | |
| Ron McPherson | .... | key makeup artist | |
| Rick Short | .... | makeup artist | |
| Lauren Taylor | .... | makeup artist | |
| Mike Tristano | .... | special makeup effects | |
Production Management | |||
| Gretchen Bugliarelli | .... | production manager | |
Art Department | |||
| Amy Goode | .... | scenic artist | |
| David Rockello | .... | scenic artist | |
| David Rosen | .... | scenic artist | |
| Kathy Stewart | .... | property master | |
Sound Department | |||
| Steve Cartwright | .... | sound editor | |
| Kevin Deel | .... | boom operator | |
| Mike Draghi | .... | sound designer | |
| Mike Draghi | .... | sound re-recording mixer | |
| Mike Draghi | .... | supervising sound editor | |
| Kathy George | .... | adr editor | |
| Kirk Jeffries | .... | foley artist | |
| Jeffrey Kennith | .... | foley editor | |
| Anthony Marc Liali | .... | boom operator | |
| Jim Machowski | .... | boom operator | |
| Jeff Mar | .... | dialogue editor | |
| Jeff Mar | .... | sound re-recording mixer | |
| Russel Mar | .... | adr editor | |
| Cynthia Merrill | .... | foley artist | |
| Daniel D. Monahan | .... | sound mixer (as Daniel Monahan) | |
| Bill Ratcliffe | .... | sound mixer | |
| Ken Segal | .... | sound mixer | |
| Roland N. Thai | .... | sound editor | |
Special Effects by | |||
| John C. Hartigan | .... | pyrotechnics supervisor | |
| Mike Tristano | .... | special effects | |
| Mark Williams | .... | special effects coordinator | |
Stunts | |||
| BJ Davis | .... | stunt coordinator | |
| Spice Williams-Crosby | .... | stunts (as Spice Williams) | |
Camera and Electrical Department | |||
| Mike Bradley | .... | camera loader | |
| Warren Eig | .... | best boy | |
| Kenn Ferro | .... | Steadicam operator | |
| Tony Kienitz | .... | best boy grip | |
| David Kiser | .... | first assistant camera: second unit (as Dave Kiser) | |
| Magdalene Kispal | .... | still photographer | |
| Andreas Kossak | .... | director of photography: second unit | |
| Todd Olsen | .... | key grip | |
| Dino Ramble | .... | dolly grip | |
| Brian Regalot | .... | first assistant camera | |
| Tom Schmieder | .... | gaffer | |
Casting Department | |||
| Elizabeth Hayden | .... | casting associate | |
Costume and Wardrobe Department | |||
| Susan Wachsler | .... | wardrobe supervisor | |
Editorial Department | |||
| Scott Dougherty | .... | post-production coordinator | |
| Danny Frenkel | .... | second assistant editor | |
| Nicole Schubert | .... | first assistant editor | |
| Boyd Steer | .... | negative cutter | |
| Jay Wiechman | .... | negative cutter | |
Music Department | |||
| John Taylor | .... | composer: additional music | |
Other crew | |||
| Bundy Chanock | .... | set medic | |
| Darcy Desylvia | .... | production coordinator | |
| Mar Elepano | .... | title designer | |
| John William Hart III | .... | insurance (as John Hart III) | |
| Michael Karp | .... | location manager | |
| Cindy Maxwell | .... | script supervisor | |
| Brett Thompson | .... | title designer | |
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| Digging to China | Dummy | The Loss of Sexual Innocence | The Station Agent | Soldier |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
If you like to be confused, this is the film for you. A guy's daughter gets abducted by an alien, ages a decade and a half in 4 years, and tries to seduce dear old dad on a bed in his dreams. He will later have a computer disc inserted in his head by an blonde android with big tits, all the while being menaced by said alien who is a Russell Brand lookalike with a vaguely Irish accent. This extra-terrestial wants to marry the dude's now grown up little girl, but this would entail killing her so that he can absorb her memories in his head. This is his idea of blessed nuptials. Ain't love grand?!
As a lot of the film takes place in the main character's brain there are scene changes a-plenty and more costumes than you'd find in Elton John's wardrobe. Not forgetting the very dubious futuristic sets.. which consist of sparse streets with a few bits of rubbish blowing about. We get reams of dialogue about the plot that makes less sense the more they try and explain it, and lots of long, thin guns which are only used surreptitiously but are on display in nearly every scene. Is it just me who sees a metaphor here? I think the director has issues here, apart from a penchant for making lousy sci-fi movies. Seek help, mate.
Got to give some kudos to the guy though (but not much), he sure has a labyrinthine film here made with what is no doubt a very um, interesting imagination. Only problem is it is virtually impossible to watch, and it isn't worth the effort to decipher the story either. In short, it's just total hogwash and has FAIL written all over it. He should have bought himself a pack of Hubba Bubba with the budget instead (if it could have covered it). It would have lasted longer, and left more of a lasting flavour. And probably wouldn't have sucked as hard. 2/10