| John Quentin | ... | (voice) | |
| Nigel Terry | ... | (voice) | |
| Derek Jarman | ... | (voice) | |
| Tilda Swinton | ... | (voice) |
Directed by | |||
| Derek Jarman | |||
Writing credits(in alphabetical order) | ||
| Derek Jarman | ||
Produced by | |||
| Takashi Asai | .... | producer | |
| David Lewis | .... | associate producer | |
| James Mackay | .... | producer | |
Original Music by | |||
| Simon Fisher-Turner | |||
| Momus | |||
Sound Department | |||
| Marvin Black | .... | sound designer | |
| Markus Dravius | .... | sound recordist | |
| Paul Hamblin | .... | sound re-recordist | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Visual Effects by | |||
| Tom Russell | .... | senior colourist | |
Music Department | |||
| John Balance | .... | composer: additional music | |
| Peter Christopherson | .... | composer: additional music | |
Other crew | |||
| Angela Connealy | .... | production coordinator | |
| Phyll | .... | unspecified assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| watch it or listen? | tom0902000 |
| Favourite character/plot twist? | flaggaz |
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| Shadowlands | Mahler | Red White & Blue | Alone | Playing by Heart |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Losing his eyesight, Derek Jarman made this remarkable short
feature in which his diaristic reminiscences, and commentary on
his current degeneration from AIDS symptoms, are set against a
placid musical score and a cool, empty blue background.
An obviously simple idea, but what an amazingly rich one: Jarman
has created the closest movie experience to a director talking to
the inside of your head. The concomitant feelings of control-losing
peace and terrifying hallucination (one obviously starts to project
images into the blue blankness) are...well, so obviously apt, aren't
they? For a film about spirit, and about the interiorness of
everyone's reactions, BLUE is remarkably controlled in its effects.
It provides an experience adult viewers haven't had much since
childhood--of letting go and getting lost.