Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both ... See full summary »

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Cast

Complete credited cast:
John Quentin ...
Narrator (voice)
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Narrator (voice)
...
Himself / Narrator (voice)
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Storyline

Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue. Written by Michael Brooke <michael@everyman.demon.co.uk>

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Genres:

Biography | Drama

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Details

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Release Date:

3 December 1993 (USA)  »

Also Known As:

Derek Jarman's Blue  »

Box Office

Budget:

£90,000 (estimated)

Gross:

$1,718,328 (USA)
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Company Credits

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Technical Specs

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The lines "Our name will be forgotten in time, no-one will remember our work [etcetera]", and "our lives will run like sparks through the stubble" are adapted from the book in the Biblical Apocrypha "The Wisdom of Solomon", Chapters two and three respectively. See more »

Quotes

Terry, Nigel: What need have I for so much news from abroad when all that concerns either life or death is at once transacting within me?
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Soundtracks

Summertime
Written and performed by Marden Hill and Simon Fisher-Turner (as The King of Luxembourg)
Courtesy of Mo Music
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Frequently Asked Questions

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User Reviews

Wipeout
5 February 2001 | by (los angeles) – See all my reviews

Losing his eyesight, Derek Jarman made this remarkable short

feature in which his diaristic reminiscences, and commentary on

his current degeneration from AIDS symptoms, are set against a

placid musical score and a cool, empty blue background.

An obviously simple idea, but what an amazingly rich one: Jarman

has created the closest movie experience to a director talking to

the inside of your head. The concomitant feelings of control-losing

peace and terrifying hallucination (one obviously starts to project

images into the blue blankness) are...well, so obviously apt, aren't

they? For a film about spirit, and about the interiorness of

everyone's reactions, BLUE is remarkably controlled in its effects.

It provides an experience adult viewers haven't had much since

childhood--of letting go and getting lost.


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