| Craig Fairbrass | ... | Terry Hamilton | |
| Elizabeth Hurley | ... | Stephanie Lyell | |
| Keith Allen | ... | Marc Gilmour | |
| Anita Dobson | ... | Judith | |
| Jesse Birdsall | ... | Scott | |
| Craig Kelly | ... | Matthew Hamilton | |
| Faith Kent | ... | Miss Coope | |
| Georgina Hale | ... | Sister Romulus | |
| Samantha Spiro | ... | WPC Foster | |
| Steven Brand | ... | Turnball | |
| Zoe Heyes | ... | Josie | |
| Annette Badland | ... | Nurse Wrekin | |
| Natasha Humphrey | ... | Gloria | |
| Jack McKenzie | ... | DCI Clery | |
| Christopher Adamson | ... | Weasel | |
| Shaun Etherton | ... | Rookie cop | |
| Andrew Rattenbury | ... | Fireman | |
| Carl Proctor | ... | Forensic | |
| Che Walker | ... | Policeman | |
| Lucinda Clare | ... | Emily Stanton (as Lucinda Galloway) | |
| Alastair Cumming | ... | Peter Stanton | |
| Jim Groom | ... | Geoff | |
| Rod Woodruff | ... | Riot cop | |
| Paul Brooks | ... | Riot cop | |
| Cleve West | ... | Riot cop | |
| Mark Baker | ... | Riot cop |
Directed by | |||
| Vadim Jean | |||
Writing credits(in alphabetical order) | ||
| John Brosnan | novel (as Harry Adam Knight) | |
| Vadim Jean | ||
| Rob Walker | ||
Produced by | |||
| Paul Brooks | .... | producer | |
| Tim Dennison | .... | line producer | |
| Alan Martin | .... | executive producer | |
Original Music by | |||
| David A. Hughes | |||
| John Murphy | |||
Cinematography by | |||
| Gavin Finney | |||
Film Editing by | |||
| Liz Webber | |||
Casting by | |||
| Carl Proctor | |||
Production Design by | |||
| James Helps | |||
Art Direction by | |||
| Riette Hayes-Davies | |||
Set Decoration by | |||
| Liz Griffiths | |||
Costume Design by | |||
| Jayne Gregory | |||
Makeup Department | |||
| Karen Hyams | .... | key makeup artist | |
| Jacquetta Levon | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Emily Caston | .... | second assistant director | |
| Helen Flint | .... | first assistant director | |
| Scott Michell | .... | third assistant director | |
Art Department | |||
| Daisy Bodley | .... | set dresser | |
| Simon Bowles | .... | assistant art director | |
| Paul Garner | .... | illustrator | |
| Dave Goodman | .... | metal worker | |
| Fred Gray | .... | scenic artist | |
| Freddie Harrison | .... | property master | |
| Harriet Margolies | .... | art department runner | |
| Christy Merritt | .... | scenic artist (as Chris Merritt) | |
Sound Department | |||
| Jim Archer | .... | sound transferer | |
| Roy Baker | .... | foley artist | |
| Brian Blamey | .... | dialogue editor | |
| Mick Boggis | .... | foley mixer | |
| Richard Flynn | .... | sound mixer | |
| Diane Greaves | .... | foley artist | |
| Jacques Leroide | .... | foley editor | |
| Tim Partridge | .... | stereo sound consultant: Dolby | |
| Clive Pendry | .... | dubbing mixer | |
| Jeremy Stephens | .... | boom operator | |
| Jack Stew | .... | foley artist | |
| Ted Swanscott | .... | foley mixer | |
| Ian Wilson | .... | sound designer | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects | |
| Ian Lowe | .... | special effects | |
| Gary J. Tunnicliffe | .... | special effects supervisor | |
| John Van Der Pool | .... | special effects | |
Stunts | |||
| Raymond Holt | .... | stunt rigger | |
| Glenn Marks | .... | stunts | |
| Rod Woodruff | .... | stunt coordinator | |
Camera and Electrical Department | |||
| John Brown | .... | still photographer | |
| Chris Cheshire | .... | camera operator | |
| Dan Fontaine | .... | rigging gaffer | |
| Jeremy Forster | .... | assistant camera: second unit | |
| Richard Gibb | .... | camera operator: second unit | |
| John Hammond | .... | gaffer | |
| Simone Horrocks | .... | assistant camera: second unit | |
| Alex Howe | .... | assistant camera: second unit | |
| Jonathan Lambert | .... | focus puller | |
| Ross Macdonald | .... | action photographer | |
| Rod Marley | .... | clapper loader (as Roddy Marley) | |
| Les Pickering | .... | key grip | |
| Derek Sheriff | .... | best boy | |
| John Ward | .... | Steadicam operator | |
Costume and Wardrobe Department | |||
| Soma Eatwell | .... | costume trainee | |
Editorial Department | |||
| Paul Ensby | .... | color timer | |
| Paul Topping | .... | assistant editor | |
Music Department | |||
| Vadim Jean | .... | executive music producer | |
Other crew | |||
| Mark Baker | .... | armorer | |
| Derek Bremner | .... | armorer | |
| Paul Cayford | .... | architectural consultant | |
| Emily Clarke | .... | animal handler | |
| Billy Davey | .... | fire technical advisor | |
| Craig Fairbrass | .... | fight arranger | |
| Renée Glynne | .... | script supervisor | |
| Atique Hanif | .... | location manager | |
| Emma Lever | .... | production coordinator | |
| Julia Morpeth | .... | location scout | |
| Rob Partridge | .... | armorer | |
| David Paul | .... | fire safety officer | |
| Susy Telling | .... | stand-in | |
| Rod Woodruff | .... | fight arranger | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section |
Oh, the pain, the pain! This was a truly awful movie. I saw it on video as Nightscare, and it claimed to be as good as Hellraiser.
Dr. Lyell (Elizabeth Hurley) has developed an injection that is supposed to supply the neurotransmitter that psychopaths lack, giving them the positive social traits everyone else has. She apparently only tested it on one other person other than the serial killer Gilmour - herself. Two people die under strange circumstances in the apartment building she lives in. Detective Hamilton feels Gilmour must be involved. None of these characters are interesting, and the acting all around is pretty sub-par.
What is going on is unclear, not so much because of any surreal or Lynchian, etc. elements at work, but poor storytelling, editing, directing, etc. Apparently the drug gives Dr. Lyell bad dreams that come true. Or perhaps they create a link whereby Gilmour can make Lyell's dreams come true. However, Lyell and Hamilton both see and feel things happen to them while they are awake, that apparently Gilmour is causing while he is also awake. Lyell and Hamilton encounter people from their lives who are now dead, including people they inadvertently killed themselves. Lyell and Hamilton realize these people are dead, and the dead people tend to repeat whatever they say like broken records, and yet Lyell and Hamilton can't stop themselves from listening to the dead and conversing with them. At other times, Gilmour can apparently transfer himself out of his cell, and transform himself into other people. A mess.
The ending is truly awful, the sort of open ending one would expect from someone who hoped to make a sequel. Please, let there be no sequel to this, please!