A group of juvenile criminals is sent for vacation to Kamp Kikakee. The clumsy Ernest has to care for them, although he doesn't even know how to take care of himself. The other children at ... See full summary »
Bumbling Ernest P. Worrell is assigned to jury duty, where a crooked lawyer notices a resemblance with crime boss Mr. Nash, and arranges a switch. Nash assumes Ernest's job as a bank ... See full summary »
The title says it all. There's a mix up involving stolen diamonds which Ernest has (naturally) made into a yo-yo and given to his would be girlfriend, Rene. But Rene wants a man of action, ... See full summary »
Jed Clampett and kin move from Arkansas to Beverly Hills when he becomes a billionaire, after an oil strike. The country folk are very naive with regard to life in the big city, so when Jed starts a search for a new wife there are inevitably plenty of takers and con artists ready to make a fast buck. Written by
The Clampett's automobile is a 1921 Oldsmobile. See more »
From Pearl's talk with Jed after he's struck it rich, it's clear that the Clampetts are ignorant of modern conveniences, yet Granny later makes reference to a telephone as though she has used one her entire life. See more »
Making a film from a book or play, regardless of how many times it was previously made is different than recasting an old TV sitcom and turning into a feature film. The difference is that in the first instance the films are based on characters as written down on paper from the mind of it's creator. No matter how many times A STREET CAR NAMED DESIRE is remade it always goes back to the characters, not the actors who portrayed them. Audiences will keep going back to the same play or film each time it is recast to see the subtle difference the recasting will change the role. That is why film versions of hit Broadway plays can be so successful. Remaking a TV sitcom is different. The new cast is not portraying the characters as originally written, they are portraying the actors' characterizations. So in films like THE BEVERLY HILLBILLIES we are treated to what is essentially a Saturday Night Live style parody. Of course, some of the best SNL skits are parody and it is fun to watch when done well (impressions done well, and of course a good sense of poking fun at a beloved show). THE BRADY BUNCH MOVIE was perhaps the best example of this. THE ADDAMS FAMILY was a remake, opting to go back to the original characters as created by Charles Addams in his comic strip. BATMAN and SUPERMAN also went back to their roots in the comic books and skipped most references to the TV show. In THE BEVERLY HILLBILLIES, the characters of Jed Clampett, Granny and the rest of the clan were created by Buddy Ebsen, Irene Ryan, etc...and I really doubt any of the new cast searched out notes of the characters so much as they just reviewed the old shows. This is all right and in good fun and we have to keep in mind that Jim Varney is not so much playing Jed Clampett as he is playing Buddy Ebsen's Jed Clampett. Recently, someone went ahead and remade Laurel and Hardy (in which the characters and the actors were one and the same). It flopped because it wasn't a parody and the film treated the characters as if the original Stan and Ollie were merely players. THE BEVERLY HILLBILLIES does not make this mistake, opting to literally morph the new cast out of our memories of the old cast. This movie has a cast that is hip, fun, and funny (you got to love a film that boasts a perfect, if not quite obvious casting of Jim Varney, Erika Eleniak, and Lily Tomlin--all giving great comedic performances). Is it better than the original? No, and I don't think it was suppose to be. It was just suppose to be a way to laugh at our past, and perhaps give fans a feeling that they are not alone with their adoration of one of the great TV shows of all time.
6 of 9 people found this review helpful.
Was this review helpful to you?