German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
This film shows the disaster of the Kuwaitian oil fields in flames. In contrast to the common documentary film there are no comments and few interviews. What must have been the hell itself ... See full summary »
1984 documentary film directed by Werner Herzog about children soldiers in Nicaragua. The film focuses on a group of Miskito Indians who used children soldiers in their resistance against the Sandinistas.
Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leaves. Herzog ... See full summary »
Herzog's documentary of the Wodaabe people of the Sahara/Sahel region. Particular attention is given to the tribe's spectacular courtship rituals and 'beauty pageants', where eligible young... See full summary »
Werner Herzog returns to the South American jungle with Juliane Koepcke, the German woman who was the sole survivor of a plane crash there in 1971. They find the remains of the plane and recreate her journey out of the jungle.
Juan Zaplana Ramirez
Sorry but as a Russian I can't perceive this seriously. With all my respect to Herzog it's NOT a true depiction of Russian faith and superstitions but rather a Borat-like comedy disguised as a highly objective and free from personal opinions documentary report.
If this movie has made you think that people like notorious exorcist Wisard Vasilyev, self-declared messiah Vissarion etc. are of any importance for the general Russian public then, well, you ought to consider imaginary movie called e.g. "Faith and superstitions in US" shot with a camera which thoughtfully dwells on ceremonies by Rev. Sun Myung Moon and Charles Manson.
Extremely tendentious and pretentious "Bells from Deep" can't be recommended to anybody except Russians: in their eyes it definitely deserves 10/10 for campiness (and BTW poses a question about relevance of other Herzog's ethnographic movies).
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