| Nicholas Hope | ... | Bubby | |
| Claire Benito | ... | Mam | |
| Ralph Cotterill | ... | Pop | |
| Syd Brisbane | ... | Yobbo | |
| Nikki Price | ... | Screaming Woman | |
| Ullie Birve | ... | Robbed Woman | |
| Audine Leith | ... | Fondled Salvo | |
| Natalie Carr | ... | Cherie the Salvo | |
| Lucia Mastrantone | ... | Pizza Waitress | |
| Carmel Johnson | ... | Angel | |
| Jip De Heer | ... | Treelopper | |
| James Ammitzboll | ... | Little | |
| Grant Piro | ... | Salesman | |
| Celine O'Leary | ... | Woman in Mercedes | |
| Dave Flannagan | ... | Cop / Warder | |
| Paul Philpot | ... | Paul (Band Singer) | |
| Todd Telford | ... | Little Greg (keyboards) | |
| Paul Simpson | ... | Big Greg (drummer) | |
| Stephen Smooker | ... | Middle Greg (bass) | |
| Peter Monaghan | ... | Steve (guitarist) | |
| Mark Brouggy | ... | Mark (roadie) | |
| James Bonifazio | ... | Young Man | |
| Emma West | ... | Violinist | |
| Bruce Gilbert | ... | Dan | |
| Michael Habib | ... | Cop #2 | |
| Alan Holy | ... | Cop #3 | |
| Betty Sumner-Lovett | ... | Gayle | |
| Nellie Egan | ... | Vicki | |
| Michael Constantinou | ... | The Animal | |
| Alec Talbot | ... | Prison Superintendent | |
| Norman Kaye | ... | The Scientist | |
| Michelle O'Regan | ... | Fondled Woman | |
| Gordon Poole | ... | Penniless Drunk | |
| Jamie Nicolai | ... | Number One Fan | |
| Pady Tsimeculos | ... | Pandy | |
| Rachael Huddy | ... | Rachael | |
| Maryla Sallis | ... | Maryla | |
| Janet Kanda | ... | Janet | |
| Heather Slattery | ... | Heather | |
| Fille Dusselee | ... | Shannon | |
| Stephanie Cooper | ... | Sharon | |
| Bridget Waters | ... | Angel's Mother | |
| Graham Duckett | ... | Angel's Father | |
| Andy McPhee | ... | Yobbo #2 | |
| rest of cast listed alphabetically: | |||
| Heather Rose | ... | (uncredited) | |
Directed by | |||
| Rolf de Heer | |||
Writing credits(in alphabetical order) | ||
| Rolf de Heer | written by | |
Produced by | |||
| Rolf de Heer | .... | producer | |
| Giorgio Draskovic | .... | producer | |
| David Lightfoot | .... | associate producer | |
| Domenico Procacci | .... | producer | |
Original Music by | |||
| Graham Tardif | |||
Cinematography by | |||
| Ian Jones | |||
Film Editing by | |||
| Suresh Ayyar | |||
Production Design by | |||
| Mark Abbott | |||
Costume Design by | |||
| Beverly Freeman | |||
Makeup Department | |||
| Beverly Freeman | .... | hair stylist | |
| Beverly Freeman | .... | makeup artist | |
Production Management | |||
| Paul Ammitzboll | .... | unit production manager | |
| Sharon Jackson | .... | unit production manager | |
| Gina Ploenges | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Paul Ammitzboll | .... | assistant director | |
Art Department | |||
| Crispin Joos | .... | carpenter | |
Sound Department | |||
| James Currie | .... | sound designer | |
| Frederick Stahl | .... | binaural sound engineer | |
Camera and Electrical Department | |||
| Simon Cardwell | .... | still photographer | |
Other crew | |||
| Tom Heuzenroeder | .... | work experience | |
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| Pink Flamingos | Trainspotting | Children of the Revolution | Freeway | Gummo |
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This film changed my life. No, really. It was a Friday night, and the parents were away. I was on my own in front of the television, and Channel 4 (UK + Irish viewers will know of it) was showing Bad Boy Bubby as part of some cult film season. Well, to cut a long story short, I was glued to the screen for the duration of the film (I drooled and stared at it during the commercial breaks) and when it was over, I realised that the dinner was entirely burnt. Not a particularly relevant story, you may think, but note that the television was IN THE KITCHEN, mere feet from the oven. That's how good this film is. It features possibly the greatest crazy monologue ever committed to celluloid (the pub/microphone scene), two of the most disturbing murders in any movie I've seen (and I've seen thousands), one of the most unsettling relationships I've seen, and an unbelievable central performance. This film is darker than dark, and stranger than Eraserhead. Just as Bubby is on his own throughout the film, so is the viewer. Alone, confused and disturbed beyond words.
And I've never thought of the Salvation Army in the same way since.
10/10